The poem "The smoke cage is cold and full of sand" in "Bo Qinhuai". What are the advantages of the two cages?

1. The first sentence is intertextual, and the word "cage" means shrouded. The two "cages" harmoniously blend the four scenery of smoke, moon, water and sand, and vividly outline the hazy and elegant scenes on both sides of Qinhuai River, creating a lonely and sad atmosphere. (or: ..............................................................))

2. Smoke and water vapor cover Qinhuai River, and moonlight reflects the sand banks along the river. In the silent night, the boat stopped on the shore, close to the restaurant, and it drew a hazy and elegant night color map by the water.

The first sentence of this poem is extraordinary, and the word "cage" is eye-catching. Smoke, water, moon and sand are harmoniously combined to draw an extremely elegant night by the water. It is so soft and quiet, but it implies a slightly drifting mood. The pen and ink are so light, but it is so ethereal and cold. Therefore, after reading the first sentence, it is natural to read "staying overnight near Qinhuai Restaurant". But as far as the poet's activities are concerned, there must be a "night sleep beside Qinhuai" to see the scenery of "the smoke cage is cold and the moon is full of sand". However, if you really turn it over, you will find that the tablet computer has no taste. The advantages of this writing now are: first, it creates a very distinctive environmental atmosphere and gives people. This meets the requirements of artistic expression. Secondly, the treatment of one or two sentences is like the relationship between the picture and the inscription of a painting. Usually, when people appreciate a painting, they usually pay attention to the wonderful picture first (this is like "Leng Yue in a smoke cage"), and then look at the inscription in the corner (this is "Sleeping at Qinhuai at Night"). Therefore, the poet's writing style is quite in line with people's artistic appreciation habits.

"Sleeping near Qinhuai Restaurant at night" seems dull, but it is worth pondering. There is a strong logical relationship in this poem. Because of "sleeping at Qinhuai at night" and "near the restaurant". But the first four words indicate the time and place for the scenery in the previous sentence, which makes it more personalized and typical, and also takes care of the artistic conception of the poem. The last three words set a precedent for the following, because "near the restaurant" led to "merchant girl", "national subjugation hate" and "flowers in the back garden", which touched the poet's feelings. Therefore, judging from the development of poetry and the expression of emotion, the word "near the restaurant" is like opening the floodgate and the river gurgles out.

Businessmen are singers who serve others. What they sing depends on the taste of the audience. It can be seen that the poem said that "businessmen don't know the hatred of national subjugation" is a kind of ballad, and it is the appreciators in that building who really "don't know the hatred of national subjugation"-feudal nobles, bureaucrats and gentry. The backyard flower, namely "yushu backyard flower", is said to have been made by the bohemian Chen Houzhu in the Southern Dynasties. The word "across the river", inherited from the story of "national subjugation and hatred", refers to the fact that the Sui soldier Chen Shijiang was in Jiangbei, the small court in the Southern Dynasties was in danger across the river, and Chen Houzhu was still indulging in debauchery. The word "still singing" skillfully and naturally connects history, reality and imagined future into a line, which is meaningful. "Businessmen don't know the enemy of national subjugation, but they still sing" Kick down the ladder ". It can be called "the swan song". These two sentences express sober feudal intellectuals' worries about state affairs, and also reflect that bureaucrats and nobles are filling their decadent and empty souls with wine, color and dance, which is exactly the portrayal of two different aspects in the real life of the decline of the late Tang Dynasty.