Ma Zhiyuan, a Qiu Si of Tianjin Sha, described the scene of this Sanqu and his feelings.

The first painting is *** 18 with nine nouns, without empty word, which is natural and fluent, with rich connotations. With his skillful artistic skills, the author bathed nine different landscapes in the afterglow of the sunset, presented them to us in a "montage" brushwork like a focal plane, and brought the readers into the late autumn season at once: several dead vines were wrapped around several bald trees with yellow leaves. We can imagine that crows can still have old trees to return to, but wanderers are homeless. How miserable and helpless it is! Next is a small bridge, flowing water, and a small farmhouse with faint smoke. The rural scenery in which such people live is so quiet and sweet, comfortable and carefree. All this can't help but remind the wanderer of the bridges, flowing water and relatives in his hometown. Here, the sad feelings are written in the happy scene, which sets off the helpless sadness of the wandering wanderer.

In the second painting, we can see that in the bleak autumn wind, on the lonely ancient road, a wanderer suffering from homesickness rides a long-delayed thin horse and wanders into the distance in the heavy twilight. At this time, the sun sets, scattering a bleak oblique light. This is the reunion moment when birds return to their nests, cattle and sheep return home and people return home. However, the wanderer is still "the end of the world is reduced." At this moment, this situation, a wandering in a foreign country, in the face of such a bleak and desolate scene, how can it not be sad, heartbroken and heartbroken! The heart of a wandering wanderer drops blood in the autumn wind. ...

It is with such a short ditty that Ma Zhiyuan expresses its indescribable connotation, vividly portrays the sad inner world of a wanderer and gives people a shocking artistic feeling.