Do you know that Du and Li Niangzi have deep feelings for Niangziguan? What do these two paintings mean to Sheng Minglan?

These two paintings have actually appeared a lot in the play. First of all, Li Niangzi is guarding Niangzi Pass. One of the two relics left by his biological mother Wei Xiaoniang, a painting and knee pads, was also returned to Zhao in the later plot. Of course, Ming Lan also sacrificed his single career. After marrying Gu, the two cultural relics finally reunited after ten years. I have to say that caring for peace is destiny takes a hand's fate, not to mention the deep affection for you. Just saying that Li Niangzi is guarding Niangziguan is of great significance to Ming Lan. At the end of the TV series, this painting also appeared.

Li Niangzi, who guarded Niangziguan, was given to Xiao by Wei Xiaoniang before her death. Ming Lan kept it carefully and brought it to Cheng Cheng after marriage. However, she was not so lucky and was abandoned directly before marriage. Throughout the play, Ming Lan's literary and artistic cells are pitiful. In the play, most scenes of Ming Lan are about food. She is proficient in horseback riding and fishing. She has nothing to do with dancing or writing. She is not interested in calligraphy and painting, while Ming Lan is a food lover. So there are only two paintings in her room, and the final fate of the two paintings is different. Mainly from the source of these two paintings, Du Fu's "Affectionate Picture" was given by Moran when he moved, satirizing the loss of his mother. But Ming Lan accepted it out of respect. And guarding Niangziguan with the legacy of his mother Li Niangzi.

First of all, let's talk about the significance of this painting to Ming Lan and Ming Lan. Whether it is the meaning in the painting or the person who gave it to her, it is a kind of harm to her. Ming Lan lost his mother when he was young. How can he be accompanied by his biological mother like Moran? And Moran's own mother killed his mother. Isn't this an invisible injury? Therefore, Ming Lan gave up the painting and returned her to Lin Xiaoniang when conditions permitted.

Second, Lady Lee. Z kept Guan Tu, and Ming Lan always took it with her and hung it at home after marriage. Moreover, after her husband's accident, I used this painting to encourage myself, believing that I would live alone like Li Niangzi, independent of my father and husband. There are many more scenes in this painting than in the other. The significance of this painting to Ming Lan is not only a souvenir, but also a sustenance from her biological mother. I hope my daughter can live a good and strong life before she dies.

It doesn't mean that the calf's affection doesn't play a big role in the play. The last time it worked, Lin Xiaoniang was scared to death. Lin Xiaoniang saw Kukraft's affection and thought it was a threat from Ming Lan. She screamed at the top of her lungs all night, indicating that Lan wanted to murder her daughter Moran.

Therefore, although these two paintings were collected by Ming Lan, one of them has been preserved by her, and the other one was given to Lin Xiaoniang by her. It can be seen that her attitude towards these two paintings is different, of course, the two paintings bring her different meanings.