How to Write the Third Chalk Word —— Writing Composition of Ancient Poetry

According to the activity arrangement of Ginkgo Studio, and in view of everyone's chalk display, today we will exchange the rules of writing ancient poems. Calligraphy composition, that is, the method of text layout, is a method of overall layout of the whole work, which was called "business position" by the ancients, also known as "cloth white". If the writer doesn't know the rules, even if he writes a word well, the work will still be chaotic and lack the aesthetic feeling of composition. Let's look at a few works (showing some exhibition works) No.25: This work has strong strokes and well-balanced structure, and it is well written in every stroke, but it is on the right side of the small blackboard as a whole, and 25 is written in a big way, which has a feeling of usurping the role of the host. Issue 10: Although this work has only written four lines of ancient poetry, it has a head on it, feet on the bottom and gaps on the left and right. Every sentence is equally spaced and equally spaced, which looks symmetrical and clear. Because every sentence is written in the middle, the first word doesn't match, which doesn't meet the typesetting requirements of poetry. Eighth: The title of this poem is slightly to the left. Line spacing is tighter than each line, and word spacing is unequal. The word "person" and the word "trace" are very close, and the third and fourth lines are tilted to the right. How to avoid these problems? You can lay a grid first to define the position of each word. No. 19: The title of this poem is slightly to the left, and the spacing is equal, and the spacing is greater than the line spacing. There is no gap between the top and bottom, and the vertical direction is too full. Issue 15: Before writing this work, horizontal straight lines are drawn, and the bottom of each word is written with lines, so it looks neat. The composition is not bad, but some stippling is incorrect and irregular. For example, the last vertical of "mountain" should be written as hanging vertical; The second point of "trace" is from light to heavy and cannot be written as an apostrophe; The last line of "Li" is too long. No.21:This painting is smooth and in place, and the structure changes smoothly. Every word is the same size. Although no straight lines or grids are drawn, the composition and layout are generally reasonable. One disadvantage is that the first word of each sentence is not aligned. After changing the line spacing and size on the 25th: See if this work is familiar. This is the effect of rearranging the row spacing and size of work No.25 just displayed on the same blackboard. The effect is completely different, the former is crowded and the latter is sparse and symmetrical, which shows the importance of composition in writing. Strictly speaking, a complete calligraphy work should include three parts: text, signature and seal. But the ancient poems we write on the blackboard only need to be written in the text, and do not need to be signed, let alone stamped. So I only talk about the writing requirements of ancient poetry on the blackboard from the text of the work. (Showing demonstration works): 1. Arrange on the blackboard according to the number of words, content and font of ancient poems. After the completion of the whole ancient poem, there should be a sky above, feet below, and the gap between the left and right sides should be equal. Too full will make the spirit stagnate, too thin will make the spirit slack. Second, write horizontally, from left to right, line by line. Third, regular script writing; The title of the poem is in the middle; The poet's font is slightly smaller, which can be centered or tilted to the right; Write in the blank space in front of the poem, and arrange several spaces according to the width of the small blackboard and the number of words in the poem. The first word of each sentence is aligned, the spacing between words is even, the words are even, and the ranks are neat. Fourth, the line spacing is slightly larger than the word spacing. This is in line with the reading habits of the current audience. Fifth, it is suggested to draw a Fang Gezi or a horizontal straight line, so as to control the overall situation. Every word is written in the center of the square, and the center of each word is relative.