What are the masterpieces of sketches and cross talks?

The sketches that can be regarded as gods are played by Peisi Chen and Zhu Shimao, with leading roles and supporting roles. I've seen this sketch many times, and it's very cola. Later, I heard that there was an accident during the performance of this sketch, that is, the gun belt that Zhu Shimao was carrying suddenly broke.

Zhu Shimao was performing while repairing the strap with a gun. When the gun belt is fastened, it will be shorter, and then it will be more comic and ironic to carry it on Peisi Chen's Eighth Route Army, which is more in line with the characters. Originally a performance accident, it was turned into an unforgettable classic by the wonderful performances of two old artists.

Later, I specially watched this sketch many times, and it was really true. When Zhu Shimao wears a gun belt, it doesn't seem abrupt, but it is very natural and smooth. His expression, movements and language were completely unaffected. I didn't know it was a designed scene, but who knew it was actually a live scene in an emergency.

Peisi Chen and Zhu Shimao deserve to be the golden partners who have cooperated for many years. In the face of unexpected situations, they kept calm and cooperated tacitly. By virtue of their solid performance skills and rich stage experience, they turned the tide and dedicated a classic and applauded sketch masterpiece to the audience.

It's really one minute on stage and ten years off stage. Without silent efforts and dedication on the stage, there would be no perfect performance in the face of any accident on the stage. The diligent pursuit of art is actually in direct proportion to the perfect presentation on the stage.

In fact, there are many cross talk gods. The traditional jokes of those old crosstalk artists are too outrageous. Let's talk about the nearby Deyun Society. Degang Guo and Yu Qian once said a drunken version of Fenhe Bay. It is said that Uncle Qian was drunk and said this crosstalk on the stage.

Yu Qian didn't follow the routine at all on the stage. He divided his lines one by one in the east and one by one in the west. He just followed his heart and played live like a bird. Degang Guo is very busy. They are really crosstalk performers. The audience just felt so excited that no one expected that this was a drunken version of Fenhe Bay.

There were many slips of the tongue in the performance, so they naturally covered up the past with their solid foundation. The audience thinks this is a normal line! I also watched this edition of Fenhe Bay, which is probably the most intense and arduous performance in Degang Guo. For money, it is estimated that he will wake up in a cold sweat. Fortunately, this work has been successfully performed, and the effect seems to be better than the ordinary version, which has become an unexpected joy.

In a word, the key to the success of cross talk or sketch is human factors, and it is certain that only actors with deep foundation can perform classic works well.