Appreciation of Li Qiao's Peach Blossom Poems in Peach Blossom Garden

Appreciation of Peach Blossom Poems in Peach Blossom Garden

Li Qiao

This road is unique. It is next to Fahua Well.

The mountain breeze laughs, and the morning dew makes up.

The face of a hermit will change, and the road to longevity will become longer and longer.

I am also very happy to go to the forest garden and serve the king at Chitose.

Peach blossoms are well known and are planted all over the world. Although beautiful and rotten, it is difficult to get rid of vulgarity and cannot be made. Therefore, the content of poems chanting peaches has always been numerous and rare. Li Qiao's poem, however, is clever and realistic with a virtual pen, with a faint sense of reality, a dark turning point of thinking and a changeable and blurred poetic landscape, which is quite strange and interesting. In the poem, peach blossoms are recited in one place, but a series of phenomena are cited, which makes people like "Peach Blossom Road in Wan Li", leaning on their bodies and seeing peach blossoms everywhere, which is very enjoyable.

There is an old saying: "peaches and plums don't say anything, and the flowers are bright." It is said that peach blossoms are delicate and charming, and many people come here. The poet first used this old proverb to write that peach blossoms are gorgeous and pleasing to the eye: "There is a unique path with a well next to it." What is written here is the early spring peaches in the waterside garden. Poets describe it by narration rather than description, but the original rich connotation of the old proverb is enough to open the realm of poetry: a peach blossom by the well in the garden is in full bloom, gorgeous and prosperous, like a brocade, bringing the warmth and vitality of Fangchun. Who doesn't want to find fragrance in the sun and feel the warmth and beauty of spring for those who have just experienced the cold? No wonder everyone walked out of the path under the tree: the word "independence" shows people's preference for peach blossoms. Peach blossoms bloom in early spring, which is the most inferior feeling. Unlike plum blossoms in the dead of winter, the chill is still strong, so the spring breeze makes people feel more cordial, which is the luck of the unique weather of peach blossoms. "Peach Blossom", written in red and hot, reminds people of the famous sentence "Peach Blossom withers and burns its flowers" in The Book of Songs.

The following poet's poem, turning around, depicts another wonderful realm for us. "The mountain wind is laughing, and the morning dew is crying." Peach blossoms are common in poems. But when Li Qiao writes, he always tries to avoid overcooking, and the renovation is amazing. He thought of the amorous feelings of the mountain breeze, and devoted all his youthful energy to the peach blossom, making its smiling face particularly seductive. The word "coagulation" is rich and opens the realm. Peaches with Shan Ye flavor are redder and more handsome than peaches in the garden. This feature is written in the poem. For the dew of spring peach, the poet is not simply compared to the small tears on the beauty's face, but through a layer, compared to the beauty's clever crying makeup. "Records of the Five Elements of the Later Han Dynasty" wrote: "In Yuan Jia's home, Beijing women frown and cry, and those who cry wipe their eyes with thin powder." If you cry and put on makeup, it can be seen that this is not a kind of beauty. Reading this reminds people of Yang Guifei's touching words "Spring rain is like a pear blossom". These two sentences are good at carving and painting skillfully, but they are vivid and vivid, which vividly shows the beautiful color of hawthorn. It is really "beautiful". Bai Juyi's sleepwalking poem.

Leaving this mountain peach, we followed the poet into a peach garden and saw a few hearts overwhelming. Flowers are fragrant and red. Seeing this beautiful scenery, "the hermit's face will change, and the immortal road will grow longer." This connection reminds us of Tao Yuanming's peach blossom forest. In the poet's eyes, Taoyuan is all the contrast between heaven and earth, without a trace of God, like a fairy. It's really hard to know what it means and not dare to point. But the poet's brushwork must be hidden, hidden and want to show it. Therefore, although there is not a word in the whole poem, let alone the word Taoyuan, as long as we keep looking at the whole poem, we can get it from the outside: a hermit lives alone, unmoved by the secular world, and his attitude is often indifferent, but now he will be full of joy and smile. Why? When it was a dazzling peach blossom garden, it broke his heart. Immortal fended off the wind with vanity, and all the way was unimpeded. Now he will walk slowly, only feeling that the road is long and Xiu Yuan is Xi. Why? When it is a burning peach blossom, it makes him feel excited. These two sentences describe the beauty of Taoyuan, but after a turn, they are understood from the unusual feelings and graceful melodies of hermits and immortals. Yan Yu's Cang Lang Shi Hua said that writing poetry "should avoid the straightforwardness of language, the shallowness of meaning and the dew of pulse." The beauty of this poem lies in its subtlety.

Not only that, the hermits and immortals here are all imagined by poets, and the traces of imagination are used as a foil to attract readers to imagine the beautiful realm of Taoyuan. In this way, the virtual pen is realistic, and the already magnificent Taoyuan has a sense of wandering and confusion. Li Qiao also wrote a poem "Serving the Peach Blossom Garden and Singing Peach Blossoms": "I am so lost that I want to open a new road to serve the saints." This is similar to the conception of this poem, but the meaning is opposite. Similar brushwork is also found in Li Qiao's poems, such as "A chivalrous man is a horse, and a fairy leaves the boat." (Gui) "Although Xia Yun is near, Gin is vast and sparsely populated". ("Feng He Xing Wei Li Si Villa Catering System") "Feathers come and go, and the gods get the moon." (Boat) It is more interesting to match this poem with these.

Walking out of the charming Taoyuan, the poet lifted us into a new world: "I am also very happy to go to the forest garden to serve the king at the age of ten." As for the poets in Shanglinyuan, it seems that the realm has not been opened, but the word "Xin" revealed the news. From this, we will draw a peach blossom picture of the spring garden: the palace, the winding path and the flower stone. Among the evergreen trees, several spring peaches are in full bloom in the sun. It is colorful, gorgeous and enchanting, just waiting to meet the holy driving. The word "Xin" reveals the joy of serving the king with peach blossoms, and the poet skillfully expresses his affection for the king. This idea is also revealed in his other poems. For example, in his poem about oranges, there is a sentence "I would like to say goodbye to Hunan water songs and grow up in the forest garden". Letter and meaning are very similar. This seems vulgar, but it is inevitable as a feudal scholar, and its intention goes far beyond this. In the poem Wild Chrysanthemum, Li Shangyin once expressed his regret that he was unable to borrow from the DPRK and had no talent. Regardless of the elegance and vulgarity of these feelings, their expression is naturally implicit and can't help but be praised.

Peach blossoms pass beautifully everywhere, and we look all the way and look around as if we were in a painting. Unconsciously, the richness and beauty of spring peaches remain deeply in our memory, arousing countless beautiful dreams.

"Poetry conveys the meaning of painting, and you have the realm of painting." (Song Chaoyi said) "Painting in Poetry" has always been highly praised by people, and this poem of chanting peaches is like the meaning of a series of spring peaches carefully drawn by Dan Qing. The description of the picture frame is mainly freehand brushwork, abandoning carving and emphasizing interest. At the same time, the poet skillfully combines imagination, allusions and meticulous brushwork, making the picture gorgeous, magnificent and changeable, presenting a variety of attractive and beautiful artistic conception, and writing relatively monotonous flowers poems rich and elegant, showing the elegant and beautiful style of poems in the prosperous Tang Dynasty.