A paragraph describing a landscape painting

A paragraph describing a landscape painting is as follows:

This landscape painting shows a peaceful and beautiful natural scenery. In the picture, there are continuous mountains, green pines, and clouds and mist in the mountains, giving people a mysterious and distant feeling. At the foot of the mountain, a green river meanders through. The water is crystal clear, and several small boats are gently rippling on the river, giving people a peaceful and harmonious artistic conception.

On the banks of the river, peach and pear blossoms bloom, full of spring. The whole painting has a clever composition and vivid brushwork, which vividly displays the beauty and aura of the natural landscape, making people intoxicated.

Expand knowledge: landscape painting

Chinese landscape painting is referred to as "landscape painting". Chinese paintings that mainly depict mountains and natural landscapes. It was formed during the Wei, Jin, Southern and Northern Dynasties, but has not yet been completely separated from figure painting. It was always independent during the Sui and Tang Dynasties, and became mature during the Five Dynasties and Northern Song Dynasties, becoming an important branch of Chinese painting. Traditionally, according to the painting style, it is divided into green landscape, golden landscape, ink landscape, light crimson landscape, small green landscape, boneless landscape, etc.

The Origin of Chinese Landscape Painting

Chinese landscape painting is at least 1,000 years earlier than Western landscape painting. The graphic meaning it presents is actually a history of Chinese thought. As early as more than 7,000 years ago, the awakening of ancient times was recorded in the form of patterns. The Neolithic Hemudu culture has used line carvings to express the connotation of conceptual culture. The origin of settled farming civilization not only allows people to recognize the beauty of tools, but also allows people to recognize the physical beauty of tools.

Art is not only an imagination that conquers nature, but also a symbol of imagination that conquers nature. Ancient times and nature have been interacting in an artistic way from the beginning. The discovery of logic and the appreciation of art have deduced people's eyes, making a Chinese pattern of the unity of nature and man from chaos to clarity.

Since the Yangshao culture, the relationship between man and nature has become symbolic. In the technique of geometric decoration, concepts such as symmetry and movement have been obviously used in the expression of time and space.

The "Village Map" of the Cangyuan Culture uses rock paintings to describe human understanding of "home" for farming and settlement. The most visually interesting thing about this painting is the road connection centered on the village, as well as the gradient extending around the center of the front of the prisoner escorting, driving livestock, worshiping the sky, dancing to the gods, etc. The depth in the plane has been effectively realized in this painting. manifestation. The relationship between man and nature, and the relationship between man and society, are constantly deepened and developed with the appreciation of art.