What are the characteristics of China traditional Quyi music?

The combination of rap and singing means speaking with singing and speaking with acting in singing. This is the most important feature that Quyi music is different from other traditional music categories in music style. The performance bibliographies of most kinds of songs take medium-length stories as the theme, relying on one person or one person-centered rap without stage performance to portray characters and interpret the story content, so they especially emphasize the organic combination of "speaking" and "singing" in singing, thus highlighting their narrative performance: ① white rhyme and white words, sincere words. Sanbai is close to life language, but it is more refined, accurate and emotional than life language; Rhyme is rhythmic chanting, just like reciting poems and words. It is necessary to make "Shuo" reflect the rhythmic beauty of cadence and cadence Whether it is prosaic or rhyming, every word must be clear and every sentence is true; (2) Sing while talking, and sing in fragments. That is to say, in most people's voices, accent is like speaking the vernacular, or the first half sentence is sung in the second half sentence, or the first half sentence is sung in the second half sentence, or phrases and paragraphs are followed by words, or a paragraph is followed by singing. In a word, the structures of "saying" and "singing" need to be alternately compared, each with its own strong points, so that the plot and feelings can be unfolded and revealed in the changes of "saying" and "singing". (3) It seems that I like singing and rapping. That is to say, the tune is closely combined with the phonology of the language, which makes the tune reflect the characteristics of rap, that is, it resembles singing and singing, making the tune pleasant and simple. 4) Give priority to singing and show it in singing. That is to say, some kinds of songs or strong singing tones still need to show the characteristics of "speaking", but the tune changes with the words, and the words are clear and round, so that people can taste the emotional changes and plot development of the characters in lyric singing, and at the same time make people understand the deeper meaning of what they sing. In other words, we should not only "sing" and "sing" but also "sing".

There are many kinds of tooth decay, each with its own needs and everything. Quyi music has complex sources, diverse genres and eclectic structures, and almost all the musical forms and genres contained in other types of traditional music can be found in Quyi music. Many kinds of vocals are based on local materials, and other local folk music is used as materials to construct the basic tone of this music. Some may be all kinds of folk songs, some may be opera tunes, some may be songs and dances, some may talk in a blank way, and some may also contain instrumental music. Secondly, the music style is eclectic and has different forms. Various genres can flexibly adopt single article, couplet, banqiang, mixed composition and various sentence patterns and paragraph patterns.

Accompanied by singing, play and sing by yourself, and make excuses. This is the distinctive feature of Quyi music in the form of music accompaniment: ① Most of the central rappers of Quyi music accompany themselves with one or two instruments, or play drums, bangs or strings. For example, the drum word rapper plays the book drum and blackboard himself; The rapper who plays the part-of-speech genre plays sanxian or pipa himself; The rapper of Taoist music personally plays fishing drums and simple boards; The rapper of Qin Shu music personally plays the dulcimer; The rapper who sings while walking plays with various props; The rapper of Banyin school plays the role of bangzi, Banyin and Pian. Any excellent Quyi artist is an artist who is good at singing, speaking and playing. If others are accompanied by other instruments, they will also focus on the rapper to contrast with the cavity. (2) The choice of accompaniment instruments, except the central rapper, are mostly stringed instruments, such as Sanxian, Yueqin, Pipa, Tribal Tiger, Erhu and dulcimer. Accompaniment music can be divided into "piano music" and "cavity music". The music on the board includes prelude, prelude and door-crossing. The prelude of some music belongs to independent instrumental music, which is often called "opening song" and "disturbing song", such as the Bantou, Big Three White Stations and Small Three White Stations of Henan Opera. For Quyi performance, the prelude has the function of noisy, quiet, practicing, tuning and tuning. The introduction is an instrumental accompaniment guide before rap, which is structurally integrated with the following aria; Through the door is the accompaniment of musical instruments, which plays a connecting and transitional role between singing phrases or paragraphs. Passing through the door between phrases is generally called "small door" and passing through the door between paragraphs is generally called "big door". Chorus music is instrumental accompaniment synchronized with singing, and there are mainly two methods: "cavity accompaniment" and "contrast accompaniment". Accompaniment with the cavity, that is, instrumental accompaniment is basically the same as aria, which seems to be played in unison but the change is simple and complicated, which plays a role in moistening the cavity; Contrastive accompaniment, that is, instrumental accompaniment music and vocal melody have many differences in rhythm and melody, which plays a role in enriching vocal feelings and enhancing vocal expressive force.