What do you mean by "looking at the red wall in Han Yin"?

Although the red wall where the Iraqis are located is close at hand, it is as far away as the Milky Way in the sky.

Source:

This sentence comes from Seven Huai Fifteen written by Huang Jingren, a poet in Qing Dynasty. There are many masterpieces in Huang Jingren's poems, but nothing can compare with Sixteen Poems of Yi Huai in terms of its popularity. This group of "Seven Huai" is not only an immortal masterpiece in "Two Parties Xuan Ji", but also an excellent example of literary criticism. It inherits and transforms the artistic expression of Untitled by Li Shangyin, and provides a classic text for us to understand the intertextuality of classical poetry.

Original text:

Several times, I sat under the flowers and played the flute, and the red wall of Han Yin looked into the distance.

Like this star is not last night, for whom the wind and dew stand in the middle of the night.

The lingering thoughts are exhausted, and the heart is peeling bananas.

In March and May of 1935, that poor glass of wine not fade away.

Appreciate:

The first couplet "played the flute under the flowers several times, and the Han Yin Red Wall looked ahead". Accompanied by the bright moon, blowing flowers, a beautiful encounter. But this is just the beginning. Although the red wall where the Iraqis are located is close at hand, it is as far away as the silver man in the sky. The second couplet "This star seems to be different from last night, and the wind and dew stand in the middle of the night." Tonight is not last night. Last night, the stars recorded the romantic story of playing flute under the flowers. But the stars of this night only accompany the sad people. The third triple is "lingering thoughts, heartbreaking and peeling bananas." This sentence can be compared with Li Shangyin's untitled poem "Spring silkworms die, and night candles mourn". Spring silkworms spin silk and wrap themselves up, just like poets themselves, and surround themselves with heavy thoughts. Tail couplet "In March and May of 1935, the poor glass of wine never disappeared". The tail couplet echoes the first couplet. In March and May of 35, it was naturally a thing of "sitting down for a few times under the flower", and the wine at that time had already turned into bitter wine tonight. And this bitterness can never be eliminated. Because the poet can't miss it, he can't break through the gap between the past and reality. It is precisely because of this despair that Huang Jingren's seven-character poem "Fifteen of Sixteen Seven Huai Poems" is even more attractive.