Annotations and Appreciation of the Spring Festival Evening Translation of Wulingchun

Wulingchun Spring Festival Gala generally refers to Wulingchun, which is full of wind and water and fragrant flowers. The following are my carefully compiled translation notes and appreciation of Wuling Spring Festival Evening for reference only. Let's have a look.

The original text of Wuling Spring Festival Evening:

Song Dynasty: Li Qingzhao

The wind has stopped the dust, the fragrant flowers have blossomed, and I am tired of combing my hair at night. Things are people, not everything, and tears flow first.

It is said that Shuangxi Spring is still good, and it is also planned to make canoes. I'm afraid the ship can't carry much worry.

Wulingchun Spring Festival Evening Translation;

The wind stopped, the dust smelled of flowers, and the flowers had withered. The sun has risen high, but I'm too lazy to dress up. The scenery remains the same, the personnel have changed, and everything is over. I wanted to pour out my feelings, but before I could speak, tears came down first.

I heard that the spring scenery in Shuangxi is still good, and I plan to go boating. I'm afraid a boat like Shuangxi grasshopper can't carry many of my worries.

Wulingchun Spring Festival Evening Notes:

1' wulingchun: epigraph name, also known as "wulingchun" and "flowers are beautiful", a two-tone poem. Two-tone forty-eight, two lines, four sentences and three rhymes. This word has been changed.

2, dust fragrance: falling flowers touch the ground, dust is also contaminated with falling flowers.

3. Flower: a "spring".

4. Night: One is "sunset" and the other is "sunrise".

5. Comb your hair: In ancient times, the first thing a woman did after getting up was to dress up.

6, things are human beings: things are human beings, and people are not what they used to be.

7. First, a "pearl", Shen Jifei's "Poetry in this Caotang" notes: "A pearl is a mistake." The Records of Licheng County in Chongzhen was written as "Tears flow first", and the word "language" was deleted by mistake.

8. Say: One is Tao. "Not bad": one is "not bad".

9. Shuangxi: Shuiming, in Jinhua, Zhejiang, was a famous scenic spot in the Tang and Song Dynasties. There are two rivers, Donggang and Nangang, which meet in the south of Jinhua, hence the name "Shuangxi".

10, plan: prepare, plan.

1 1, canoe: a kind of "boat".

12, stern boat: There are two small boats that are sharp like grasshoppers.

Wulingchun Spring Festival Gala Award: 1:

This poem "Wulingchun" was written by the author after he lost his wife in middle age, which is incomparable to the ordinary poem in My Heart forever. This word uses the scene of late spring to write the poet's deep depression and sorrow. The whole word is full of sighs, beautiful language, beautiful artistic conception and beautiful scenery.

This word inherits the traditional writing and adopts the first-person narrator, which is similar to later plays. With the first-person tone and deep melancholy melody, she created an image of a talented woman wandering in the lonely and desolate ring.

This word is concise and implicit, which shows Li Qingzhao's skill in refining words and making sentences. Among them, the phrase "the wind and dust make fragrant flowers" is even more extreme: it not only points out the scene of the previous storm, but also draws the charm of falling flowers turning into dust after the rain has cleared; It not only describes the author's depression that she can't go out in rainy days, but also her feelings that she is afraid of spring and hurts her body. It's endless.

This word goes from the outside to the inside, from the outside to the inside, step by step, layer by layer, with the upper part focusing on form and the lower part focusing on heart. "I am tired of combing my hair at night" and "I want to cry first" are descriptions of the external movements and demeanor of the characters. "Comb my hair at night" written here is another state of mind. At this time, she went south because of Jin people. After several funerals, her like-minded husband Zhao Mingcheng had already passed away and lived alone in Jinhua. What she sees before her eyes is the annual spring scenery. Seeing things and thinking about people, things are different, and she can't help but feel sad and feel that everything is over. Therefore, she gets up early and is lazy to comb. "Tears flow first when you want to talk" is clearly written and profound. Here Li Qingzhao wrote tears, first with "desire for words" as the foreshadowing, and then tears poured down her face. Simple five words, the language seems simple, but the intention is extremely profound, and it suddenly pours out uncontrollable sadness, which is touching.

The next part of the words focus on excavating inner feelings. First of all, she used three groups of function words: "Wen Shuo", "Yi Shu" and "fear" as an opportunity for ups and downs, which were full of twists and turns and touching. The first sentence "I heard that the spring scenery of Shuangxi is just right" suddenly rose, and the poet just shed tears. But when she heard that the spring scenery of Shuangxi in the suburbs of Jinhua is beautiful and tourists are everywhere, she, a person who usually likes to visit, became interested in traveling and "planned to go boating". Words such as "spring is still good" and "boating" are relaxed and lively, which just shows the poet's momentary joy. The word "Ye Fu" before "boating" is even more graceful and low, indicating that the poet's interest in travel is temporary and not very strong. The word "canoe" is as follows. Sadness has made a good foreshadowing and contrast, and the last two sentences "only fear" are the violent ups and downs after foreshadowing, which makes the feelings seem extremely deep. Here, Shang Kun's reasons for saying "I am tired of combing my hair at night" and "I want to talk about it first" are also deeply revealed.

The outstanding feature of the artistic expression of this word is the clever use of various rhetorical devices, especially metaphors. Metaphor is a common phenomenon in poetry; However, it is very difficult to use it in a novel way. Good metaphors often turn spirit into matter and abstract feelings into concrete images, which are innovative and unique. In this poem, Li Qingzhao said, "I'm afraid the ship can't carry much on its mind." It is also an exaggerated metaphor to describe "trouble", but she coined new words herself and used them naturally without trace. Readers say it is natural and appropriate because it comes from the previous sentence "canoe" and "canoe" comes from "Shuangxi", which is full of feelings in the landscape and nature and forms a complete artistic conception.

Wuling Spring Festival Evening Appreciation II;

All along, there are many works about sorrow: either express one's mind directly and "write my sorrow by writing" ("Poetry in Spring"); Or skillfully use metaphor, "how much sorrow can there be, just like a river flowing eastward" (Li Yu's Yu Meiren); Or melt into the scenery, "the threshold chrysanthemum worries about smoke and blue tears, the curtain is light and cold, and the swallows fly away." (Yan Shu's "Die in Hua Lian"); ..... These are all interesting and have their own characteristics. Li Qingzhao's "Wu Linchun" is also about sorrow, so you can make your own new words. It skillfully expresses profound and complicated inner feelings by euphemistic melody art, and has high aesthetic value, thus becoming a lyric masterpiece widely circulated in later generations.

This word was written in the fifth year of Emperor Gaozong in the Southern Song Dynasty (1 135). At that time, the northland fell, her husband died, and the poet lived alone in Jinhua, Zhejiang. This word expresses all the sadness of the destruction and death of this country. Although there is only one word "sorrow" at the end of the word, "sorrow" is really the theme clue that runs through the whole article. The whole poem is extremely subtle and euphemistic, full of ups and downs, and there are countless twists and turns hidden in the short width (Huang Liaoweng's "Starting a prairie fire with thorns"), which fully embodies the characteristics of the graceful ci school and is full of flavor.

The first sentence, "The fragrance of flowers has run out", just means that the flowers have been blown down by the wind. But if you think about it carefully, "the wind has lived", then the poet must have been locked indoors by the wind and rain before, and his melancholy and sadness can be imagined (and it is also the foreshadowing for the following "planning a canoe"). "The Smell of Dust" makes the sky clear, and the fallen flowers turn into mud, revealing the regret of destroying the beautiful scenery. "Flowers are exhausted" not only supplements the reason of "dust fragrance", but also pushes the meaning of "worry" to a deeper level, meaning "out of the water, spring goes and spring comes". Triple, frustrated. "It's tiring to comb my hair at night", and I'm not in the mood to comb my hair when the sun is high. This seemingly counterintuitive detail description just shows the author's inner misery that can't be dispelled under the environmental pressure of national pain and family hatred. Looking around, Mr. Wang's legacy is still there, seeing things and thinking about people, thinking about his hometown in the north; And "things are different", the scenery is different from before, and I can't help but feel sad; I feel that everything is closed and endless loneliness, so I use the word "everything is closed" to sum it up. I really don't know where to start. I just want to say that the tears have already come down, and the phrase "tears flow first" has been unable to restrain the sadness, which can be described as "nine ileums a day" and is touching. At this point, the word shrinks to the top, and the climax of a cavity temporarily ends.

"I heard that Shuangxi Spring is not bad", and the tone suddenly changed. The poet is still crying, but now he "intends to canoe". There seemed to be a moment of joy, and his heart was folded. However, "I heard" was only heard from people nearby, indicating that I was alone all day and had no joy; Take care of the last sentence "the wind stays" and "it's getting late". "Shang" and "Yi Wei" indicate that the poet has sprouted the idea of having a spring outing to relieve his worries. However, before leaving, my mood changed again: "I'm afraid" Shuangxi's boat is too small to carry so much sadness. Then you have to worry behind closed doors and be ecstatic alone. The above sentence "Tears flow first when you want to talk" points out the reason at this point. Generally speaking, the general idea of the whole film is that a small spring outing is not enough to comfort the poet's great worries. However, the author is good at using three groups of function words: "hearing", "imagination" and "fear" to express his subtle and complicated psychological changes in special circumstances incisively and vividly, with deep feelings and deep feelings.

The last two sentences are well known. "Worry" is an inner thing, an abstract thing, which can only be understood and elusive. Now, the author put it on the boat in an imaginative way, giving people a tangible three-dimensional sense; Moreover, I'm afraid I'm too worried to carry the ship, and then I'm afraid I'll appear to have weight again; In connection with the word "light" in the previous sentence, it seems that the ship is slowly pressing to the surface of the water under the pressure of heavy worries, thus gaining a sense of dynamics. It turns virtual into real, with novel meaning and amazing imagination. It is really a wonderful word to describe melancholy. Li Qingzhao is good at writing sorrow. In addition to this word, sadness is written in form, weight and dynamics, and she also writes sadness in length. In other words, "Now a new sadness has been added" ("Reminiscent of Feng Tai Xiao"); There is a kind of concentration: "whose flute blows deep sorrow?" (Man Fang Ting) And so on. These are vivid images and profound charms.

The word "Wulingchun" reflects the separation and hatred of people in the war from one side. Li Qingzhao skillfully integrated the sadness of the times into her limited artistic realm, thus making this word typical. Therefore, this word has not only won the artistic aesthetic value, but also won the social aesthetic significance. (Jiang) According to

The creative background of Wuling Spring Festival Evening;

This word was written by Li Qingzhao when she took refuge in Jinhua, Zhejiang in 1 135 (five years in Shaoxing, Song Gaozong). At that time, the nomads from the army invaded, her husband had died, and the stones and stone cultural relics in the house were also lost. The author is alone, wandering in the war, experiencing a bumpy road and life, in a miserable situation and extremely sad inside.

Appreciation of Wuling Spring Festival Evening:

This word was written by the author when he took refuge in Jinhua, Zhejiang for five years (1 135) in Shaoxing, Song Gaozong. She is fifty-three years old. At that time, she was already in a state of ruin, her dear husband died, most of her treasures were lost, and she was homeless in a foreign land, and her feelings were extremely sad.

The first sentence describes what we have seen so far, because the wind is full of flowers and desolate, but it avoids describing the fury of the wind and the messy flowers from the front. It is very meaningful to use the word "wind to dust" to express the consequences of such a small disaster, and then the wind destroys the flowers and falls all over the ground. Moreover, when the wind doesn't stop, flowers fall like rain. Although it is extremely unbearable, there are still residual flowers visible; After the wind stops, the flowers have been stained with mud, and people have turned to dust, leaving traces, but with the smell of dust, the spring scenery has been swept away, which is even more unbearable. Therefore, the word "wind leaves dust fragrance" is not only implicit, but also expands its capacity because of its implication, which makes people feel more. The second sentence is because what you see is what you see, so you do it. The sun is already high, and my hair has not been combed yet. Although it is similar to "getting up and combing your hair" in "The Phoenix Stage", it is all where will you go's sorrow. This is the hate of death, with different shades.

Three or four sentences, from implicit to vertical writing, point out all the bitterness, and the origin is "things are different." This kind of "things are wrong" is by no means an accidental, individual or subtle change, but an extremely extensive, drastic, fundamental and significant change, which involves endless things and endless pain, so it is summarized as "everything is closed". This is really "the seventeenth history, where to start"? So I was just about to say, tears have come out.

The first two sentences are implicit; After two sentences, the truth rate. Implicit, because this situation has nowhere to sue; Truth rate, because although you know there is nowhere to sue, you still have to sue. Therefore, if they are opposite, they are actually complementary.

The first movie spoke eloquently about the unbearable scenery and the sadness of the mood, so the next movie kicked off and talked from a distance. This poetess likes to travel around the mountains best. According to Zhou Hui's Qingbo Magazine, when she was in Nanjing, "it snowed heavily every day, that is, wearing a hat and coat, looking for poetry all over the city." Winter is like this, and spring can be imagined. Since she has a hobby of sightseeing, she also has a sad mood that needs to be relieved by sightseeing. Shuangxi is a scenic spot in Jinhua, so she naturally has the idea of boating in Shuangxi, which is called "How much is a spring outing" in Nian Nujiao. But in fact, her pain is too great and her sadness is too deep. Can boating be alleviated? Therefore, before I swam, I had predicted that the ship was too heavy to carry. This idea is both novel and true. The next * * * four sentences, the first two sentences open, a turn; After the two sentences are together, it is another round; The six function words "listen and speak", "imagine" and "fear" have vivid turning points. Although Shuangxi Spring is good, it is just a "smell"; Going boating was just a "plan", and then "fear" suddenly appeared below, killing the "plan" above. I thought about it when I heard about it. As a result, I just sat at home worrying.

Wang Shizhen's Flowers Are Picking Up says: "We can't bear much worries", "We can take the worries of the twilight home" and "We can only take a boat away from hate and go to two states", so we can look at each other. "Don't leave the paddle on the boat, you will have difficulty driving one day." This comment tells us that there must be a limit to the novelty of words. The right thing, after one step, becomes a mistake; Beautiful things, after a step, become ugly. Like "sculling", it is both "leaving the boat" and "a troubled day", so it is difficult to be accepted for fear of being unclear, artificial and unnatural. So "Wen Xin Diao Long? "frolic in the waves" said: "those who coincide with each other are surprised by new ideas, while those who do not agree are surprised by losing their bodies. The difference between "coincidence" and "strangeness" is only one step.

Li Houzhu's "Young Beauty" said: "I asked you how sad you can be? Just like a river flowing eastward. " Just more worry-free than water. Qin Guan's "Jiangchengzi" says: "Being on the riverside is tears and endless worries." Then sadness materialized and became something that could be put in the river and discharged with the water. Li Qingzhao and others put it further on the boat, so sorrow has weight, which can flow with the water and be carried away by the boat. Dong Jieyuan's A Little Crimson Lip Gloss in Lu Xian? The tail said, "Don't ask about the severity of parting. You can't carry it on a horse. " Then sadness was unloaded from the ship and put on horseback. Wang Shifu's The West Chamber zaju Gong Zheng? Correct, okay? The ending goes: "All the troubles in the world fill the chest and measure how these cars can be afforded." He unloaded the sadness on horseback and put it in the car. From these small examples, we can see that literature and art must be inherited and developed at the same time.

The whole layout of this word is also worth noting. Ouyang Xiu's "Picking Mulberry Seeds" says: "After all the flowers are gone, the West Lake is good, messy and red, birds are misty, and weeping willows are withered." When all the tourists left, they began to feel the spring sky, lowered the curtains, and Shuang Yan returned to the drizzle. "Zhou Bangyan's" Looking at the South of the Yangtze River "says:" The prostitutes are scattered and return to the embankment alone. The grass is full of smoke and water, the west of the city is cloudy and dark, and the nine strangers are not stained with mud. Under the peach and plum blossoms, the Spring Festival Gala was unsuccessful. Outside the wall, flowers find their way, and horses cross warblers in the willows, which is sad everywhere. "The practice is the same and can be compared. The first sentence of Tan Xian's Tang Fu Thorn criticizing European words is: "Sweep the floor and be born. "This is the layout characteristics of these three words. Sweeping is sweeping, and life is life. Judging from the first sentence of these three songs, they are all talking about the end of the previous stage. The words O and Li mean that spring has passed, while Zhou Ci means that beauty is gone. At the end of the day, wheatgrass is full of flowers. Of course, there are many touching scenes to write, but after the end, what else is there to write? Didn't you just sweep away everything you could write at the beginning? It was not until I read on that I realized that there was another scene below. Ou Ci wrote about the leisure and sadness in late spring, Zhou Ci wrote about the bleak mood of returning to the embankment alone until returning, and Li Ci wrote about the deep pain brought by the dust. And these are exactly what the screenwriter wants to express, and they are also the most moving parts, so they are called "sweeping the floor and being born". It's like we went to see a full-length play and arrived a little late. When we entered the theater, a very lively scene began just after watching one o'clock, but we didn't know the content of the following scene. When we watched it again, we found that we had caught up with the most wonderful climax of the whole play. The social life that any work can reflect can only be in certain aspects. Due to the limitation of space, the lyrics are even more so. This way of writing can use the omitted part as the background to set off the text, which unexpectedly strengthens the appeal of the text, so it is desirable. (Shen Zufen)

Author introduction of Wuling Spring Festival Evening:

Li Qingzhao (1March 08413 ~11May 55 12) was born in Zhangqiu, Jinan, Shandong. In the Song Dynasty (the turn of the Northern and Southern Song Dynasties), the poetess, represented by graceful and restrained words, was known as "the first talented woman in the ages". In the lyrics, he wrote more about his early leisure life, his later life experience and sentimental mood. In form, it makes good use of line drawing, forms its own school and has beautiful language. On the theory of ci, it emphasizes harmony and elegance, puts forward the theory that ci is different from one family, and opposes the method of writing ci into poetry. There are not many who can write poems. Some chapters have a sense of the times, praise history and use generous words, which is different from their style of words. There are Yi 'an Jushi Collection and Yi 'an Ci, which have been lost. Later generations have a collection of Yu Shu's ci. There is a collation of Li Qingzhao's collected works today.