The artistic conception of the poem Moonlight by the River is

It describes the beautiful scenery of the moonlit night by the river, shows the beauty of nature, expresses the feeling of lovesickness, and shows the cherish of youth and yearning for a better life. At the beginning of the poem, a beautiful picture of a moonlit night by the river is outlined in landscape language, and then a picture of the river, the flower forest and the river moon is depicted with appropriate brushstrokes centering on the river moon. The poet's mood at the scene shows the guests' mood of leaving their worries behind from the beautiful scenery of Jiangyue and integrating into the scenery. The beauty of the moonlit night on the riverside reflects the pain of parting, and the feelings of parting infect beauty. The moonlight wandering in the bright moon building has become a sentient being who knows people's intentions and understands human feelings. Wanderers on a moonlit boat, homesick women in front of the mirror upstairs, geese flying in the moonlight, and ichthyosaurs jumping in the river are all sights. Is it love? It's hard to tell the difference. The whole poem successfully integrates emotion into the scene, captures emotion into the poem, and blends with each other, forming a perfect artistic realm.

The whole poem closely follows the words spring, river, flower, moon and night. In the first eight sentences, spit out the five words word by word with the method of new words; Remove the last eight sentences and sort the five words word by word. Echo from beginning to end. The five-character titles are intertwined, each of which is very interesting, but all of them are centered on the words "Jiang" and "Yue". The word "Spring" appears four times, the word "Jiang" appears twelve times, the word "Flower" appears twice, the word "Moon" appears fifteen times and the word "Night" appears twice. Following the artistic conception of the blending of the river and the moon, the poet tried his best to sway the elegant demeanour along the riverside and repeatedly sang the bright moon in spring. The "river" is accompanied by sea, tide, waves, current, ting, sand, pu, tan, ichthyosaur, xiaoxiang and Jieshi, and the "moon" is accompanied by sky, graupel, frost, clouds, buildings, dressing tables, curtains, anvil, geese and fog.

"Even the sea level spring tide, the bright moon * * * tide at sea. A thousand miles with the waves, there is no moon by the river. "The first four sentences imply that the moonlit night we recite is located in the lower reaches of the Yangtze River, because it can be seen from the poem that the water here is wide, the spring tide is high, the rivers and seas are connected, and the bright moon rises with the tide. The moon rises gradually, and the bright light rushes with the spring tide and shines thousands of miles. It is obviously a scene, but it is full of feelings. Because the ebb and flow are regular, the ebb and flow are often associated with faithfulness in China's traditional classical poems. The "bright moon tide" written in this poem should be on the horizon. Tides remind people of their faith vows when they leave; The full moon makes people yearn for family reunion. In the form of asking questions, "Where there is no moon by the river" tells us the lovesickness of our loved ones tonight, and at the same time reminds us of the scene where guests are disturbed by homesickness facing the bright moon. " The river flows around Fangdian, and the moonlight shines on the flower forest like graupel. You can't feel the frost flying in the air, nor can you see it on the white sand. "The focus of these four sentences has shifted from the intersection of the river and the sea to the shore. It is written that the river flows around the riverside mainland full of herbs and wild flowers, and the glory of the moon is full of fragrant flowers, as if to sprinkle flowers with a layer of snow beads. The moonlight is as white as frost, but the frost flying in the air is hard to be detected, so that the beach on the river bank is covered with a layer of silver frost, only the moonlight can be seen, but the white sand can't be seen. It not only depicts the tranquility of the river, Fangdian, Hualin and Sha Ting under the moon, but also sets off the purity of the characters' hearts and achieves the harmonious unity of subjective and objective beauty.

"Jiang Tianyi color without fine dust, our headquarters solitary moon wheel. Who saw the moon by the river for the first time? When did Jiang Yue take the photo at the beginning of the year? Life is endless from generation to generation, and Jiang Yue is only similar year after year. I want to know who Jiang Yue treats. But see the Yangtze River send water. " These eight sentences, with the beautiful scenery of the river on the bank as the background, lead to the exploration of the philosophy of life: the river is as clean as washing, with no dust, and only a solitary moon is hanging high in the air, which is particularly bright. Who saw the bright moon by the river for the first time? And when did this bright moon begin to shine on the world? Life is easy to get old and endless; However, the sky is not old, and Jiang Yue always rises with her appearance of "only similarity every year". I don't know who she is waiting for, but all she can see is the Yangtze River, adding fuel to the flames and sending water. These eight sentences lead people's thoughts to the universe and the real connection of life through the description of the scenery. Its philosophy is saturated with the poetry of missing, which is the sublimation of thinking about women's feelings and is by no means the product of conceptual logic thinking. The spark of life philosophy in the poem is caused by the collision between the word "lonely moon wheel" and the soul of homesick women. A "Loneliness" makes it easy for readers to think of the loneliness of missing a woman through the loneliness of the bright moon, and realize the pain of lovesickness in her chest, paving the way for the following.

"A piece of white clouds leisurely, green maple pu sorrow. Who will go boating tonight? Where do you miss Yue Ming Building? " The fourth sentence is to write a piece of white clouds drifting with the wind. Seeing the white clouds in the distance on the river bank that broke up with relatives in the past made people's parting even more miserable. Whose wanderer is floating outside in the boat under the bright moonlight? Only this bright moon building can hold acacia. Here, the word "invincible" highlights that the homesickness of homesick women has reached an unbearable level, while "boat" and "Mingyuelou" vividly render the suffering of "homesickness in two places".

"Poor wandering upstairs, should take care of people make-up mirror. I can't be wrapped in the curtain of Yuhu Lake, so I have to smash it on the anvil and return it. " These four sentences are the climax of the emotional impulse of the whole poem. The lonely moon in the sky seems to have found the people upstairs who are in the same boat. It wandered in the attic, wandering, refusing to leave, shining on her dresser. The moonlight shines on the curtain of the boudoir and can't be rolled; Shine on the anvil beating clothes for her husband, brush it off and come back. These two typical details, "I can't get rid of it" and "I can't get it back", ostensibly describe the moonlight, but actually render the sadness that Sifu can't get rid of.

"Don't know each other at this time, may China take care of you month by month. Hongyan flies in the sky, and the fish jumps in front of the dragon. " These two sentences indicate the month and take photos of the two places. We can only look at each other from a distance, but we can't communicate. How I wish I could shine on you with moonlight. However, the sky is vast, even the geese who are good at flying can't fly out of the boundless moonlight world, and even the fish dragons who are good at swimming can only set off ripples but can't swim to your side. How can I meet you? Here, comparing Hongyan and ichthyosaur's longing for the reunion of husband and wife, it shows the depth of mourning for women.

"Last night, idle pool dream, poor spring half don't go home. In spring, the river flows away, and the pond falls to the west. " These four sentences interweave dreams with the real world, and reality alternates with reality, thus highlighting the melancholy feeling that the moonlit night is drawing to a close and dreams are difficult to realize.

In the last paragraph, the dawn will break: "The slanting moon is full of sea fog, and the Jieshi Xiaoxiang is infinite. I don't know how many people return home every month, and the moon is full of rivers and trees. These four sentences are the end of writing a farewell serenade and the beginning of a new day's love song. The word "shake one's feelings" describes homesickness as dreamy and sincere, shocking people's hearts and making intangible feelings real and sensible.

In a word, this poem adopts the method of multi-angle scenery description, from the birth of the moon, its photos, its wheels, its wandering, its oblique illumination to its setting, supplemented by specific scenes such as river tide, river flow, river day, river bank, river moon, Jiangpu, river beach and Jiangshu, which constitutes a complete artistic realm by nine images and vividly shows a wanderer's divorce from his wife. The poet closely revolves around this sad and rich artistic conception center to seek the layout of the article, so that the scene blends and the scene moves with the emotion, making the artistic conception of the poem both hierarchical and seamless, which is extremely artistic.

The phonological beauty of the language also sets off the poetry of the moonlight and flowers on the riverside. There are thirty-six sentences in the whole poem, four of which rhyme, the rhyme feet are flat and staggered, and the syllables are harmonious. Every rhyme forms a vivid and emotional image. In some sentences, the use of regular sentences and even sentences, parallelism sentences and thimble sentences makes the poems patchy. Among them, the poets in Chunjiang Yue Ming can organically integrate the external law of poetic rhyme and rhythm with the internal law of poets' feelings, reveal the upgrading of homesick women's emotional changes with phonology, show the sadness of youth waste that no one appreciates the natural beauty, make the homesick women's sadness harmonious with the scenery, and show their artistic skill. Although this poem has a lot of sentimental and desolate charm, because the poet is good at strictly grasping the rhyme, the overall impression is sad but not decadent, lingering but not depressed.

In addition, many poems in Moonlit Night on a Spring River are full of philosophy. "Who first saw the moon by the river? When did Jiang Yue take the photo at the beginning of the year? Life is endless from generation to generation, and Jiang Yue is only similar year after year. I don't know who Jiang Yue shines on, but I saw the Yangtze River delivering water. " The combination of Li and other poems expresses the philosophical sigh that one's life is short and the universe is infinite.