Poems that I want to put down but can't put down.

Yuan Zhen in Tang Dynasty

Once I tasted the vast sea, I felt that the water in other places was pale; Once you have experienced the clouds in Wushan, you feel that the clouds elsewhere are eclipsed.

Hurried through the flowers, lazy to look back; This reason is partly because of the ascetic monk, and partly because of who you used to be.

"Sea" and "Wushan" are the most beautiful images in the world. Poets use them as metaphors. Literally, they say that they have experienced the "sea" and "Wushan", and it is difficult to see the water and clouds elsewhere. In fact, they are used to comparing the feelings between husband and wife like the water in the sea and the clouds in Wushan. Their depth and beauty are unparalleled in the world, so no woman can make herself emotional except her wife.

golden

Li Shangyin in Tang Dynasty

I want to know why my Jinse has fifty strings, and each string has a youthful interval.

Zhuangzi daydreaming, a saint, was bewitched by butterflies, and cuckoo crowed in the imperial spring.

Mermaids shed pearl-like tears on the moon-green sea, and the blue fields breathed their jade to the sun.

A moment that should last forever? Before I knew it, it had come and gone.

The tail couplet is a masterpiece of the whole article, and clearly puts forward the word "this feeling", which echoes the beginning of "China Year" at a distance, and the pen gesture is never shy.

The poem says: Don't wait until today to recall such feelings before you begin to feel endless regret, then it will already be embarrassing. As the saying goes, "Don't wait to remember" means: What if you look back today? It's regret!

"Shanhuazi, the wind has gone with the wind."

Nalan Xingde in Qing Dynasty

The wind has gone with the wind, and the mud lotus has just become a lotus root. Be careful not to burn a clove of incense and remember the past life.

It makes people feel sentimental and thin, and now I really regret it. Looking back at heartbroken, tears steal zero.

Drinking (5)

Tao Yuanming in Jin Dynasty

Building a house is human, and there are no horses and chariots.

What can you do? The heart is far from being self-centered.

Picking chrysanthemums under the east fence, you can see Nanshan leisurely.

The mountains are getting better and better, and the birds are back.

That makes sense. I forgot what I wanted to say.

In the context of metaphysics, Tao Yuanming's poems began to present a new outlook on life and nature. This is against the opposite attitude towards the relationship between man and nature, but instead emphasizes the unity of man and nature and pursues the harmony between man and nature. This is the most full and beautiful song in his fifth song "Drinking".

Jiang Xue.

Liu Zongyuan in Tang Dynasty

There are no birds flying over those mountains, and there are no traces of people in those paths.

A boat on the river, a fisherman wearing his webworm moth; Fishing alone is not afraid of snow and ice.

Between heaven and earth is so pure and silent, spotless and silent; The fisherman's life is so noble, and his character is so aloof.

In fact, this is an imaginary realm created by Liu Zongyuan because he hated the declining society of the Tang Dynasty at that time. Compared with the characters in Tao Yuanming's Peach Blossom Garden, I'm afraid they are still illusory and far away from the world.

Operator Yongmei.

Land Tourism in Song Dynasty

Outside the bridge, the plum blossoms are lonely, no matter what. Twilight arrival, plum blossom is helpless, already exhausted, but also subject to wind and rain.

Plum blossoms don't want to compete for blooming, and the envy and rejection of flowers don't care. Even after autumn, when it is ground into dirt and turned into dust, plum blossoms still emit fragrance as usual.

The word "Mei" is used to describe people, and the bird on the street describes Mei's situation and experience: loneliness and no owner, plus wind and rain! Next, I wrote Mei's integrity: I have no intention of striving for spring, even if it is scattered into mud, I still have that fragrance!

From the fate and character of plum blossom, we can not only see the figure of the poet's bumpy life, but also read the poet's pure spiritual world like plum blossom.

Good song

Cao Xueqin in Qing Dynasty

Everyone knows that immortals are good, but their fame is unforgettable!

Where will the past and present be? There is no grass in the wasteland!

Everyone knows that immortals are good, but gold and silver can't be forgotten!

In the end, I only hate getting together, but I close my eyes for a long time.

Everyone knows that immortals are good, but my wife can't forget them!

You said hello on your birthday, and you died with others.

Everyone knows that immortals are good, and only children and grandchildren can't forget them!

There have been many infatuated parents since ancient times. Who has seen filial piety for children and grandchildren?

Cao Xueqin is great as an artist. He left us a very vivid cartoon of the last feudal society.

When he tried to explain these world situations and point out the way for those who were caught in the maze, he went to the road of transcendence and the real "freedom" in philosophy and religion.

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I was happy when I came, sad when I left, and walked around empty.

It is better not to come or go, not to be happy or sad.

Since there is no point, it is better not to come or go. If you don't come, no one will be happy and no one will be sad. This will be very calm. It expresses the Buddhist state of mind that the poet is carefree and everything is empty.

Ugly slave, the middle wall of Shuboshan Road

Xin Qiji in Song Dynasty

Teenagers don't know the taste of sorrow and fall in love with the floor. Fall in love with the floor Worried about adding new words.

Now that I know what it's like to worry, I want to talk about it. I want to talk about it. But it is a cool autumn.

The conception of the whole word is novel and simple. Deep sadness is an understatement, and heavy language is an understatement. Passion in elegance. Implicit meaning, simple meaning. It has a charming charm.

Peach blossom temple song

Tang Yin in Ming Dynasty

Taohuawu Taohua Temple, Taohuaguan Taohuaxian;

Peach Fairy cultivates peach trees, picks them and drinks them.

When I wake up, I just sit in front of the flowers, and when I am drunk, I come to sleep under the flowers;

Half awake and half drunk day after day, flowers bloom and fall year after year.

I would rather die of old age than bow before horses and chariots;

Cars and horses are rich and interesting, and hops are poor.

If wealth is compared with the poor, one is in peace and the other is in heaven;

If you compare poverty to horses and chariots, he will have to drive away my leisure.

Others laugh that I am too crazy, and I laugh that others can't see through it;

There are no graves of Hao Jie in Wuling, no flowers, no wine, and no hoes to plow the fields.

Tang Yin is brilliant and sharp-edged, but young and frustrated. After seeing through the officialdom, he spurned his official career and finally adopted the same lifestyle as many literati in China history: passive seclusion.

This poem is a typical example of this idea. If it seems crazy and arrogant, it seems free and easy, but it also vaguely reveals a kind of loneliness in which the world is drunk and I wake up alone. Its deep-rooted talent and ambition can also be seen.