Please tell me about the types of pipa.

At the beginning, it was divided into two factions: South and North.

The Southern School is the Zhejiang School, represented by Chen Mufu. He is good at music such as Christina, Dismantling Armor, Moon Height, Puan Mantra, Your Legend, Water Army Fuck, Sui Chen, Wulin Yi Yun, etc.

The Northern School, namely the Zhili School represented by Wang Junxi, used wheels. His good music includes House of Flying Daggers, Dusk Drum and Flute, Little Puan Mantra, Voice of Le Yan and so on. Hua and Hua Zi in Wuxi learned from the north and south and merged into Wuxi School, and there are three volumes of North-South School Pipa Music, which completely records the fingering of North-South School Pipa Music.

In the Qing Dynasty, there were other schools, such as Pudong School, Pinghu School and Chongming School.

Pudong School was inherited by Ju Shilin, Ju Maotang, Chen and He, and there are now Ju Shilin Pipa Spectrum, Chen Pipa Spectrum and Yang Zhengxuan Pipa Spectrum.

Pinghu School was handed down from generation to generation by Li Qiyu, Li Fangyuan, Wu Mengfei, Wu Baijun and Zhu You. There are three sets of new pipa, Yi Yishi Pipa and Zhu Ying Pipa 13.

Chongming School has been inherited by Jiang Tai, Huang Xiuting, Shen Zhaozhou, Fan Ziyun, Fan and other ancestors, and the Yingzhou Ancient Song is circulated.

The above is based on the spread of pipa solo music. In Qing Dynasty, there were many teaching systems for pipa solo and local ditty performance, such as Zhejiang Hangzhou Gang represented by Huangyuncheng. Zhang is a representative of Zhejiang Sage School. Zhejiang Wenzhou School represented by Xiang Zizhen; Guangdong Chaoshan School represented by Wang Zeru; Guangdong Hakka folk music pipa represented by Rao Bichu; Guangdong pipa represented by He and He; Jinmen Sect represented by Li; Shandong Chuanpai, represented by Ma,, and; There are also Beijing Quyi pipa; Tianjin should play pipa; Henan Bantouqu Pipa; Suzhou Tanci Pipa; Sichuan Yin Qing Pipa, etc.

The above introduction is about the spread of Pipa and its copies (copies), and there are many related copies, such as Liu Tianhua's Collected Works of Liu Tianhua (editor-in-chief), Collected Works of China (published by bookstore in 1952 and reprinted by music publishing house in 1954) and Collected Works of Pipa.

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