Complete detailed information of substitute (Chinese words)

A substitute refers to a person who takes the place of someone else. For the right person. It often refers to a person who suffers on behalf of others. In movies, it also refers to a person who completes prescribed actions on behalf of an actor. Basic introduction Chinese name: Stand-in Pinyin: tì shēn Explanation: A person who does something on behalf of others Source: Chapter 17 of "A Dream of Red Mansions" Basic explanation, quotation explanation, comic art terms, sources, characteristics, film art terms, concepts, types, Basic explanation 1. [substitute;replacement;standing]: When the script requires special skills and the actor himself does not have them, a person who is similar to the actor and can perform outstandingly in his place. 2. [substitute]: A person who does something on behalf of someone else. 3. [scapegoat]: A person who suffers on behalf of others; a scapegoat. Quotes and explanations refer to people who take the place of others. Often refers to a person who suffers on behalf of others. Ming Lu Cai's "Pearl Chronicles: Turmoil": "You gave me a hundred thousand yuan and asked me to be a substitute." Chapter 17 of "Dream of Red Mansions": "Because I have been sick since I was a child, I bought many substitutes, but they all failed. Yes, after all, this girl got better after entering Buddhism, so she took her to practice. "Liang Bin's "Red Flag Book" 20: "I am old, grinding rice and cooking, and there is no substitute." The origin of the term "Comic Art" is from Araki Fei. In Lu Yan's comic works "JoJo's Adventures" and "Steel Ball Run", the concept of "stand-in" was proposed. The original name was "Stand", which came from "StandByMe". Features 1. The avatar is like a guardian spirit and becomes one with the original body (the person who owns the avatar). 2. The avatar can be freely controlled by the will of the main body and has special abilities. 3. If the substitute is injured, the main body will also suffer the same injury. 4. Ordinary people cannot see the substitute. Only the Stand User (the person with the Stand) can see the Stand, and only the Stand can defeat the Stand! Since the concept of stand-in was proposed earlier, Araki Hirohiko privately performed various stunts in the later period. In the later stages of the comics, a stand-in messenger can have more than one stand-in, and some stand-ins have their own thinking abilities. The following points were proposed early on to represent the strength of a substitute's abilities: destructive power, growth, precision, sustainability, attack distance, and speed. Just as Hirohiko Araki said in the book through the mouth of a comic character, "There is no strongest substitute" (although this sentence may have been overturned by Zulu Zubana in the fifth part), but even if the above Seven points still cannot rank the strength of the substitute, because the substitute needs a substitute to use it, and the substitute's own mental power, judgment, intelligence, endurance, calmness, etc. have also become an important factor in the fight of the substitute, and also need to Consider your surroundings. Therefore, there is no absolute strength or weakness in the battle of the stand-in. In addition to combat-type stand-ins, there are also many stand-ins with special stand-in abilities. These stand-ins are not very strong in fighting, but they can still use their stand-in abilities to bring them many benefits. And even a very weak avatar can be terrifying if it attacks at the right time and at the right place. The above six points are an objective evaluation of the stand-in's ability. But the most important thing about a stand-in is the stand-in ability. Different stand-ins have different stand-in abilities, which refers to another point besides the six points mentioned above. Film art term concept, also known as "stuntman". Special actors who replace the original actors in the film to perform certain special, difficult actions and skills, or thrilling actions that the original actors are not capable of. Generally, people with special skills required by the film are hired to replace an actor to complete the specified actions. The types are generally divided into five categories: "text stand-in", "martial stand-in", "light stand-in", "naked stand-in" and "hand stand-in". 1. Went stand-in (literary stand-in) The main job is to shoot "faceless" scenes of big-name stars . Since the time of big-name celebrities can be said to be "one inch of time, one inch of gold", taking into account the shooting cost, usually only the "face-showing" scenes of the stars are filmed, and the rest of the scenes are done by stand-ins as much as possible. For example, in the film, there are scenes of Jacky Cheung washing his face, or shots of Andy Lau running in the morning from a long distance, or the "back of Zhang's head" when Cyndi Wang (front) and Zhang Dongliang are talking to each other. These are usually shot by a stunt double. The biggest advantage of doing this is to save money and speed up the shooting process. Therefore, the remuneration of literary agents is generally lower than that of military agents.

2. Wu Dai (Martial Arts Stand-in) Everyone is familiar with this one. His main job is to replace actors in filming difficult action scenes such as fighting and speeding. Most of them are people with martial arts skills or stunt actors. For example, Angela Baby in the movie "Tai Chi 1" is not an action actor, but there are a lot of fighting scenes in the movie, so a martial arts stuntman is needed to complete it. Another example is the late Taiwanese artist Ke Shouliang, who was a well-known stuntman in the industry. Due to the high risk and high technical requirements, the remuneration is generally relatively high. 3. Light stand-in (light stand-in) The main job is to replace the actor's position so that the lighting engineer can adjust the lighting. In some shooting scenes, the role of the lighting engineer is crucial, and even a slight deviation in the lighting angle will make a huge difference in the shooting effect. But adjusting the lighting is a very time-consuming task. You can't let a big-name celebrity adjust the lighting for you while standing there for half a day, right? At this time, a "light substitute" needs to be in the actor's position to assist the lighting engineer in adjusting the lighting. After the adjustment is completed, the main actor can start shooting. 4. Nude stand-in (nude stand-in) is mainly for actresses. As the name suggests, when a full-length actress does not want to be photographed in a scene that exposes her body, she will find a stuntman to take her place. For example, Zhang Ziyi's "nude substitute" Shao Xiaoshan in "The Night Banquet" was naked, but the scenes she completed were nude scenes that Zhang did not want to film. 5. Hand substitute (hand substitute) is mainly for special hand movements. Most of the common ones are close-up movements of actors' hands when writing soft pen calligraphy, or other parts that are highly technical and cannot be completed by real actors.