Poets compete with snow for beauty —— Appreciation of snow in ancient poems (IV)

Poets compete with snow for the first place.

? -Ancient Poems and Snow Appreciation (7)

Wang chuanxue

Poets compete with snow for beauty —— Appreciation of snow in ancient poems (IV)

Poets compete with snow for the first place.

? -Ancient Poems and Snow Appreciation (7)

Wang chuanxue

After the Song Dynasty, there were many poems about snow.

First look at Guan Hanqing's Dade Song Dongjing in Yuan Dynasty;

? Snow powder flowers, pear blossoms, smoke villages no longer. Scatter the map intensively and see the crows in the sparse forest. Under the Qingjiang River, Huang Wei is shaded and the fishing line is inclined.

? "Snow powder blossoms, dancing pear blossoms", heavy snow is like a white sea of flowers, like colorful pear blossoms. The ancients often used pear flowers to describe snowflakes, such as "Bai Xuege Farewell to Tian Shuji Wu Guixiang": "It's like a spring breeze, and ten thousand pear flowers are blown away overnight." The author is full of love and writes the shape and expression of snowflakes. The word "dance" means that the north wind is blowing tightly. The author looks up at the sky, and snowflakes are flying all over the sky, leaving a broad space for writing specific scenery below.

"There are no more four or five smoky villages", and the north wind blows away, raising snow powder and smoke, and the villages of four or five families are still faintly discernible. This statement has been around for a long time. "Four or five", the author did not specify, it can be seen that the smell of smoke is so big that it is difficult to identify clearly. Here, the author not only wrote the characteristics of winter, but also wrote the characteristics of evening.

"Misato" and "Kan" are both worthwhile. Snowflakes are falling so densely that it is worth describing. This sentence sums up the above two sentences, looking at the snow scene in Yancun from a distance, wrapped in silver. Write a close-up in the following three sentences.

Look at the crow making noise in the sparse forest. You see, the crows returning home in the evening are noisy in the sparse forest, ready to roost. The crow's cry caught the author's attention and aroused the author's infinite emotion. Because the forest is sparse, crows can be clearly seen. The author's choice of scenery color here is ingenious: on the white background, there are only sparse Woods, and then painted with black crows, which makes the scenery more eye-catching and attractive. Black is a cool color, and the crow's cry is very sad and desolate, which brings a sense of desolation to the whole picture.

"Huang Wei is hidden under the Qingjiang River", and Huang Wei reflects the Qingjiang River, forming an orange ribbon. The north wind blows, and the yellow reeds on the banks of the river are more dazzling and swaying against the white scenery of Qingjiang River, bringing a little warmth and joy to this desolate environment.

There is a fishing boat moored on the shore, enjoying the scenery of Qingjiang River alone. The author outlines the Qingyuan artistic conception of "crossing the wild without a boat" The boat moored on the shore, indicating that it was getting late and the fisherman had gone home, making the environment quieter. The author took a photo of "fishing", depicting the footprints of people's activities, adding vitality and charm to the desolate and quiet environment, and at the same time giving people expectation and hope.

The first four sentences of the poem describe the blurred scenery with heavy snow all over the sky, indicating that the fields are chaotic and inseparable, and the prospects are set off. At the same time, it embodies the admiration of the author, and the realm is open and clear. The last three sentences are carefully photographed: "Night Crying", "Yellow Deer" and "Fishing" are clear at a glance, and the levels are clear at the same time: shore, shore and water, from high to low, with distinct levels and bright colors. The first four sentences are hazy and the last three sentences are clear. The close cooperation between hazy vision and clear close-up makes the whole picture have distinct spatial layers, while the close-up is divided into three layers, which makes the picture rich in spatial layering and three-dimensional sense; There is western Western jackdaw in the white, which is desolate; Yellow reeds are deeply hidden, and the colors are rich in texture, giving people warmth; The oblique cable of the fishing boat is serene and quiet, giving people an imaginary space: fishing in the river after snow expresses the author's yearning and praise for a leisurely and stable life. The whole picture gives people the feeling that it is cold but not bitter, light and tasty.

Look at Shouyang Qu Jiang Tian Mu Xue written by Ma Zhiyuan, an essayist in Yuan Dynasty;

? It will be dusk, the snow will dance wildly, and the catkins will float in Ban Mei. When the river came to Canhua in the evening, the fisherman disappeared.

This poem is one of Ma Zhiyuan's Eight Scenes of Xiaoxiang. Eight Scenes of Xiaoxiang was named after Song Di, a painter in the Song Dynasty, and eight plain landscape paintings were written on the theme of Xiaoxiang landscape. These eight scenic spots are: Sunshine Mountain City, Fan Guiyuan Pufan, Pingsha Wild Goose, Xiaoxiang Night Rain, Night Bell in Rock Temple, Sunset in Fishing Village, Twilight in the River and Autumn Moon in Dongting. Since then, many painters and poets have created with this theme. Ma Zhiyuan's Shouyang Song? Eight Scenes of Xiaoxiang is a suite with this theme.

This poem begins with "It will be dusk", points out the time, spreads a deep color for the whole picture, and lays the tone of the whole song. The second sentence, "Snow is dancing wildly", followed by the previous sentence, writing snow scenes. The word "dance" implies that there is wind, while the word "chaos" highlights the strength of the wind and has the sound of whistling. The author uses the "high wind" of snow to convey the beautiful weather and create a white landscape, which can be described as "a word is not harmonious, it is romantic." Snow is blown by the wind, which makes it more snowy and fierce. If "Flying Snow" describes the dynamics of snow, "Ban Mei Semi-floating Catkin" further creates two virtual images of "plum blossom" and "catkin" through a series of "floating", which expands the aesthetic space of imagination and the artistic capacity from the visual image. The author's brushstrokes, which are based on reality and reality, are vivid and vivid, and the charm is meaningful.

Plum blossoms in the snow, written by Wang Xu, a poet in the Yuan Dynasty, set each other off and have a unique taste:

? Two kinds of romance, one kind of production. Snowflakes are like plum calyx. Look carefully, it's not snow, it's wind. Although it is average, it is only high school. Snowflakes are not as thin as plum blossoms. Plum blossoms scatter to empty mountains, and snowflakes wear curtains at will.

Lu Meipo, a poet in the Song Dynasty, said: "Xue Mei refused to surrender for spring, and the poet's pavilion was reviewed." Plum blossoms and flying snow often appear at the same time. Because plum and snow have the same seasonal characteristics, plum and snow have similar sexual characteristics, so poets and poets often associate them. Plum blossoms and snowflakes are similar in shape and color, but different in quality and spirit. Since ancient times, scholar Yongmei has always taken snow as the background. Snow songs are often inseparable from plum blossoms, which are used as a foil.

Although Wang Xu is not prominent in many Xue Mei poems, it also has its own uniqueness. The prefix "two romantic feelings, one production" means that both Mei and Xue are in winter, but their temperaments are different. "Snowflakes are all like plum calyx" is a metaphor for the image of snowflakes. "Look carefully, it's not that snow has no taste, but the wind blows away the fragrance." What these two sentences say is that if you look closely, it is not a snowflake, because snowflakes have no fragrance. It turned out that the plum blossoms were blown away by the wind and the fragrance was scattered. The next word "average, but only high" means that although it looks similar, it is essentially high and low. "Snowflakes are not as thin as plum blossoms", and the word "thin" is a pun, with thin shape and thin feelings. Plum blossoms scatter to the empty mountains, and snowflakes wear curtains at will. The last two sentences vividly show the loneliness and fragility of plum blossoms, and the free and easy and heavy snowflakes form a sharp contrast, vividly explaining the meaning of "only one person is tall".

This word is lively in style, simple and natural in language and full of interest.

The water fairy written by Sun, a Sanqu writer on New Year's Day? On the boat? , depicting a snowy river:

? Lonely boat moored at the edge of Dongting at night, and the lights reflected the passenger ship. The north wind blows the old plum blossom slices, pushes open the crown of the tree and snows all over the sky. Poets and? Snow and snow compete first. Snowflakes and fighting, poetry and snow. Smile.

The first two sentences of the poem explain the background of the anchorage of the solitary boat: the time is night and the place is Dongting Lake, and the lights on the distant shore set off the cold silence of the passenger ship. Smoke in Dongting and Bright Lights are picturesque in image and color, which shows the author's skillful language mastery and artistic conception creation ability. Alone without company, the boat was at a loss. It is conceivable that the author can only curl up in the cabin, thus naturally entering the topic of "on board". "The north wind blows old plum blossom slices" is a meaningful stroke. It supplements the severe winter season and inspires people with its realistic Xu Ruo image. It is impossible to see "Plum Blossoms" on the confused night of "sleeping by the Dongting", which shows that the whole sentence is the poet's subjective feeling. Combining the word "on board", we can find that the "north wind" here is actually the auditory impression that the poet got in a closed cabin. Auditory impression produces visual effects, reflecting the strength of the north wind. This kind of strong wind makes the author have the association of "blowing old plum blossom slices", so he has the corresponding action of "pushing the tent open" to look closely. It seems that "north wind" has a steep meaning here. Pushing the canopy is because the north wind suddenly rises, but there is a new discovery of "flying snow all over the sky". No wonder "the poet and the snow compete for the first place". The word "good" in this sentence is both a poem and a description of "snow". On the one hand, it shows the strength of snow, on the other hand, it shows the scene of snow flying on the lake, which has a unique masculine beauty. This poem can be read from a place without words, which once again proves the beauty of the author's words.

Wind, snow and poetry are mixed together, which is difficult to distinguish. This is a picture of a snowy day. Melissa Zhou urged poetry, "It's natural to smile", and pride and joy immediately swept away the loneliness and sadness before. The whole song is an open, magnificent and unique work in the theme of the journey of Yuan Sanqu.

Zhang Kejiu, an essayist in the Yuan Dynasty, wrote a poem entitled "Taichang Yin Gu Tai Su Appreciates Snow", which means:

? Break the pond and wash the fat, get up early and recite poems. Where can I find beauty? The weeping willows are rustling in the temples. Silver spoon algae well,

Pink fragrant plum garden, ten thousand tiles jade uneven. A song of Le Yan is as rich as a prince.

Gusutai, also known as Gusutai, is located on Gusutai Mountain in the southwest corner of Suzhou City. Gusutai site is now Lingyan Mountain.

In 492 BC, Fu Cha, the king of Wu, became king in Wuzhong after defeating Yue. He got carried away and became proud. He built palaces, pavilions and pavilions all over China as his "Penglai Wonderland" for pleasure and luxury, and a place of eternal happiness. Gusutai is 300 feet high and 84 feet wide, and it climbs up the stairs with nine winding paths, and it is on the majestic platform. You can enjoy the lakes, mountains and rural scenery within 200 miles of Fiona Fang, Fiona Fang. Its scenery is the best in the south of the Yangtze River. There are flowers of the four seasons and fruits of eight knots around the high platform, spanning five miles, and there are mourning halls, digging Tianchi, talking about rivers, building dragon boats and encircling prey for the king of Wu to enjoy freely.

This song was written by the author while watching the snow scene at Gusutai site.

After the heavy snow, the pool water flows between the snow scenes, as if washing the white skin of the maid-in-waiting. When the author got up early in the morning, he aroused the desire to write poetry. The snow is boundless, where can I find the legacy of the stone in those days? But I saw weeping willows covered with ice and snow, like a beauty's temple covered with frost. The pile of snow at the wellhead is wrapped in silver, and the snow powder in Meiyuan is still fragrant. On the high and low roofs, there are piles of beautiful jade, shining up and down. The author used a series of metaphors to describe the beauty of the snow scene in Gusutai. In the face of this scene, the author recited Bai Juyi's poems, and a luxurious scene of Fu Cha, the prince of Wu, emerged.

Bai Juyi once wrote Three Miscellaneous Poems, the third of which satirized the extravagance of Fu Cha, the king of Wu, and used this to satirize that today's rulers should care about people's livelihood. The author sings Bai Juyi's poems here, which also implies irony.