The main stages of Guo Moruo’s poetry creation

1 The artistic network of "Goddess" is the unity of diversity. Passion is like lightning and thunder, and a volcano erupts; tenderness is like the breeze, the bright moon, and the trickling spring.

After "Goddess", Guo Moruo created a large number of poems: "Starry Sky" (written between 1921 and 1922), "Vase" (written in the spring of 1925), "Qianmao" (written in 1923) , published in 1928), "Qianmao" (written in 1923, published in 1928). The creations of this period have shown different characteristics from the poems of the "Goddess" era, from which we can understand the transformation of Guo Moruo's poetic style.

2 The image system of "Starry Sky" is consistent with that of the goddess. It lacks the passion of the era in early poetry, but its techniques have become more mature: the structure is more rigorous, the language is more concise and implicit, and the emotions are deeper. Such as "Starry Sky", "Winter Scene", etc.

3 "Vase" is a love poem, a reflection of the anguish of the times on love during this period, but it still embodies Guo Moruo's romantic consciousness. Such as "No. 37, etc."

4 "Qianmao" and "Recovery" mark the change of Guo Moruo's poetic style. His poems are full of the flavor of the revolutionary era and his attempts at proletarian poetry. But too much allows poetry to serve as a political "gramophone" and individuals serve as "slogans" and "slogans", thus fundamentally losing one's own artistic personality.