The most impressive scene in the movie Red Sorghum.

There are several pictures left in my memory:

A group of guys carrying a beautiful kannika nimtragol, coupled with extremely playful and provocative lyrics, lined with a large area of red and gold, is particularly shocking; Jiang Wen's obsession with love pushed down a large area of sorghum, and the camera followed Jiang Wen's back, leaving the audience with unlimited imagination; When people hold up wine bowls and offer sacrifices together, it shows a primitive and ancient cultural heritage; At the end of the film, in the blood-stained crimson, Jiang Wen is holding his son, and the little boy has been chanting the lyrics. ...

It seems that every picture is deliberately arranged or even produced by the director. How can a movie composed of countless impressive pictures not be fascinating? Perhaps Zhang Yimou's originality in creating this film lies in his bold use of photography and color.

In addition, in terms of color, the film takes red as the main tone, and uses the aesthetic effect of color itself on human vision and the symbolic significance of color to arouse people's rich and distant associations and fully mobilize the audience's aesthetic experience.

There are still many places that reveal the beauty of color: Jiu-Er wears a red coat and red pants with a wide top and narrow bottom; The boys' shiny bronze upper bodies and their unruly bald heads; In the deafening suona sound, the sorghum seeds that cut the sunlight into countless pieces showed overwhelming red in the solar eclipse, and the sorghum fields were full of suffocating green ...

In addition to the pictures and colors, the film also shows a rare artistic sense in music.

The ditty hummed by boys, "Sister, Go Forward Boldly" roared by Jiang Wen, and the lyrics recited by the little boy at last ... all reveal a simple local flavor from the music. A love-hate attitude and strong will, which makes people linger in it.