A poem about the green curtain

1. Guo Xiaochuan's poems about Qingshazhang and Gansu forest are fascinating. I saw the sugarcane forest. How could I not want to go to the green yarn account!

You are still so charming in the green gauze tent in the north;

Think of the green gauze tent, how can you not be obsessed with the scenery of sugarcane forest!

Sugarcane forests in the south, you have turned the hearts of soldiers into this.

Oh, my youth, my faith, my dream. ...

They all caught fire in the green tents in the north!

Oh, my comrades-in-arms, my relatives, my brothers. ...

Have bathed in the magnificent sunrise in the green gauze tent in the north!

Oh, my singing, my will, my hope. ...

There seems to be wings in the green gauze tent in the north!

Oh, my motherland, my compatriots, my hometown. ...

Green tents in the north seem to be made of pure steel!

This is the south, not the far north;

The sorghum fields in the north are not so sweet and fragrant!

This is a sugarcane forest, not a green tent in the north;

Nothing is so beautiful and bright in the green gauze tent in the north!

The green gauze tents in the north are often covered with bitter frost;

The sugarcane forest in the south has only the fragrance of the atmosphere!

The green tent in the north is often filled with the cold light of artillery fire;

What about the sugarcane forest in the south? Only the fog is boundless!

The green gauze tent in the north usually only hears the heartbeat;

The sugar cane forest in the south is full of joyful chanting!

In the north, I only see rags for many years;

What about the sugarcane forest in the south? There is always a holiday costume!

Why do you ask-do you prefer the south or the north?

I can only answer: our land is the same everywhere;

Why do you ask-which do you love more, the sugarcane forest or the green gauze tent?

I can only answer: life always makes people feel fresh and clear.

The storm is equally vigorous and the thunder is equally loud.

No matter where the storm is, it can also strengthen our courage;

The sun is equally hot and the moon is equally sweet.

Wherever the light is, it can shine on our hearts.

Dew with Ming Che, rain with cool.

No matter where the rain and dew are, the same dew nourishes us;

How high the sky is and how spacious the ground is.

No matter where the world is, it is a hotbed to cultivate us.

Ah, the old soldiers are not old, but the new soldiers have grown up.

Ah, the old generation is still striding forward, and the new generation is closely following.

Our people are always broad-minded, energetic and bright-eyed.

Look, if the enemy provokes, the sugarcane forest will make them surrender;

That sweet straw immediately turned into a knife and gun for profit and tax!

Look, when the enemy invades, the sugarcane forest will bury them;

Those thick long leaves immediately woven into a powerful net!

How can the green gauze tent in the north still fascinate people?

Because our sugarcane forest has become a green curtain in the new era!

Why did the sugar cane forest in the south turn the hearts of soldiers into this?

Because of our green tent, millions of brave soldiers lie in ambush!

2. Take care of the sugar cane forest before and after its formation, and strengthen the lyrical effect.

The poem begins with a question, endowing the sugarcane forest and the green gauze account with strong emotional color, and launching association and reverie. The next three sections compare their similarities and differences, push poetry further and deepen, and make a transition for recalling the revolutionary struggle life in the past. Here are eight "unforgettable" parallelism sentences, which take readers into the revolutionary struggle life in the green tent, review the optimistic revolutionary temperament of old comrades in extremely difficult environment, and highlight the fearless and optimistic revolutionary spirit in the war years with "sorghum straw is sweeter than sugarcane" and "Beijing and Shanghai are not as nostalgic as this sorghum". In the ninth and tenth sections, history is linked with reality, pointing out the theme and calling on comrades to "call back their fighting youth" and "control any sinister situation". The last section repeats the first section, but it gives readers a different feeling from the first section. The first section is mainly to arouse reverie and association, and the last section is to strengthen readers' experience of poetry, and at the same time make lyricism more subtle and tasteful, and the structure more rigorous and unified.

Appreciation of works:

Sugarcane forest-green yarn account was written in1962 from March to June. Due to the mistakes of the Great Leap Forward and the serious natural disasters in the past three years, China faced serious economic difficulties in the early 1960s and a complicated international environment. This is a severe test for the people of the whole country. At that time, many writers used different literary genres to express their feelings about the times and their attitudes. The poet Guo Xiaochuan has his own artistic personality. He always responds to the requirements of the times and expresses his attitude and thinking from the perspective of the philosophy of life and mental state that revolutionary soldiers should have. In this poem, he shows the lofty sentiments of optimistic revolutionary heroism.

1962 In the spring, the poet who had been fighting in the north for a long time came to the southeast coast of the motherland and saw a shady sugarcane forest. Perhaps because of the similarity in appearance, he thought of the green gauze account in the north. These are two common plants in the north and south, but they are endowed with wonderful poetry by poets. He thought of the green tent in the north from the sugarcane forest in the south and the sugarcane forest in the south from the green tent in the north. They are the symbols of two eras respectively. The sweetness and strictness of sugarcane forest are the symbols of today's happy life, and the green gauze skirt is the symbol of the hard revolutionary struggle years in the past.

3. There is a pipa in the green gauze tent and a pipa in the green gauze tent, although I dare not play it in spring.

Grandpa, why don't you play a song?

China folks call the bad behavior between father-in-law and daughter-in-law "picking up dust". Its origin is said to be Su Dongpo. After Su Dongpo lost his wife in his prime, his career was not smooth and he was once decadent. He stayed at home, took no care of anything, was proud of calligraphy and poetry, stopped playing, or even went into the study for a few days. His son has no father's demeanor, idles around and often doesn't go home. However, she married a beautiful little girl and often talked with Su Dongpo in poetry. Therefore, the relationship between Weng and his daughter-in-law is closer than that between father and son. At noon one day, Su Dongpo was bored after drinking, so he went to the study and took a nap on his desk. A thin layer of dust fell on the table because it had not been cleaned for many days. Just as Su Dongpo was bored, his daughter-in-law wore a light green skirt and brought him tea with a teapot and teacups. Su Dongpo was in high spirits when he saw his wife's charming figure and youthful and beautiful dress. Touching the water with his hand, he wrote on the table: "There is a pipa in the green gauze tent. Although there are springs, I dare not play it." When his daughter-in-law saw it, although her face was feverish, it was not without ridicule. She also dipped her hand into the water and wrote, "Why not play a song, and the rich water will not flow out of the field?" I was flirting with my wife. In the charming atmosphere, Su Dongpo's son rushed to the study to visit his father. Su Dongpo was worried that his son would see the mystery on the desk, so he brushed off his robe sleeve and wiped away his handwriting. His son was puzzled by Su Dongpo's behavior and asked, "Father, what are you doing?" ? Su Dongpo replied: "I am picking up ash!"

4. That poem about the reed flower swing has a white head and a green veil.

Ink on the horizon of northern rock

The wind and dance make waves.

In Qiu Ren, the sun sets and the leaves are silent.

Autumn sorrow is infinite, and geese leave people.

Winter is coming, and sometimes it snows in the morning.

Spring awakens the catkins of birch trees.

Clouds lie hidden in a thousand hills under the clouds.

Sparse butterflies are tired and confused,

Mo Lengzheng's old dream remains the same.

Poetry and painting Yang Guanxu,

Ruyan Liu, the ink storage office.

Jiangcun is that thing.

Sikongshu

Fishing came back, but I was too lazy to tie the rope and let the fishing boat drift in the wind; At this time, the waning moon is already in the west, but I am sleeping soundly.

Even if the wind blows at night and the boat is blown away by the wind, it just stops on the shallow shore of the reed catkin beach.

In the Song and Zhou Dynasties, the teacher became a hooligan in Bai Yue, Huang Wei, and Ye was pitiful.

In the Song Dynasty, Zhang forgot to spend the night in Luhua, and got up and mistakenly thought it was snowy.

Song Yang Huizhi's new frost dyed maple leaves, and the bright moon waxed reed flowers.

There is a saying that in the Song Dynasty, there was a lot of make-up, the jade tiles were smooth, and the reeds brushed lightly.

In the Song Dynasty, outside Zhao Nanxuan's door, the wind and bamboo were calm for a while, and reeds swayed with the sound of OARS.

Bai Niao pulled the curtain and went outside. The wind was calm and the boat stopped.

West-Zheng Xiang, Guo Song is a famous monastery, and there are 89 temples in the west.

Fish has nowhere to sell, and wine is sold as reed flowers.

The six characters in the mountain road are sent to Taoist Cui. In the Song Dynasty, the warm clouds are in danger, and the sun sinks and the boat is moored to the flat sand.

Alas, when I went home, the smoke in the kitchen rose from a distance.

Fisherman Song Zhu Where is the fisherman's home in Ji Fang? He used to stay in Lu Hua for a long time.

Last night, it was snowing in Jiangcun, and 100 yuan bought hemp fiber.

I didn't know that Zhao Fanfeng was red and white until I was sent there, and the ship was moored at night.

An old friend dreams all his life, and the drizzle says acacia.

The poem of Eight Scenes of Wild Goose Scenery in Pingsha, Xiaoxiang, calls for lovers to go to the cold pavilion and compete for lodging in the reed calyx.

At midnight, the fisherman got up and flew down.

At the time of inscription, there were ten hidden tree paintings in Baijiang Village, King Song, which were sent to Zheng Hong from afar.

The sky is blue, who will continue the wind?

Liu's photos of dead trees and fishing villages in Dongpo. Song and sun should be in the sunset, the geese shadow the river, and the moon is drunk.

Beg me to smoke a leaf and accompany you to the side of Mount Cisse.

There are new geese in Lu Hua, Song Boren. They are surrounded by water.

Pure non-human, my poem is incomplete.

The Beauty of Harmony: Four lonely Hezhou Nights by Sima Guang in Hezhou Song Dynasty, with reed flowers around the city.

Lonely guests have not slept for a long time, and the window lights are cold.

Song Shi Zuqin's melancholy autumn atmosphere, while Qiu Guang is indifferent.

Egrets fly into the distant sky, like the bright moon and reeds.

Song Hongzi is caught in a thousand poles, and the rain is red and the frost is purple.

Silent and distant sails came, flapping the clear seagulls.

Wendy, Song and Dong are four tall, the four seas are shallow, and the lonely city is deeper.

Who plays the flute on the boat and blows it into the reed forest?

Ten wild steps, a few residual willows in the song dynasty, and two rock reeds in the west wind.

The weeds are far away, and the sunset brings the cattle back to the crow.

On the river, I saw several fishing boats embarrassed by public servants. Yuan Hongdao's fishing rod was frosted at dawn and his clothes were thin.

An acre of land that was not registered as an official was also sent by the official.

Fisherman Qing Nalan Xingde collects nylon rods, and autumn wind is better than lotus.

People are foggy and blown into reeds.

5. Extract beautiful sentences from the text "Green Yarn Tent Living in the Field" and choose one or two good sentences that are said to say this: ① The first sentence of the first paragraph, analyze the word "nifty", write the characteristics of the author's family, and the whole sentence paves the way for the following.

(2) The first sentence of the third paragraph

Third, the first two sentences of the penultimate paragraph

(4) the penultimate paragraph, the first sentence

Let's analyze what you said:

(1) a metaphor, vividly depicts the form of crops shaking. The words "green surge", "wet" and "dyed through" write the green of crops, which is very clever.

The tail is compared to a hair, which describes the echo of the valley very well.

I quit. It took so long to write. Give me some points ~ ~ ~

6. The original work of Qingshazhang, but in recent years (I don't know how many years), sorghum fields are particularly annoying and scary! I often hear: "How about the green yarn account? How about it? " ..... ""How to pass the law this year? "Because at this time of year, the countryside is full of terror and hidden dangers.

Usually, the bandit leader north of the Yellow River is called the "shoulder pole head". If you look at the text, you will know that it is related to the green gauze account. Sorghum stalks are everywhere in hot weather, which is easy to hide and much more convenient than "taking mountains as king"

Today's green gauze tent is no longer a quiet and sultry place imagined by poets and erotic people, but has become a "magic tent" of rural terror! Over the years, forced by imperialism, years of civil war, heavy taxes and exploitation by officials and landlords, the countryside has become an empty shell to be erupted. Many people want to go back to the pure countryside and try their best to transform the countryside, but they have "good intentions" However, the facts tell us, when will this method be effective? The horror of youth tent season is only superficial, and there are many reasons for spreading fear.

The word "green gauze account" left a cold and foggy appearance in everyone's heart in vain, but there was an explosive detonator hidden inside! 1June 4, 933. (Selected from Wang Tongzhao's Green Curtain) "People who are slightly familiar with the situation in the north certainly know these three words ── Green Curtain. Adding the word "green yarn" to the account can easily remind people of that kind of light, heavy and smoky interest.

Among them, it is probably a small bamboo mat, isn't it? There is a poet who hummed in his account that "hands are tired, books are thrown, dreams are cold, afternoon is 636f70793231313335323635438+030323133333365438". Or more suitable for a "jade man" with a snow-like appearance, revealing a rich physical beauty from the faint light, but it is very disappointing! Now in the north, when the figurative word "green gauze tent" is mentioned, a lot of people and scenes are immediately associated with it, such as sweaty, naked farmers, flying bullets, guns, killing, looting and fires.

7. "Sugarcane Forest 1962 In the spring, the poet who lived in the north for a long time came to the southeast coast of the motherland and saw a sugarcane forest covered with shade. Perhaps because of the similarity in appearance, he thought of the green gauze account in the north. These are two common plants in the north and south, but they are endowed with wonderful poetry by poets. He thought of the green tent in the north from the sugarcane forest in the south and the sugarcane forest in the south from the green tent in the north. They are the symbols of two eras respectively. The sweetness and strictness of sugarcane forest are the symbols of today's happy life, and the green gauze skirt is the symbol of the hard revolutionary struggle years in the past.

The first section of the poem, "Sugarcane Forest-Green Curtain", starts with a question, highlighting the theme and creating suspense. Among them, "south" and "north" show the spaciousness of space, and "this road" and "that road" communicate the past and the present, which has a strong lyrical meaning from the beginning. At the bottom, the poet put down his pen and ink and used the artistic technique of being in a dilemma-this and that, this and that, which vividly showed the various connections between the green gauze tent and the sugarcane forest. In the second section, the poem first describes the similarities between the two: whether it is the "long leaves swaying with the wind" of the green gauze tent or the "dew with sunshine" on the long leaves. Just as the reader nodded happily and was attracted by the description of "similarity", another passage came in the third section, specifically pointing out the difference between them: "midsummer" is different from "cold autumn" and "sweet cane forest" is different from "hard green gauze account". After writing these similarities and differences, the poet deliberately kept silent and ignored them. With a change of pen and ink, he casually used eight words "unforgettable" to reproduce the "past" and the lofty sentiments of his comrades. Among them, poems such as "Touching White Beard and Traveling All over Jiangnan" reflect the poet's warm and funny personality and make readers feel respectable and amiable. The ninth and twelfth verses come back to reality, and implicitly and affectionately understand the theme of the poem: although today's life is brand-new, we still need to maintain our firm belief and abundant enthusiasm, which is the "spirit likeness" of sugarcane groves and green gauze tents. In this way, the whole poem describes the shape-difference-spirit likeness of sugarcane forest and green gauze tent, which deeply infects and inspires readers.

8. Guo Xiaochuan's original poem "Green Cane Forest"-Guo Xiaochuan (this poem was written in 1960- 1962), China's socialist construction encountered serious difficulties. Under the leadership of the Party, the people are United and work hard to build and defend the motherland in the face of the complicated international environment. )

Seeing the sugarcane forest, how can you not want to go to the green gauze account! You are still so charming in the green gauze tent in the north; Think of the green gauze tent, how can you not be obsessed with the scenery of sugarcane forest! Sugarcane forests in the south, you have turned the hearts of soldiers into this. Oh, my youth, my faith, my dream ... are all infected with the fire of fighting in the blue tent in the north! Oh, my comrades-in-arms, my relatives, my brother ... are all bathed in the magnificent sunrise in the northern youth tent! Oh, my singing, my will, my hope ... all seem to have wings in the green tent in the north! Oh, my motherland, my compatriots, my hometown ... it seems that all the green tents in the north are made of pure steel! This is the south, not the far north; The sorghum fields in the north are not so sweet and fragrant! This is a sugarcane forest, not a green tent in the north; Nothing is so beautiful and bright in the green gauze tent in the north! The green gauze tents in the north are often covered with bitter frost; The sugarcane forest in the south has only the fragrance of the atmosphere! The green tent in the north is often filled with the cold light of artillery fire; What about the sugarcane forest in the south? Only the fog is boundless! The green gauze tent in the north usually only hears the heartbeat; The sugar cane forest in the south is full of joyful chanting! In the north, I only see rags for many years; What about the sugarcane forest in the south? There is always a holiday costume! Why do you ask-do you prefer the south or the north? I can only answer: our land is the same everywhere; Why do you ask-which do you love more, the sugarcane forest or the green gauze tent? I can only answer: life always makes people feel fresh and clear.

The storm is equally vigorous and the thunder is equally loud. No matter where the storm is, it can also strengthen our courage; The sun is as hot as the moon is as sweet. Wherever the light is, it can shine on our hearts. The dew is like Ming Che, and the rain is like cool. Wherever we are, it is manna that nourishes us. How high the sky is and how spacious the ground is. No matter where the world is, it is a hotbed to cultivate us.

Ah, the old soldiers are not old, but the new soldiers have grown up. Ah, the old generation is still striding forward, and the new generation is closely following. Our people are always broad-minded, energetic and bright-eyed. Look, if the enemy provokes, the sugarcane forest will make them surrender; That sweet straw immediately turned into a knife and gun for profit and tax! Look, when the enemy invades, the sugarcane forest will bury them; Those thick long leaves immediately woven into a powerful net! How can the green gauze tent in the north still fascinate people? Because our sugarcane forest has become a green curtain in the new era! Why did the sugar cane forest in the south turn the hearts of soldiers into this? Because of our green tent, there are millions of brave soldiers lurking in the air.