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Wang Chaoqun’s character introduction

Wang Chaoqun

Wang Chaoqun (January 21, 1954-), whose pen names are Canzhi, Shi Chan, Tianma Shanren and Dianshi Zhaizhu, was born on January 21, 1954 in Hunan Xiangtan County, the same hometown as the art master Qi Baishi, was influenced by the Qi School of art since childhood, and loves calligraphy and painting. He graduated from Tianjin Maolin Calligraphy Institute in calligraphy and graduated from Chinese Painting and Calligraphy Correspondence University in Chinese painting. Later, he studied poetry, calligraphy, painting and seal painting under Mr. Lou Shibai, and then passed it on to his disciples. His traditional Chinese painting works integrate poetry, calligraphy, painting and printing. They have simple shapes, rough pen and ink, bright colors and magnificent momentum, and have a unique artistic style. His calligraphy is widely used in calligraphy works of various schools in the past dynasties, and he is proficient in real cursive and official seal scripts. "Transcendental things are full of three flavors, and the group comes from the same family", forming a style that is leaping and exciting, square and vigorous. He has been employed as the vice president of China Funiu Painting and Calligraphy Academy, a director of Longshan Poetry Society, an academician of China Academy of Traditional Chinese Painting, the honorary president of Beijing Olympic Calligraphy and Painting Academy, the honorary president of Beijing Jinghua Lanting Academy of Calligraphy and Painting, and the honorary president of Huaihai Painting and Calligraphy Academy. He is currently the China Vice president of the National Academy of Calligraphy and Painting, vice president of the School of Art Education of the China Academy of Traditional Chinese Painting and professor of the Flower and Bird Painting Studio, member of the Hunan Provincial Artists Association, member of the Hunan Provincial Calligraphy Association, and vice chairman of the Xiangtan County Calligraphers Association.

Chinese name: Wang Chaoqun

Alias: Villager, Shi Chan

Nationality: Chinese

Ethnicity: Han

< p>Birthplace: Xiangtan County, Hunan

Date of birth: January 21, 1954

Occupation: Calligrapher and painter

Graduation school: Tianjin Maolin Calligraphy College, Chinese Calligraphy and Painting Correspondence University

Belief: Chinese Studies

Main Achievements: Won the honorary title of "Famous Chinese Contemporary Painter and Inheriter of Outstanding Chinese Culture"

Representative Works: Paintings "Changle and Longevity", "Kowloon Pictures", "Back to Back", "Gold and Jade", etc.

Personal resume

In 1954, he was born in Xiangtan County, Hunan, and worked with art masters Qi Baishi, also known as Canzhi and Shi Chan, has been fond of calligraphy and painting since he was a child. He also likes to write since he was 5 years old. He likes to make toys, make homemade cars, and make homemade canes.

In 1969, school resumed classes. When I was in junior high school (the first spring), I saw a copybook owned by a classmate. I felt like I had found a treasure, so I borrowed it and copied it. I finished writing a semester's worth of large-character notebooks in one week. The teacher commented: "If you continue to practice like this, you will definitely succeed." "If you can practice good calligraphy", you will be rewarded with a big calligraphy book. Since then, you have continued to visit the pond.

In 1970, when I was in high school, I was responsible for the class's poster and blackboard newspaper, copying some landscapes, flowers, birds and animals.

< p>In 1972, he won the first place in the big character competition of the No. 5 Middle School in Xiangtan County. In the winter of the same year, he was drafted into the army. On the first day he was a new recruit in the army, he was asked to write and draw. Especially in the political movements of Lin Piao and Kong, the big-character posters and slogans were greatly tempered in practice.

In 1977, he was transferred to a film team of the Guangzhou Military Region Headquarters to engage in propaganda full-time. I have been working as a screenwriter for nearly ten years. During this period, I have provided valuable conditions for practicing calligraphy and painting. In addition to showing movies at night, I study and create during the day. I often go to the army to sketch, create slides, and make slide shows. In terms of calligraphy and painting, Yan Zhenqing studied calligraphy and painting. Dongfang Shuo's painting praise, Zhengshengshi, Mi Fu's ink writing, Wang Xizhi's ink writing, and Lanting preface all laid a solid foundation for the subsequent formulation of traditional Chinese painting.

In 1981 (the second spring), the calligraphy work "Revitalizing China" created for the first time was exhibited in the "Guangzhou Youth Calligraphy and Seal Engraving Exhibition". It was the period of literary and artistic recovery after ten years of catastrophe. It was published in the Guangzhou Daily in March The call for submissions for the "First Youth Calligraphy and Seal Engraving Exhibition in Guangzhou" came up with the idea of ??creation. It took nearly a month to complete the work and submit it before the International Labor Day. I received the exhibition admission notice and two tickets from the organizing committee. Through the visit and the exhibition symposium, I increased my confidence. At the same time, I began to focus on theoretical study. I met the old calligrapher Mr. Qin E at the Guangzhou Book Fair symposium. Language communication was difficult during the exchange. In order to facilitate communication and learning, he was transferred back to Nanyue, Hunan.

In 1982, "Serving the People for the People" was included in the Hunan Provincial Army and People's Exhibition hosted by the Hunan Branch of the Chinese Artists Association. Exhibition of Yue’s life art and calligraphy works.

In 1983, the seal cutting "Pioneering and Enterprising, Striving for Progress" was published in the Warrior Newspaper.

In 1984, four seals with the words "Protect the Environment" were exhibited at the National Art Museum of China, and "It is everyone's responsibility to protect birds" was published in the Environmental Protection Newspaper. "Spring fills the world, bravely be the pioneer of reform" was published in Hengyang Daily and Xiangtan Daily, and Tao Yuanming's miscellaneous poems were published in Henan Daily.

In 1985, the seal cutting "Timely Encouragement, Time Waits for No One" was published in a self-study journal, and his calligraphy and painting works won the first prize in the "Spring Festival Calligraphy and Painting Exhibition" of the Guangzhou Military Region.

In 1986, the inscription "Barracks Weekend" was written for the soldiers.

In 1987, he won the second prize in the first farmer calligraphy competition in Hunan Province, and three seals were published in Yancheng and Hengyang Daily.

In 1988, four seal carvings were selected into the "Cuan Baozi Calligraphy and Painting Stele Forest Collection". The Year of the Dragon was auspicious and the economy was stable. They were published in Aksu Savings News, Yancheng, Hengyang Daily, and Hunan Electrician News.

In 1989, the traditional Chinese painting won the third prize of the first Chinese Farmers Award, and the seal carving: Congratulations on the New Year, accumulated over time, etc. were published by 13 parties including Hunan Electrician News, Safety for the Sky, Hunan Science and Technology News, and Aksu Savings News.

In 1990, calligraphy was exhibited in the "First Exhibition of Calligraphy and Painting Works of Retired and Retired Soldiers of the PLA Armed Police Forces Stationed in Hunan" hosted by the Propaganda Department of the Hunan Provincial Party Committee and the Political Department of the Provincial Military Region. The seal carvings were exhibited in joint exhibitions of some seal cutting houses across the country. The calligraphy and painting were selected into the "China Yingzhou Xilianghu Stele Forest Domestic and Overseas Calligraphy and Painting Competition" and collected. The seal carvings "Spring Full of China, Good Luck and Good Luck" were exhibited in 12 places including Safe for the Sky, Hunan Science and Technology News, and Hunan Rural Areas. Published in newspapers such as Hunan Workers' Daily and Economic and Taxation News.

In 1991, his gold and stone seal cutting works were selected into the "Exhibition of Contemporary Calligraphy, Painting and Seal Engraving, Works by Famous Artists" and collected. They were also selected into the "Collection of Works of Chinese Young Seal Engravers" and included in the "Collection of Works of Chinese Young Seal Engravers". He won the Outstanding Work Award in the competition, and his seal cutting "The Benevolent Loves the Mountain and Moves to the Wonderful Land" was selected into the National Urban Seal Engraving Society Exhibition and included in the collection of works.

In 1992, he won awards for "Everything Renewed" and "Collection of Seal Engravers" for seal cutting. "Spring Flowers and Autumn Fruits", "Seal Engravers" and their biographies were included in the "Dictionary of Contemporary Seal Engravers", "Spring Sleeps Before Dawn" " etc. were compiled into the "Collection of Cuan Baozi's Calligraphy and Paintings in the Forest of Steles".

In 1994, seal cutting works "Chinese Scenery" and other three parties were included in the compilation of "Chinese Seals".

In 1995, his personal biography was included in the "Dictionary of Chinese Calligraphers and Painters".

In 1996, seal cutting won the silver medal in the Second Prince Cup Cross-Strait Calligraphy and Painting Competition.

In 1997, seal engravers such as "Spring Flowers and Autumn Fruits" and "Yin X Qiu Yin" were included in the "Collection of Outstanding Works of Calligraphers and Painters on Both Sides of the Taiwan Strait";

In 1998, he was employed as the editor of China Funiu Vice President of the Academy of Calligraphy and Painting, specially appointed senior calligrapher and painter by the New China Academy of Art; Chinese painting won the silver medal in the large-scale calligraphy and painting exhibition held on the fourth anniversary of the founding of the "Central Plains Calligraphy and Painting Newspaper", and was included in the "Century-Century Outstanding Collection of Central Plains Calligraphy and Painting"; Seal cutting was selected into the "Century Chinese Calligraphy and Painting Journal" "The First National Modern Seal Cutting Art Exhibition Competition" won the Excellence Award.

In 1999, he was employed as the honorary president of the Huaihai Painting and Calligraphy Academy; his calligraphy works won the gold medal in the Fifth International Painting and Calligraphy Exhibition; the traditional Chinese painting "Longevity and Joy" was selected into the "1999 International Year of the Elderly Chinese Calligraphy and Painting Exhibition— "Century Masters Calligraphy and Painting Exhibition" series of exhibitions, and won the "Century Masters Creation Award"; his biography was included in the compilation of "Famous Chinese Calligraphers and Painters of the 20th Century", and was awarded the title of "Meritorious Artist of the Century"; the traditional Chinese painting "Nine Dragons" was included in the compilation of "Excellence in Central Plains Calligraphy and Painting Across the Century" "Collection of Works"; the Chinese painting "Bubugao" was included in the "Auction Library of Chinese Art Calligraphers' Works in the 20th Century"; the calligraphy and painting was included in the "Album of Works by World Art Calligraphers"; the Chinese painting "Full of Gold and Jade" was included in the "Authentic Works Exhibition of World Famous Contemporary Calligraphers and Painters" Ceremony", published the "Collection of Works of Contemporary Famous Calligrapher and Painter Wang Chaoqun"; won the title of Son of the East on the 50th anniversary of the founding of the People's Republic of China.

In 2000, the Chinese painting "Chang Paradise" was included in the "Century Chinese Famous Artists Art Ceremony", and the calligraphy was included in the "Complete Collection of Chinese Calligraphy". The works were evaluated by the Art Quality Department of the Ministry of Culture and the Cultural Market Development Center as Flower and Bird Painting 1620 Yuan/square foot.

In 2001, his calligraphy and painting works were awarded the Gardener Award in the Fifth 21st Century International Calligraphy and Painting Aesthetic Exhibition; and won the Silver Medal in the 2001 21st Century Cross-Strait Calligraphy and Painting Exchange Exhibition. award.

In 2002, he was rated as an outstanding literary author in the 1997-2001 Literary Creation Awards; his calligraphy won the Excellence Award in the National Calligraphy and Painting Exhibition celebrating the 75th anniversary of the founding of the People's Republic of China.

In 2003, his calligraphy won the special prize of the "Fifth Ode to the Motherland International Calligraphy, Painting and Photography Competition" and the title of the top ten national calligraphers with both virtue and art; won the first national collection of art works of young children's instructors. Special Issue Contemporary Art Education Talent Contribution Award;

In 2005, he was appointed as a director of Longshan Poetry Society.

In 2006, he was appointed as an academician of the Chinese Academy of Traditional Chinese Painting; as the honorary president of the Beijing Olympic Painting and Calligraphy Academy; and as the honorary president of the Beijing Jinghua Lanting Academy of Calligraphy and Painting.

In 2007, the Chinese painting was artistically appraised by the China Art Appraisal Committee as a famous grade of 2,000 yuan/square foot.

In 2008, through a friend’s introduction, I went to Beijing to become my teacher, Master Lou Bai, and Master Lu Lou commented on his works. After that, he officially became the successor of Qi School, and his painting style became prominent.

The Chinese painting "Spring, Summer, Autumn and Winter" was included in the exhibition "Commemorating the 30th Anniversary of China's Reform and Opening Up", "2008 Art Hunan", "Hunan Provincial Fine Arts Exhibition", and the Chinese painting "Far Away" was included in the "Famous Painting and Calligraphy Masters of Chinese Future Generations" "; calligraphy works were awarded the Xiangtan County Literary and Art Creation Excellence Award.

In 2009, "Wang Chaoqun's Flower and Bird Painting Collection" was published.

In 2010, he was rated as an advanced individual in the work of the Xiangtan Calligraphers Association; the traditional Chinese painting "Only Water Control at the Source" was selected into the "Welcoming the World Expo" CPPCC members calligraphy and painting exhibition; invited to participate in the calligraphy and painting exhibition organized by the China National Association, China The "2010 Shanghai World Expo·Chinese Famous Calligraphers and Painters Collection" event sponsored by the Freehand Painting Association and other associations won the title of "Chinese Contemporary Famous Calligraphy and Painting Master"; he was rated as an outstanding instructor in the first "Hope Cup" Youth Calligraphy Competition in Xiangtan City;

In 2011, he was appointed as the vice president of the National Academy of Painting and Calligraphy of China, the honorary president of the National Palace Museum of Calligraphy and Painting in Taipei, and the visiting professor of the National Palace Museum of Calligraphy and Painting in Taipei. He has an honorary life-long term and is the vice president and professor of the School of Art Education of the National Palace Museum of China. ; The China Collection Academic Research Association and the World Culture and Art Appraisal Center have approved it for inclusion in the "Runge Dictionary of Famous Chinese Contemporary Calligraphers and Paintings", and won the title of "Contemporary Calligraphers and Painters with the Most Academic Value and Market Potential"; their works have been appraised by Runge, a famous contemporary Chinese calligrapher and painter. Chinese painting 8,000-22,000 yuan/square foot, calligraphy 8,000-20,000 yuan/square foot; was awarded the "People's Art Award of the Chinese Literature and Art Circle", was also awarded the title of "People's Art Master", and was named the Advanced Individual of the Artists Association in 2011; In the same year, he was invited to participate in the World Tour Exhibition of Chinese Calligraphy and Painting Artists' Works - Poland, the European Tour Exhibition of Chinese Calligraphy and Painters' Works - Paris, the World Tour Exhibition of Chinese Calligraphy and Painters' Works - Japan, and was invited to participate in the Korean-Chinese Calligraphy and Painting Art Works Exchange Exhibition, and won the The title of International Artist as China-Korea Cultural Exchange Envoy.

In 2012, the China Federation of Literary and Artists Association awarded the "Century Flying Dragon Award for Lifetime Achievement, the Highest Honor Award"; the "Moving China Outstanding Cultural Inheritor" was awarded by the Moving China Cultural Figures Selection Committee and Cultural Figures Magazine. His title, personal deeds and works were included in the New Year special issue of "Cultural Figures" magazine "Hundred Outstanding Cultural Figures Who Moved China"; his works were included in "Soul of China - One Hundred Generals, One Hundred Ministers, One Hundred Famous Masters' Patriotism and Traditional Virtues Education" "Collection of Exhibitions", "Lectures" and "Performances" in the Calligraphy and Painting Exhibition of Hundreds of Series Activities" and won the gold medal; the Chinese paintings that were exhibited in the first "Tianyi Cup" Calligraphy Competition and Famous Artists' Calligraphy and Painting Invitational Exhibition were permanently collected by the Tianyi Demonstration Zone Management Committee; He was invited to be a member of the 8th Committee of the CPPCC Hunan Province Xiangtan County and was named an outstanding member of the CPPCC in 2011.

In 2013, "The Master's Gate—Wang Chaoqun's Work Collection" was published. Appreciation of the works of famous Chinese painting and calligraphy masters Sun Qifeng and Wang Chaoqun was collected and reported by dozens of authoritative online media; he was invited to congratulate the motherland and the Shenzhou 10 Flying Sky, and participated in the first China Art Flying Award; and won the "China Art Flying Award for Outstanding Contribution" "Title; won the gold award for the highest achievement in Chinese culture and art to commemorate the 35th anniversary of reform and opening up, and his works were selected into "35 Years of New China Literature and Art"; entered into the national first-level artist network query system of the Beijing People's Academy of Painting.

In March 2014, the work was selected into the special media exhibition "Double Ten Masters of Chinese Traditional Painting Presented to the National Two Sessions".

Artistic Achievements

A brief biography is included in "Dictionary of Chinese Calligraphers and Painters", "Dictionary of Contemporary Seal Engravers", "Chinese Seals", "Complete Collection of Chinese Calligraphy", "Directory of World Calligraphers" "World Art Ceremony of Chinese Famous Masters", "Famous Chinese Calligraphy and Painting Masters of the Past Dynasties", "Focus on Chinese Calligraphy Masters", "Guide to Famous Masters", "Art of Famous Masters", "Collection of Works of Chinese Young Seal Engravers", "World Famous Contemporary Calligraphers and Painters Authentic Art Exhibition Ceremony", "Famous Chinese Calligraphers in the 20th Century" Calligraphers and Painters", "Auction Library of Chinese Art Calligraphy Works of the 20th Century", "Guide to the Collection of Masterpieces by Modern Chinese Masters" and many other classics. Published "Collection of Works of Wang Chaoqun, a Famous Contemporary Calligrapher and Painter", "Collection of Flower and Bird Paintings of Wang Chaoqun", "Selected Works of Wang Chaoqun's Calligraphy", "Collection of Wang Chaoqun's Seal Engravings", and "The Master's Gate - Collection of Works of Wang Chaoqun".

His calligraphy, painting and printing works have won many awards across the country. It is also the engraving and collection of Cuan Baozi's Calligraphy and Painting Stele Forest, Yingzhou West Lake Stele Forest, Chinese Red Army Memorial Hall, Peng Dehuai Memorial Hall, Shenzhen Huaxia Yingjie Ink Treasure Garden, Xizhi Cultural Development Co., Ltd., Western Love Garden, Singapore New Divine Art Academy. There are calligraphy and painting works that have been exhibited and sold in Japan, South Korea, France, the Czech Republic, Poland, the United States, Canada, Singapore and other countries for many years.

The main works of calligraphy and painting include:

Characteristics of painting

Chinese painting works integrate poetry, calligraphy, painting and printing, looking for the thoughts of the sages and learning from nature. , spiritual writing, bright colors, magnificent momentum, unique artistic style, creating a simple and fresh art world. He is simple, humble, confident and self-reliant, and his artistic works pursue "the beauty lies between similarity and dissimilarity". Especially insects, fish, birds and plants are dripping with ink, filled with the vitality of nature. The composition of his landscape paintings is unique and unconventional, and he is full of creative spirit. Calligraphy has been widely used in various posts in the past dynasties. He is both strong and soft. He is proficient in real cursive and official seal scripts. His calligraphy is simple and elegant. He skillfully integrates strong and vigorous brushwork into the painting, perfecting the inner image expression. His calligraphy is mainly based on the calligraphy masters such as Er Wang and Mi Fu. He also has in-depth study of Ou, Chu, Yu and Yan in the Tang Dynasty, as well as the Northern Wei and Han steles. He is good at using brushes, clean and beautiful. Mr. Lou Shibai once spoke highly of his calligraphy, paintings, seals and artistic achievements. His seals were drawn from the Faqi School, carved with a single sword, and showed his own skill, establishing a unique style of sealing that hides skill in clumsiness, is wild with iron pen, and is straightforward and vigorous.

Obviously, all of Wang Chaoqun’s works are produced from a Zen-like awareness. At the moment when his mind connects to the vast universe, his thoughts connect to the loneliness, and he expresses his emotions, the brushstrokes blur out and overlap with the universe. free attitude. This non-representational and non-descriptive language, especially the random extension of the brush lines and the unconscious floating of the ink dots, reveals his sensitive spiritual meditation and ethereal temperament. "There are three kinds of things that are transcendent, but they come from the same family in the group." Wang Chaoqun's works of art become the visual structure behind the abstract representation. The freehand brushwork naturally shows the power of language itself, forming an interesting, square and vigorous style. In his works, we can feel the unique artistic personality of his works, and capture the colorful colors, aura and joy in the sunshine.