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The story of Beethoven

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Beethoven

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Try your best to be a good person, love freedom above all else, and never lie to the truth even for the sake of the throne.

-Beethoven (Manual 1792)

Music is a higher revelation than all wisdom and philosophy.

Hold the fate by the throat! !

Growing up with celebrities, the music giant: Beethoven

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Growing up with celebrities, the music giant: Beethoven

Ludwig van Beethoven (1770, 17, born in Bonn, Germany-18, died in Vienna, Austria on March 26th, 2008) is a composer of European classical music, a master of classicism and a pioneer of romanticism. Beethoven was revered as a musical saint by later generations.

catalogue

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* 1 life

O 1. 1 cause of death

* 2 personality

* 3 pieces of music

O 3. 1 the creative characteristics of Beethoven's symphony

+3. 1. 1 inheritance and innovation

+3. 1.2 The influence of the French Revolution

+3. 1.3 Deao and other folk music

+3. 1.4 Beethoven's contribution to the symphony

+3. 1.5 General structure of Beethoven's symphony

O 3.2 Project List (by number)

O 3.3 The Mysterious Tenth Symphony

O 3.4 Impact

* 4 See also.

* 5 external links

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all one's life

1770 was born in a civilian family in Bonn, Germany. His grandfather originally came from Holland, and later moved to Germany, where he worked as a local court musician. His father is a tenor and his mother is the daughter of a court chef. Beethoven showed his musical talent at an early age. The "van" in his name is not "von" in German, and does not represent any noble title, but indicates his hometown. Ludwig is also his grandfather's name.

1774 His father forced young Beethoven to study music and practice piano for a long time in order to make Beethoven a musical prodigy like Mozart.

1778 started performing at the age of eight.

178 1 year studied Bach's piano music with band conductor Naif and composed music.

1783, harpsichord pianist of court band.

1787 met Mozart in Vienna.

1788 as a viola player in an opera band.

1789 studied at Bonn University.

1792, with Haydn's encouragement and support, he went to Beijing and Vienna for further study, and made rapid progress in art. Beethoven advocated harmony and heroes, and created a large number of excellent works full of the flavor of the times.

1795, he held his first concert in Vienna. The repertoire is Piano Concerto No.2, and he plays the piano by himself. The performance was a great success.

Ear disease appeared in 1796.

1803, he completed the epoch-making Third Symphony and prepared to dedicate it to Napoleon.

1804, Napoleon proclaimed himself emperor, and Beethoven tore off the title page written for Napoleon in the third symphony and wrote a sentence "in memory of a great man"

1808 also published the fifth symphony Destiny and the sixth symphony Pastoral.

1809 Complete the fifth piano concerto "The Emperor".

18 15165438+1October15, when his brother Carl died, Beethoven became the guardian of his nephew Carl.

1815-1819 experienced four years of creative exhaustion. On the one hand, he was suppressed by the feudal restoration in Europe at that time, on the other hand, he collected and sorted out folk songs from all over Europe.

The ninth symphony was completed at 1824 and premiered on May 7th, with unprecedented pomp.

1826, his nephew Carl attempted suicide, which greatly damaged Beethoven's spirit and worsened his health.

1827 died in Vienna on March 26th.

On March 29th, 1827, 20,000 Viennese citizens attended his funeral, and the authorities wanted to dispatch troops to maintain order.

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cause of death

There are different opinions about the reasons for Beethoven's early death.

The doctor at that time concluded that the cause of death was edema.

Some people think that he died of syphilis.

Later, experts' medical examination of Beethoven's hair showed that Beethoven died of mercury poisoning. Although this discovery supports the speculation that syphilis died, it is generally believed that it was because the industry at that time polluted the fish in the Danube, and Beethoven liked to eat fish in this area, so the mercury in the fish was deposited on it and died. Beethoven didn't take drugs containing mercury into the body to treat syphilis. Beethoven's manic personality, chronic diarrhea and abdominal pain are all caused by mercury.

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Beethoven's most famous portrait

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Beethoven's most famous portrait

Later generations have always believed that Beethoven's life is a life of indomitable struggle against the fate and inequality of human society. I was abused by my alcoholic father since I was a child, and I was trained to be quick and quick. After growing up, my mother died, and the burden of family fell on Beethoven as the eldest brother. Worship and disillusionment of Napoleon. Beethoven resigned himself to fate, fell ill in middle age, had an unfilial nephew, lived in poverty and remained unmarried for life. He expressed the spirit of struggle in his heart in the language of music, and never bowed his head for the three buckets of rice. His famous saying "seize the throat of fate" is a true portrayal of his life spirit. It is said that before he died, there was thunder and lightning. Lying in his hospital bed, he suddenly straightened up and reached into the air as if to catch something. This scene is regarded by later generations as Beethoven's own visualization of this famous saying.

Legend has it that Beethoven and Goethe were walking on the path when a noble carriage came head on. The two of them had to step aside. However, their attitudes are completely different. Goethe bowed to the passing nobles and said hello, while Beethoven was serious and proud. The nobles in the car also politely say hello to the two. Later, Beethoven doubted Goethe's personality, and their friendship broke up.

Beethoven was deeply influenced by the French Revolution. In his works, we can clearly see the advocacy theme of "freedom, equality and fraternity". The overture Colio Lan, the Hero Symphony and the Chorus Symphony, and even the scene of the prisoner's chorus in the opera Federio directly "sang" the strong desire for freedom "Oh, freedom, freedom, when can you come back to your side".

In action, Beethoven once heard that a concert was going to be held to raise money for the poor. He immediately went on stage to play regardless of his illness and dedicated his strength to those he sympathized with.

Although Beethoven was serious and proud, he was not without love. He also talked about love and ended in failure, but he gave birth to the fourth symphony and violin concerto. He loves his brother's son Carl very much, even dotes on him. Once in order to take the latter home, Beethoven went out in the rain, and finally fell ill because of the rain, and his health deteriorated greatly.

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music

Many people think Beethoven is the greatest composer of all time. There is no denying that he is indeed one of the most famous and favorite people. His most famous works include Symphony No.3 (Hero), Symphony No.5 (Destiny), Symphony No.6 (Pastoral), Symphony No.9, Sonata of Sorrow and Sonata of Moonlight, etc. His 32 piano sonatas, such as Pathetique and Moonlight, are known as the "New Testament" of the piano (the "Old Testament" is Bach's "Collection of Piano Music with Equal Rhythm"). His early music, with Haydn and Mozart's court music style, paid attention to formal beauty, such as the first symphony. Later, he showed a strong personal style, and even used music to express his ideals and demands.

Beethoven can be said to have inherited the musical essence of German and Austrian composers Bach, Haydn and Mozart, and reached the limit of classical music in form.

His symphonies, in particular, are divided into five movements except the sixth symphony, and the other eight capitals have four movements, all of which are written according to the symphony structure established by Haydn Mozart, namely, Allegro in the first movement, Adagio in the second movement, minuet or scherzo in the third movement, and Allegro or Allegro in the fourth movement. At the beginning of the third symphony, the form and content began to unify, and a clear clue theme or idea ran through the whole symphony, which was particularly striking in the fifth and ninth symphonies, which was not done by composers before Beethoven. Therefore, Beethoven's symphonies are more expressive and emotional. The audience no longer simply appreciates the beautiful melody, but also needs to think about the composer's intention and motivation. This greatly enriches the connotation of music. It can be said that this is also the basis of romantic music.

Some people say that Beethoven's works all his life revolve around the theme of "hero". In particular, nine symphonies describe the growth and ideal of a hero.

Beethoven's creation is usually divided into four periods:

1. Early period: from the time he studied music creation to about 32 years old.

He is a talented composer, just like most famous musicians. He composed a lot of music that people still find very pleasant to listen to. At the same time, his music creation ability is also very strong, and he is good at writing sadness and lyricism.

2. heyday: about ten years.

He was deaf all his life, but influenced by the French Revolution, he wrote many ethical thoughts in his music. The music of this period is typical Beethoven's music. Including those big symphonies, the fifth and sixth symphonies, and several famous piano sonatas, compared with the early days, music has become thoughtful and has its own feelings.

3. Decline: About ten years.

Beethoven is already a celebrity in Vienna, but his creation has entered a low tide, as if he had returned to the era of ordinary musicians before, and his personal will was relatively depressed.

4. Late period: the last decade

In the last few years of his life, he suddenly created miracles again. Later works, some large and magnificent, such as solemn mass and ninth symphony; The other part has entered an abstract situation. The works of this period are very precious to musicians. But because it is usually abstract and not as good as the early ones, it may be difficult for the general audience to understand.

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The creative characteristics of Beethoven's symphonies

Symphony occupies a core position in Beethoven's creative career, which not only runs through all the years of his creative career, but also embodies his musical ideal most intensively.

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Inheritance and innovation

Beethoven's creation absorbed the essence of predecessors and developed his personal characteristics. The composers who had a great influence on Beethoven were Haydn and Mozart in classicism, Bach and Handel in Baroque era.

Beethoven studied under Neve in Bonn. Neve is an expert in counterpoint. He once taught Beethoven to learn Bach's rhythmic piano music collection (maybe part of it). In the creation of symphonies, Beethoven used polyphony, which is often used as the development theme of the development department. The second movement of the third and seventh symphonies has polyphonic music; Beethoven appreciated Handel's creation very much and absorbed Handel's fresh and vigorous spirit. Beethoven's creation follows the norms of classicism and inherits the creative styles and forms of Haydn and Mozart.

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The influence of the French Revolution

The influence of French Revolution music on Beethoven is mainly reflected in square music and March. The broad atmosphere of square music and the use of large-scale bands are the characteristics of Beethoven's symphonies, and the influence of March is manifested in the strong sense of rhythm and loud horn sound in the music.

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Deo and other folk music

For example, the sixth symphony "Pastoral".

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Beethoven's Contribution to Symphony

Beethoven's symphonies greatly expanded the expressive force of music art.

1. rhythm: rhythm sometimes does not follow the bar beat, syncopation appears, and the strength is compared. These are Beethoven's innovations in rhythm, which no longer strictly follow the strict rhythm, but are relatively free with the requirements of music.

2. Singing orchestral music: Beethoven has excellent melody talent and skills, and is good at composing songs-like melodies. His rich orchestration also greatly improved the expressive force of the orchestra.

3. Innovation of harmony skills: dissonance and unconventional chords are used in Beethoven's symphonies, and the strong dramatic contrast is unimaginable in classical norms.

4. Changes in musical forms:

* The Sixth Symphony has five movements, which is different from the previous four movements.

The use of scherzo replaced the original minuet.

* Slow-moving position changes (No.9) and disappears (No.5 and No.7). The second and third movements of the ninth symphony are reversed, and the slow movement becomes the third movement. The Fifth Symphony and the Seventh Symphony have no original slow movement in the strict sense, but only the second movement with Allegro speed, and the melody line extends and is similar to the slow movement.

* Break through the limitation of sonata form. The main department and the deputy department are in sharp contrast; The development department has become bigger, accounting for more than 1/3 of the whole movement, and the development department has factors that the presentation department does not have; The introduction of intervention movement appeared in the development department and reproduction department, and even participated in the development of the development department; The ending is long.

1. orchestration changes: the use of new instruments and the expansion of symphony orchestras.

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The General Structure of Beethoven's Symphony

The first movement: Allegro sonata form is the most important movement of this symphony.

The second movement: lyric movement, usually adagio and allegro.

The third movement: Fast Scherzo.

The fourth movement: Rondo/Sonata/Variations, which is the last movement cheering for victory.

It can be said that Beethoven is explaining the world in his own way in his symphonies.

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Project list (by number)

Beethoven's most important works include 32 piano sonatas, 9 symphonies, 5 piano concertos, violin concertos, trio concertos and late string quartets.

The numbers of Beethoven's works are compiled by the publishers of his works. Therefore, the numbers are arranged in the order of publication, not in the order of writing. For example, the woodwind octet composed by 1792 is Op. 103, while Op. 102 and Op. 104 were composed by 18 15 and1865434 respectively. The works before number 135 were published by Beethoven before his death. Others were published after his death.

* op.1no1(1795) piano trio. E flat major 1.

* Op. 1 No.2 (1795) Piano Trio No.2 in G Major

* Op. 1 No.3 (1795) Piano Trio No.3 in C minor.

* Op.2No. 1 (1796) Piano Sonata. 1 F minor

* Op.2NO2 (1796) Piano Sonata No.2 in Major

* Op.2 No.3 (1796) Piano Sonata No.3 in C major

* Op.3 (1794) string triad. E flat major 1

String quintet in e flat major, op. 4 (1795)

* Op.5 Piano and Cello SonataNo. 1 (1796). 1 F major

* Op.5 No.2 (1796) Piano and Cello Sonata in G minor

* Op.6 (1797) Piano Sonata for Four Hands.

* Op.7 (1797) Piano Sonata No.4 in E flat major

* Op.8 (1797) String Trio (Serenade) No.65438 in +0 D major

* Op.9 No.65438 +0 (1798) String Trio in G Major.

* Op.9 No.2 (1798) String Trio No.3 in D major

* Op.9 No.3 (1798) String Trio No.4 in C minor.

* op.10No.1(1798) Piano Sonata No.5 in C minor.

* Op. 10 No.2 (1798) Piano Sonata No.6 in F Major.

* op.10 No.3 (1798) Piano Sonata No.7 in D major.

* op.11(1798) Piano Trio No.4 in B flat major.

* Op./Op. Kloc-0/2 1 (1798) Violin Sonata. 1 D major.

* op.12 No.2 (1798) Violin Sonata No.2 in A major.

* op. 12 no. 3( 1798) Violin Sonata No.3 in E flat major.

* Op. 13 (1799) Piano Sonata No.8 C "Sorrow"

* op.14No.1(1799) Piano Sonata No.9 in E major.

* Op. 14 No.2 (1799) Piano Sonata. 10 G major.

* Op. 15 (1795) Piano Concerto 1 C Major

* Op. 16 (1796) Piano and Wind Quintet.

* Sonata for Horn in F Major, Op. 17 (1800)

* op.18No.1(1800) String Quartetno1f major.

* Op. 18 No.2 (1800) String Quartet No.2 in G major

* Op. 18 No.3 (1800) String Quartet No.3 in D major.

* Op. 18 No.4 (1800) String Quartet No.4 in C minor.

* Op. 18 No.5 (1800) String Quartet No.5 in A major

* op. 18 no. 6( 1800) String Quartet No.6 in B flat major.

* Op. 19 (1795) Piano Concerto No.2 in B flat major.

Septet in e flat major, op. 20 (1799)

* op.21(1800)1c major.

* Op.22 (1800) piano sonata. 1 1 B flat major

* op.23 (1801) Violin Sonata No.4 in A minor.

* Op. 24 (180 1) Violin Sonata No.5 in F major Spring ("Spring").

Serenade for flute, violin and viola in d major.

* Op.26 (180 1) Piano Sonata. A flat major 12.

* op.27No.1(1801) Piano Sonata. E flat major 13.

* Op.27 The second piano sonata (180 1). Moonlight in C minor 14

* Op.28 (180 1) Piano Sonata. 15 D major

* String Quintet in C Major, Op.29 (1801)

* Op.30No. 1 (1803) Violin Sonata No.6 in A major.

* Op.30 No.2 (1803) Violin Sonata No.7 in C minor.

* Op.30 No.3 (1803) Violin Sonata No.8 in G major

* op.31no1(1802) Piano Sonata. 16 G major.

* Op.3 1NO2 (1802) piano sonata. 17 storm in d minor

* Op.31Piano Sonata No.3 (1802). Flat major 18 E

* Op.32 (1805) Song-To Hope

* Op. 33 (1802) Seven Small Piano Works

* Op.34 (1802) 6 variations on original theme for piano in F major.

* Op.35 (1802) 15 Variations and fugue piano, an original theme, "Heroes of Heroes" in E flat major.

* op. 36( 1803) Symphony No.2 in D major.

* Op.37 (1803) Piano Concerto No.3 in C minor

* Op.38 (1803) Piano Trio No.8 (arrangement of septet Op.20).

* Op.39 (1789) has two preludes, including the piano in 12 medium major.

* Romantic Violin Op.40 in G major (1802)

Serenade for piano, flute or violin in D major.

Op. 42 (1803) serenade for viola and piano in d major.

Op. 43 (180 1) Prometheus' creation * overture and ballet music

* Op. 44 (1792) Piano TrioNo. 10 (Variations on Original Theme in E-flat Major)

* Op. 45 (1803) Trilogy piano, with four hands playing.

* Op.46 (1795) Song-Adelaide

* Violin Sonata Croce No.9, Op.47 (1802)

* Op.48No. 1 (1802) Song-Request

* Op.48 bis (1802) Song-Die Liedes n? chsten

* Op.48 No.3 (1802) Song-On Death

* Op.48 No.4 (1802)-Glory of the Lord in Nature

* Op.48 No.5 (1802)

* Op.48 No.6 (1802) Song Bu? tell a lie

* Op.49No. 1 (1792) Piano Sonata. 19 G minor.

* Op. 49 bis (1792) Piano Sonata No.20 in G Major

* op.50 (1798) Romantic violin in F major.

* Op. 5 1No.1(1797) Rondo for piano in C major.

Rondo for piano in G major, Op.5 1NO2 (1798).

* op . 52 no . 1( 1805)Song-Urians Reise um die world

* op . 52 no . 2( 1805)Song-Feuerfab

* Op.52 ter (1805) Song of Song-Ruhe.

* Op.52 No.4 (1805) Song-May Song

* Op.52 No.5 (1805) Song-Molly absconded.

* Op.52 No.6 (1805) Song-Love

* Op.52 No.7 (1805) Song-Marmot

* op. 52 no. 8( 1805) Song-Darth Blumheng prodigy

* Op.53 (1803) piano sonata. Waldstein at dawn in 2 1 C major.

* op.54 (1804) Piano Sonata No.22 in F major

* Op.55 (1805) Symphony No.3 in E flat major, Hero of Heroes.

* Op.56 (1805) Concerto for Trio in C Major

* op.57 (1805) Piano Sonata No.23 in F minor "Passion"

* op.58 (1807) Piano Concerto No.4 in G major.

* op.59No. 1 (1806) String Quartet No.7 in F major "Rasimovski1".

* Op.59 bis (1806) String Quartet Rasimovski 2 in E minor No.8.

* Op.59 ter (1806) Rasmussen 3, String Quartet No.9 in C major.

* Symphony No.4 in B flat major, Op.60 (1807)

* op.61(1808) violin concerto in d major.

* Op.62 (1807) Overture to Colio Lan.

* Op.63 (1806) string quintet (Op.4 adaptation) piano trio

* Op.64 (1807) piano trio (Op.3 adaptation) piano, violin and cello.

* Op. 65 (1796) Aria-Ah perfido!

* Op.66 (1796) Variations on Mozart's theme "A Girl or a Woman", cello.

* op 67 (1808) symphony no 5 in c minor.

* Symphony No.6 in F major ("Pastoral"), Op.68 (1808)

* Op.69 (1808) Piano and Violin Sonata, Cello No.3 in A major.

* Op.70No.1(1808) Piano Trio No.5 in D major "Ghost".

* Op.70 bis (1808) Piano Trio No.6 in E flat major

* op 7 1 (1796) wind sextet in e flat major.

* Op. 72a (1805) Opera Leonora (Leonora Overture No.2)

* Op. 72b (1806) Opera Leonora (Leonora Overture No.3)

* Op. 72c ( 18 14)

* Op.73 (1809) Piano Concerto No.5 in E flat major "The Emperor".

* Op.74 (1809) string quartet number in e flat major 10 "harp".

* Op.75No. 1 (1809) Song-Mi Niang

* Op.75 No.2 (1809) Song-New Love, New Life

* Op.75 No.3 (1809) Lyrics: Goethe Faust * Once upon a time there was a king.

* Op.75 No.4 (1809) Song-Gleiter's warning

* Op. 75 quinquies (1809) Song-To a lover far away.

* Op.75 No.6 (1809) Song of Freedom

* Op.76 (1809) 6 variations on original theme for piano in D major.

* Op.77 (1809) Piano Fantasia

* Piano Sonata No.24 in F major, Op.78 (1809)

* Op.79 (1809) Piano Sonata No.25 in G Major

* Op. 80 (1808) Chorus Fantasia

* op.865438+81a (1809) Piano Sonata No.26 in E flat major, Farewell.

* op 8 1b (1795) sextet in e flat major.

* Op.82 1 (1809) Song-Hope

* Op.82 No.2 (1809) Song-complaint of love

* Op.82 ter (1809) Duet-Journey of Impression

* Op.82 No.4 (1809) Impression of Song-amante

* Op.82 Song No.5 (1809)-Enjoy Life

* op.83No.1(1810) Song-Joy in Melancholy

* Op.83 No.2 (18 10) Song-Desire

* Op.83 No.3 (18 10) Song -Mit einem gemalten Band

* Op.84 (18 10) Egmont (overture and situational music)

* Op.85 (1804) Christ on the Mount of Olives.

* Op. 86 (1807) Mass in C major.

* Op.87 (1795) Trio for two oboes and English Horn in C major.

* Op.88 (1803) Song-Happiness of Friendship

* Polonaise Op.89 in C major (1814).

* Op.90 (18 14) Piano Sonata No.27 in E minor.

* op.91(1813) Arthur Wellesley Duke of Wellington's Victory (Symphony of Battle)

* Symphony No.7 in major, Op.92 (1813)

* Symphony No.8 in F major, Op.93 (1814)

* Op. 94 (18 15) Song-to hope.

* Op.95 (18 10) string quartet number 1 1 F minor "Serioso"

* Piano Sonata, Op. 96 (18 12). 10 G major.

* op.97 (1811) Piano Trio No.7 in B flat major "Dagong" (Dagong)

* Op. 98 (18 16) song suite-to a distant lover.

* Op. 99 (18 16) Song-a man who keeps his promise.

* op.100 (1814) Song-Memorial Stone

* op.101(1816) Piano Sonata No.28 in A major.

* op.102No.1(1815) Piano and Violin Sonata, Cello No.4 in C major.

* op.102 No.2 (1815) Piano, Violin and Cello Sonata No.5 in D minor.

* Op. 103 (1792) Woodwind Octet in E flat major.

* op.104 (1817) String Quintet (Piano Trio No.3 Adapted Edition)

* op.105 (1819) 6 piano and flute variations.

Manuscript of "Hammer Piano" Sonata

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Manuscript of "Hammer Piano" Sonata

* op.106 (1818) Piano Sonata No.29 in B flat major, Hammer Piano.

* op.107 (1820)10 Variations for Piano and Flute.

* op.108 (1818) 25 Scottish songs.

* Op. 109 (1822) Piano Sonata No.30 in E major.

* op.110 (1822) Piano Sonata. 3 1 in a flat major.

* op.111(1822) Piano Sonata No.32 in C minor.

* op.112 (1815) Calm sea and happy sailing (chorus and band)

* op.113 (1811) site of Athens Opera House

* March and Chorus-Inauguration Ceremony of New House

* Work 1 15 Overture (18 15)- Naming Day

* op.116 (1802) vocal trio-Tramte, empi tremate.

* op.117 (1811) Steven, the opera king.

* Works118 (1814) Eligischer Ge Sang (choir and band)

* op.119 (1822)1/new piano.

* Op.120 (1823) Variations on Piano Theme in C Major "Diabelli Waltz" (Variations by Di Abri)

* op.121a (1803) piano trio. 1 1 (Variations on the theme "I am a tailor of Kakadu")

* op.121b (1822) op freed (chorus and band)

* Works 122 (1824)

Op.123 (1822) solemn mass in d major

* Work 124 (1822) Overture-New House Completion Ceremony

* op.125 (1824) Symphony No.9 "Chorus" in D minor.

* Op. 126 (1824) six piano pieces.

* Op. 127 (1825) String quartet number in E flat major 12.

* Op. 128 (1822) Song-Kiss

* Op.129 (1795) Rondo Capriccio Piano in G Major (Angry at the loss of a penny)

* Op. 130 (1825) String quartet number in B flat major 13.

* op.131(1826) string quadruple number in C minor14 C.

* Op. 132 (1825) String QuartetNo. 15 A minor

* Op. 133 (1826) big fugue in B flat major.

* Op. 134 (1826) piano fugue four-handed piano.

* Op. 135 (1826) string quartet number 16 F professional

* Op 136 (18 14) chorus-a moment of glory

* op.137 (1817) string quintet in d major (fugue).

* Op. 138 (1807) Overture-Leonora's First Song

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The mysterious tenth symphony

After composing the ninth symphony, Beethoven began to conceive and compose the tenth symphony. He mentioned this work in his notes and correspondence with others. He said that the symphony describes a great synthesis, and the space is from top to bottom. In terms of time, it is from ancient times to the future. It can be said to be a cosmic symphony. The strangest thing is that Beethoven once said that the tenth symphony has been written. But after his death, people didn't find the music according to his instructions.

1844, Beethoven's assistant Anton Schindler published an article about this symphony, which aroused widespread concern and speculation at that time. Since then, clues and speculations about the new discovery of this symphony have emerged one after another, but there is actually no breakthrough.

Some people even say that they have heard the first movement of the Tenth Symphony, but there is no evidence to support this statement.

Dr Barry Cooper reconstructed the first movement of the Tenth Symphony from various manuscripts collected. However, this work has not been generally recognized by the music industry.

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affect

As mentioned above, Beethoven created romantic music. Since then, with the efforts of composers such as Schubert, Mendelssohn, Wagner, robert schumann, Mahler and Romantic master Richard Strauss.