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How to evaluate the film Left Ear?
Fortunately, the "left ear" does not feel misplaced. On the contrary, "Left Ear" is introverted and restrained compared with other films of the same type. Except for "Triple Door" and Nokia, which gave countless close-ups, it did not deliberately create a nostalgic atmosphere, nor did it label the times everywhere like "You at the same table" for fear that the audience would forget the story background. As an indispensable female No.1 in youth films, Li Er's role will always be a plain and pure impression without the beauty and neurotic personality of other children's protagonists. Her love is staring and following from afar, but she will never say it. Even if she had the impulse to be bad to her beloved boy, she gave up because she really couldn't do it. As the commentator said, "As God is my witness, I am a good girl." Perhaps this is closer to our true youth face than the story of dog blood youth that is prone to abortion.
I remember there is a line in "Everything grows", "Love is not right or wrong, only true and false", and there is also a line in "Left Ear", "Love is right, love is youth." It's really unclear whether love is right or wrong, but according to the routine of youth films, true and false must be true, and right and wrong must be wrong. Left ear talked about a few wrong but extremely true ignorant love.
There must be love in youth. The love of several people in the film stems from simple liking, being beautiful, playing basketball well and even being "bad". The throbbing love in adolescence is simple and direct, just like Li Bala's brave confession and King Lear's silent attention. And whose youth never loves the wrong person, but has no regrets, just like Li Bala doesn't regret loving Zhang Yang and King Lear doesn't regret loving Xu Yi. Although it may be found that he loves the wrong person in the end, the beauty of youth lies in its tolerance. No matter right or wrong, love may not be harvested, but it will certainly grow.
The moving feature of Left Ear is not that it is really better than other domestic youth films, but that other films have some defects. For example, the actor's performance is still a little unfinished, and the transition of several memories is a bit stiff. The old online jokes are used as a means to increase the jokes of the film. In addition, this film also has some remarkable points.
For example, Zhang Yang was curious about what Li Bala said at last, and so were the audience. With the development of the plot and the change of Zhang Yang's personality, it really doesn't matter what he said, and Li Er, who is deaf in his left ear, doesn't have to blame himself for not hearing his friend's last words. This seems to imply to the audience that the past is like the wind and he can move on easily. Another unforgettable part of the film is the story of Zhang Yang jumping into the water to save people. When he was holding the hand of the girl who fell into the water, he suddenly found that the girl had become a bar, so he looked at the water and chose to stay in the undisturbed sea with the bar, just like their first touch in the water that night ... But the subsequent picture was that Zhang Yang had landed and wiped his body with a towel, which was too stiff. It's like a newly ignited flame being extinguished in an instant, which makes the original creative plot seem a bit abrupt and regrettable.
At the end of the movie, Xu Yi's ending was not explained. I don't know what Zhang Yang said to Li Er. It's like our youth. What happened to those who once loved us? We may not know and we don't want to know. It doesn't matter what the answer is, because no matter how hard you try to express it, youth is just a whisper and you can't hear it clearly. Similarly, you don't need to listen clearly.
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