Briefly describe the artistic characteristics of Wang Xizhi's "Lanting Preface"

The artistic characteristics of Wang Xizhi's "Lanting Preface":

The calligraphy of "Lanting Preface" is exquisite and wonderful. The ancients said that Wang Xizhi's "Lanting Preface" is like "The breeze comes out of the sleeves, and the bright moon enters the arms." ". The full text has twenty-eight lines and three hundred and twenty-four words. Each word is "floating like floating clouds, delicate like a swimming dragon, turbulent and turbulent, with endless changes". It has changed the simple and steady calligraphy style since the Han and Wei dynasties, and opened up a beautiful and beautiful style. It is the first of its kind, and its majestic appearance seems to come from nature.

The author's demeanor, temperament, mind, and sentiment are also integrated into the work. The composition, structure, and brushwork are all perfect. It was his proud work when he was thirty-three years old.

"Lanting Preface" is written in running script, but from its round and flowing running script, you can feel the completeness of the regular script of the Eastern Jin Dynasty, and the beauty of the running script implies the strength of regular script. Regular script in the Southern Dynasties was very developed, but judging from Wang Xizhi's biography, his outstanding achievements were obviously in the aspects of running and cursive writing. Extended information

"Lanting Preface" was written by Wang Xizhi when he was 47 years old. It describes the grand trip that Xizhi and his friends and elegant scholars gathered in Lanting (now Lanqing, southwest of Shaoxing, Zhejiang). The book is calm and gentle, The energy is strong and the spirit is concentrated. It is said that Li Shimin, Emperor Taizong of the Tang Dynasty, loved his calligraphy and believed that "Lanting Preface" was a "perfect" work. After his death, he was buried with it in the mausoleum.

There was a huge debate over the authenticity of the "Lanting Preface" that is now said to be true, and Li Shimin's grave was almost dug up. However, the artistic value of "Lanting Preface" is unanimously recognized. Mi Fu's poem of the Song Dynasty goes: "Han and calligraphy are popular in ancient and modern times. Who doesn't love Shanyin in Goosechi? Although this book has decayed to the Zhaoling Mausoleum, the carved stone can save thousands of gold." There are no fewer than dozens of copies by calligraphers in the past dynasties, which is also rare in the history of calligraphy. Some cultural phenomena. ?

Although "Lanting Preface" in Wang Shu is not as good as cursive writing, as an elegant, elegant, and unrestrained style of the times, no one can surpass or accompany it.

The sparse and orderly layout, the tall and graceful wind spirit, the ever-changing brushwork, and the free and easy movement of strokes made later generations of calligraphers feel that they were facing a tower that was both ordinary and mysterious. , often without the door, looking at the richness of his brushes, there are many wonderful changes such as hiding the front, weighing decorations, hanging the brush back to the front, pulling the thread, reflecting the belt, turning from square to round, from round to square, etc.

Some horizontal and wavy strokes have the legacy of official script. They are unpredictable, new and healed from time to time, and strange vertical lines can be found in peace. This is also the eternal artistic charm of "Lanting Preface".

Baidu Encyclopedia - Preface to the Lanting Collection