Joke Collection Website - Mood Talk - What is the difference between Kim Jong-in and Zhang Yixing’s dancing? Who do you think dances better? What do you think about this?
What is the difference between Kim Jong-in and Zhang Yixing’s dancing? Who do you think dances better? What do you think about this?
If Kim Jong-in is like a foreign martial artist, Yixing is like Tai Chi, which can quickly gather people! They are both Urban dancers! I personally like Zhang Yixing's dance! Let’s talk about it from an Urban perspective.
Kim Jong-in’s wide open and close frame is very tense and has strong control, maybe because of his ballet foundation
Kim Jong-in’s wide open and close frame is very tense and has strong control. , maybe because of my ballet foundation. In Kim Jong-in's words, the feeling of blooming, the perfect connection between hardness and softness, is like a dahlia. If you watch it live, it will be really attractive and you can't take your eyes away.
His frame is definitely the highlight, explaining: "Dance is a flowing sculpture." The body is highly developed, especially the back and lower body. Elegance and solemnity coexist, and the speed switching texture is killing. His dancing often has a rather "freehand" feeling.
But if the choreography in Urban requires high-speed fine beats, he may have a hard time
But in Urban, if the choreographer needs high-speed fine beats, he It might be a bit strenuous. Zhang Yixing also emphasizes the texture brought by exerting control, probably because they learned in SM to emphasize a balance. He has a restrained style and always keeps his energy in check, but you will feel that his dance is very sexy. When he dances, no matter where he is, he feels like a rubber band with plenty of energy left. Not only the animations, but even the screenshots will be very beautiful. Unlike Kim Jong-in, Zhang Yixing may be more influenced by old school basic skills such as hiphop. There are relatively more elements of rhythm and isolation in it, and it is better at using delicate segmentation to process music. Some fans may generally call this "stuck point". His dance will have a rich sense of rhythm created by the alternation of musical syncopation and power levels.
In addition, "Honey" and "Lotus" can be said to be choreographic works in two directions. One is a silky style, and the other is a violent aesthetic, both of which are well digested. The difference is already there. Both people are very capable. There is no absolute superiority or inferiority relationship, but more of a difference in style brought about by different basic skills, different learning experiences, and even different emphasis on handling music.
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