Joke Collection Website - Mood Talk - & lt Seven Laws Long March >; Circle a pair of antonyms in the underlined sentences and talk about how they express the poet's feelings. I'm in fifth grade, help! Thank you~

& lt Seven Laws Long March >; Circle a pair of antonyms in the underlined sentences and talk about how they express the poet's feelings. I'm in fifth grade, help! Thank you~

"The Red Army is not afraid of the expedition, and Wanshui Qian Shan is only idle." The first couplet comes straight to the point, praising the revolutionary spirit of the Red Army, which is not afraid of difficulties, brave and tenacious. This is the central idea of the whole article and the artistic tone of the whole poem. It is the beginning of the whole poem spirit and the end of the whole poem artistic conception. The word "not afraid" is the poetic eye of the whole poem, and "just waiting for leisure" strengthens and reiterates "not afraid"; Difficulty in Expedition covers this extraordinary historical process, while Wan Shui Qian Shan outlines the internal and external meaning of "difficulty". This couplet is like a falling stone, rolling down, affecting the whole article and hanging over the whole poem. "Waiting for Leisure" is as easy as lifting weights, showing the commander-in-chief style of the poet who regards gold as a ladder and deals with the enemies of society. "Only" strengthens the firmness of tone and has a strong emotional color. It highlights and emphasizes the revolutionary spirit of the Red Army's contempt for difficulties, and shows the iron army style that the Red Army is leisurely, comfortable and invincible in the sword. The first couplet is the general leader of the whole poem, and the following triplets are closely related to the first couplet. The whole poem begins with the first couplet, develops two ideas and constructs two time and space. One is the objective reality: "Expedition is difficult" and "Qianshan" is full of dangers; One is subjective psychology: "not afraid" and "just idle". This constitutes a strong contrast, casting a vast physical space and magnificent psychological space, laying a bold and broad tone for the whole poem.

Parallel connection and neck connection

The four sentences "Zhuanlian" and "Jinglian" describe the Red Army's victory over difficulties from two aspects: mountain and water, which are inherited from the above "Qianshan" and "Wanshui". According to the route of the Red Army's Long March, the poet selected four typical place names, all of which are famous natural disasters, and highly summarized the "Qian Shan Wanshui" on the way of the Red Army's Long March. There are many place names in Mao Zedong's poems, most of which are used to indicate the marching route. For example, "Qingping Music-Battle of Gui Jiang", "Red Flag Leaps over Tingjiang River and Longyan to Shanghang" and "Butterfly Loves Flowers". From Tingzhou to Changsha "and" Millions of workers and peasants Qi Xin joined forces to sweep Jiangxi and attack Hunan and Hubei "and so on. These are true records of the military activities of the Red Army of Workers and Peasants. This shows how Mao Zedong's poems are closely linked with the China Revolution. Compared with other poems, the practice of entering poems with place names is more concentrated in this paper and shows a greater spatial distance. What is particularly unusual is that the four words listed above should emphasize that the Red Army is moving very fast and unstoppable, and the Red Army has a strong sense of movement in the picture; In this poem, the poet emphasizes the Red Army's contempt for difficulties around the central idea of "Red Army's expedition is not afraid of difficulties", which is the presentation of the inner world of Red Army commanders and soldiers. Therefore, the description of the Red Army is hidden, and the merits of the Red Army are compared with mountains and rivers. The verbs "Teng" and "Zou" make the mountains turn from static, which is an explicit expression of the spirit of the Red Army. Generally speaking, it is difficult to put land names into poetry, and too many place names are easy to fail. However, Mao Zedong used it very successfully. This is not only because he has the poetic power to overcome everything in words, but also because he has a poetic power to express himself in his heart. At the same time, it also reflects Mao Zedong's ability to temper the language of the motherland. "Wuling makes waves, and Wumeng takes mud pills." There is a couplet about mountains, and it is also about the Red Army's conquest of mountains. Wuling and Wumeng are objective beings, but when they enter the poet's field of vision, they become aesthetic objects. So it is no longer a simple mountain, but an emotional object. The words "winding" and "majestic" mean that the mountains are high and continuous, and they are the mountains in the hearts of the Red Army and poets. The maximum and minimum are exactly the poet's perception of mountains. The emphasis here is small, not big. The larger the scale, the more difficult it is for the Red Army to March. The more so, the less afraid of the Red Army. Emphasizing smallness also highlights the Red Army's contempt for difficulties. Through two groups of opposition, the poet fully demonstrated the tenacity and heroism of the Red Army. Technically, this is exaggeration and contrast. It is very clever to describe the mountains as bright lines and the Red Army as dark lines, combining movement and static, combining light and shade, and making each other interesting. "Jinsha water beats the clouds and cliffs, and Dadu Bridge is cold." There is a couplet about water and the Red Army's conquest of water. The Red Army's forcible crossing of Jinsha River and Dadu River is of great significance in the history of the Long March. The Jinsha River is wide and swift, and Chiang Kai-shek dreamed of using this natural danger to panic in the Sichuan-Yunnan-Guizhou border region of the Red Army. 1935 In May, the Red Army skillfully crossed the Jinsha River. If crossing the Jinsha River skillfully is the cleverest and most successful battle of the Red Army in strategy and tactics, then crossing the Dadu River forcefully is the bravest and most tenacious battle of the Red Army. Dadu River is as dangerous as Jinsha River, and the enemy is heavily guarded. The cunning enemy also tore down the boards of the Luding Bridge on the river, leaving only thirteen iron cables. However, the heroic Red Army braved the enemy's bullets and broke through the Dadu River, crushing Chiang Kai-shek's plot to make the Red Army a second Shi Dakai. Therefore, the battle written in these two sentences has typical significance. The two sentences "Wuling" and "Wumeng" directly show the heroism of the Red Army through their subjective feelings, while these two sentences record the story through scenery writing and show the heroic deeds of the Red Army through records. The antonyms of "warm" and "cold" in the cervical couplet are two emotional acupoints carefully designed by the poet. The word "warm" is warm and joyful, showing the excitement of overcoming difficulties; The word "cold" is cold and harsh, conveying the aftertaste after a narrow escape. Two adjectives are the great change of spirit and the fission of feelings. They are full of endless meanings, showing endless interest beyond them, swaying and undulating, and Zhang Chi has a feeling.

Terminal connection

"I like the snow in the mountains, and I will open my eyes after the three services." This is a response to the first couplet. Saying "not afraid" at the beginning and "happier" at the end strengthened the theme and sublimated the theme of the poem. "More happiness" is inherited from the above, and it is also the emotional restraint above. It is naturally gratifying that the Red Army crossed Wuling, Wumeng, Jinsha and Dadu and broke through the enemy's tight encirclement. Now, the Red Army has crossed Minshan and entered northern Shaanxi. It is not far away to win the victory of the conference, and the purpose of strategic shift has basically been realized. Compared with the previous joy, nature is better. Writing "All smiles" is about the laughter of the three armies, and it is the laughter of the upcoming final victory, which further highlights the optimism of the whole poem.

I wonder if these can help you. ........