Write an analysis of the characters in a dream of red mansions with about 5 words.

A Dream of Red Mansions is the best realistic literary masterpiece in Chinese classical novels, and it is a precious artistic treasure handed down to future generations by the author Cao Xueqin after a long and hard work of "reading it for ten years, adding and deleting it five times".

After the birth of A Dream of Red Mansions, its ideological and artistic power immediately shocked the society at that time. People read it, talk about it, and "love to clap" and "read it and be gorgeous"; In order to evaluate the characters in the book, he "stunned each other and waved his old fists"; There are also young readers who are moved by the love story in the book to "sob and lose their voice, and often cry in the middle of the night." Therefore, at that time, there was a saying that it was futile to read all the poems without talking about a dream of red mansions.

A Dream of Red Mansions has aroused people's interest in its evaluation and research after it has brought great influence to the society.

One Jia Baoyu

If you want to comment on the characters in A Dream of Red Mansions, the first one is the hero Jia Baoyu. As a figure throughout the book, Cao Xueqin, the author, has put the most effort into him and placed the deepest trust in him. He has become one of the most successful artistic models in the history of China's novels, and even everyone says that this image alludes to Cao Xueqin himself. But in my opinion, this typical image is by no means the author's self-made, but a perfect artistic image created by the author based on the same type of characters in real life and combined with his own imagination.

There are two poems "Xijiang Moon" in the third time "Jia Yucun Huanyuan reinstated Lin Daiyu, leaving her father to go to Beijing", which describes Baoyu like this:

Looking for sorrow and hatred for no reason, sometimes it seems like madness. Even if you are born with a good skin, your belly is rough. Poor and ignorant, stupid and afraid of reading articles. Behavior is remote and perverse, that's slander for the world!

wealth does not know how to be happy, and poverty is unbearable and desolate. It is hopeless to live up to the good times in the country and at home. The world is incompetent first, and it is unparalleled in ancient and modern times. Send a message to wan ku and Gao Liang: don't effect this shape!

Some readers, after reading these two "Xijiang Moon", have decided that Baoyu is a curse who loves powder instead of progress. But in fact, these two "Xijiang Moon" are based on the thoughts of feudal rulers, reflecting the "good intentions" of feudal parents who are looking forward to Baoyu's promotion and fame in order to inherit the cause of the landlord class. It is through Xijiang Moon that the author combines praise with condemnation, and fully summarizes the most prominent shining point on Baoyu-rebellious character.

The word says that he is "down and out, ignorant of world affairs, stupid and afraid of reading articles, and eccentric in his behavior, so it doesn't matter if the world slanders him!" In fact, that is to say, he refused to "pay attention to the relationship between Confucius and Mencius and commit himself to the economic way", and did not want to follow the life path of studying, making friends with officialdom, obeying etiquette and helping the world, but despised fame and fortune and hated the knowledge of "official career economy". He even thinks that those Confucian writings, such as Zhu Neo-Confucianism, are "all caused troubles by predecessors" and "fabricated". As for the stereotyped writing, it is even more: "The future generations are lured by the fame and fortune", which is "to make a living with the fame and fortune of An Yi". He criticized the Confucian Daoism, which regarded feudal rulers as gods, as worthless. Based on this idea, he would rather read the novel obscene words such as The West Chamber and Du Danting, which were regarded as evil books by feudal moralists, than read the Four Books, talk about stereotyped writing and listen to the "bastard words" of official career economy.

He has a strong hatred and contempt for the secular men who study hard and are officials.

Not only that, in the thirty-second story of A Dream of Red Mansions, Shi Xiangyun advised him: "You should also meet these people who are officials and butchers often, and talk about some knowledge of official career economy, so that you can socialize with the world in the future." Hearing this, Baoyu was very uncomfortable and said quickly, "Miss, please sit in the other sister's room. I have carefully polluted your knowledge of economics here."

Jia Yuyu's rebellious spirit is not only manifested in his resolute refusal to take the road of feudal life, but also in his bold challenge to the feudal traditional concept of "men are superior to women". Of course, in his character, the most impressive thing is his hatred and contempt for secular men and his special love and respect for girls. In the second time, he published his original opinion of deviating from the classics: "It turns out that people are born as the spirit of all things, and all the beautiful scenery of mountains, rivers, the sun and the moon is only for their daughters, and men with beards are just scum." "Daughter is made of water, and man is made of mud. I feel refreshed when I see my daughter, and I feel stinky when I see a man. " Later, as Baoyu grew up, his thoughts became more and more mature, and he found that the "daughter" was also constantly changing, so there was another view that the daughter changed from a "priceless pearl" before marriage to a "dead pearl" after marriage and finally turned into a "fish eye". This shows that he gradually realized that girls were the most oppressed in feudal society. Therefore, he showed unusual tenderness and consideration for his daughter in action.

Furthermore, Zhang Baoyu extremely despises the feudal hierarchy of respect and inferiority. Jia Huan is not only his younger brother, but also a monk. "It's his family's rule that all brothers are afraid of their older brothers" and "they should set an example for their children", but Baoyu is "don't be afraid of me", so Jia Huan and his family are not very afraid of him, and they even want to kill him and Xifeng if they push their luck. Even though Jia Huan intentionally burned himself with hot wax oil, he was still covering for Jia Huan. He also had no boundary between master and slave for servants, which directly undermined the feudal order. There was nothing wrong with Mingyan, and everyone played around for a while, and "tearing the fan daughter laugh" turned Qingwen into a smile. Jin Chuan was humiliated and died, and Baoyu was obsessed with it. Regardless of such important events as celebrating Xifeng's birthday, he secretly went to a deserted place in the suburbs to shed tears to pay homage.

Moreover, even the love marriage pursued by Baoyu is based on this rebellious thought. He has already made the idea of pursuing marriage autonomy and personality liberation clear to the world. He shouted in his dream, "How can you believe the words of monks and Taoists?" What' golden jade and good marriage'? I say' wood and stone marriage' ". Even holding xiren's hand, she poured out her full feelings for Daiyu.

Therefore, it is also said that the image of Jia Baoyu embodies the initial idea of democracy and equality. But after all, his thoughts are still a little narrow. For example, he dared not completely break with the feudal system; He never dared to have a direct conflict with feudal parents, and the confrontation was relatively negative; And when he was struggling to find a way out, he had an illusory thought of wanting to die and "turn to ashes".

Erlin Daiyu

The influence of Lin Daiyu on readers' minds is almost the same as that of Jia Baoyu. She is a rebel of another feudal aristocratic class carefully shaped by the author. Every time I finish reading A Dream of Red Mansions, she can arouse my deep thinking. She uses her sensitivity and suspicion, her resistance, her pain and tears, and even her love to resist the oppression of the ruling class. But at the same time there are many weaknesses in her.

Because of Lin Daiyu's family background and birth, what she basically represents is an aristocratic group. After tanchun took care of her family, Daiyu commented, "It's better this way. Our family is too expensive. Although I don't take care of things, I always take care of them when I'm free. I pay more and get less. If I don't save money now, I'll lose my hand. " O sixty-two) It can be seen that she belongs to the aristocratic class and is extremely concerned about the fate of the Jia family, which is closely related to her. When Xiangyun and others said that a performer who plays Xiao Dan looks like Lin Daiyu, she was very angry. "Daiyu sneered ... I used to make fun of you, holding me as a player and making fun of everyone!" (Twenty-two times) This is not only because she is a "little girl", but more importantly, she has drawn a deep gap between herself and people with low social status, such as the actress. So I think it is an insult to compare myself with such people. Here, her sense of class superiority is very prominent.

On the other hand, although there are rebellious factors in her character, it does not mean that she is blindly fighting against the feudal class. When Baoyu's rebellious thoughts conflicted with the feudal traditional ideas, and the contradiction was the most intense-when Baoyu was beaten, Daiyu advised her after Baoyu was beaten: "You can change from now on!" (34) What kind of idea did Daiyu rely on when she advised Baoyu here? Also, she occasionally said two verses of "The Peony Pavilion" and "The Romance of the West Chamber", which was heard by Baochai, and Baochai gave her a long lecture on feudalism. Not only did Daiyu have no antipathy to this, but she also became very close to Baochai from now on. So what kind of thought does Daiyu rely on here to give advice to Baochai? Obviously, in Daiyu's character, feudal traditional ideas coexist with rebellious factors.

Lin Daiyu's personality is closely related to the environment in which she grew up. As she was born in a noble family and loved by her parents since childhood, it is not surprising that she has developed her character as a noble lady. However, the most prominent point in her character is her rebellion against feudal ethics.

Lin Daiyu was born in the "noble family" of the hereditary marquis. Because of living in the south, where the thought first arrived and the ideological environment was relatively open, and her parents loved her, she was educated as a boy, which made her more open-minded and talented. After her parents died early, she lived in Jiafu, where hatred, strife, competition and fraud occurred every day. "36 days a year, the wind and the sword are pressing each other hard", "The whole family is like black-eyed chickens, and I can't wait for you to eat me, and I will eat you". In such a sinister environment, Daiyu can't get any joy and happiness. But at the same time, the sinister environment also cultivated her rebellious character. She will never learn Xue Baochai's tact, nor will she learn to please the feudal rulers. She can't rub sand in her eyes, but she can't hold sharp flowers in her heart. Ignoring the existence of feudal norms of "gentleness and generosity". She used her words "worse than a knife" to expose and ridicule all kinds of darkness and ugliness in aristocratic families. We often say that Daiyu is willful, suspicious, sensitive and narrow-minded. But in fact, we should see that she used her unique way to resist the shackles of feudal ethics.

In addition, Lin Daiyu directly rebelled against feudal ethics. Guo Baochai once solemnly preached to her the feudal creed that "a woman without talent is virtue", but she didn't take it to heart at all. She was so talented that she didn't want to write poems and do fu. Moreover, she also has the same hobby as Baoyu, and likes reading such "moving" "miscellaneous books" as The West Chamber and Peony Pavilion. She despised the vulgarity of feudal ethics and cursed the hypocrisy of stereotyped writing, never advised Baoyu to be an official, never used "asshole words" such as "official career economy" to persuade Baoyu, so she won Baoyu's respect and was regarded as "knowing oneself" by Baoyu. Their * * * connection has also become the same foundation of their love.

But sadly, the love between Bao Daiyu is doomed to be a tragedy. Stubborn feudal ethics does not allow the love between them to exist. So she disliked her sick body and small family, and warned their love again and again. From "Golden Jade and Good Marriage" to "Hui Zijuan's Love Words Try Mang Yu" and then to "Qingwen's Death." In the end, it reached the stage of destruction of love when "checking the Grand View Garden". In this disaster, Si Qi, Fang Guan, Si Er and others have been victims. Even Qingwen, whose eyebrows are like sister Lin's, was forced out of the Grand View Garden when she was seriously ill, and finally died of flexion. The feudal forces here completely abandoned the signal of Daiyu. Since then, Daiyu's condition has gone from bad to worse, and even her serious illness is dying. The beautiful ideal was finally destroyed. Daiyu won love but could not get a happy marriage.

Lin Daiyu's artistic image is deeply rooted in people's hearts, touching readers and making people feel sympathy. But this image is vivid at the same time. Her complicated personality, obvious weaknesses, and distinctive personality of daring to resist and pursuing love constitute a living individual. It makes us feel that she is a person we know well and is deeply loved by us. Xue Baochai

has finished talking about Baodai, so naturally we have to talk about Baochai. The evaluation of Baochai has been mixed for a long time. For this character, we can't completely deny it, nor can we fully affirm it. Although she is a guardian of feudal ethics and an accomplice of feudal forces, at the same time, she is also one of the tens of millions of characters oppressed and poisoned by feudal forces. Therefore, when describing this character, the author is both sympathetic and critical.

The author sympathizes with her. She is also a "person with life but no luck" in "Misfortune Division". The author also praised her, her talent and her appearance are obvious to all. She is well-read and versatile, and she knows everything about piano, chess, calligraphy and painting, poetry and songs, and she knows everything about local customs and life. Even the theory of medicine. Baochai also knows a thing or two. Therefore, Baoyu often admires it. Her artistic attainments are profound, and she is well-known in the Grand View Garden. Poetry is agile, and often takes the lead, which is comparable to Daiyu. As for her charm, which is "more charming and romantic than Daiyu", Baoyu is often envious. Indeed, Xue Baochai is a girl with both talents and looks.

But the more the author exaggerates and praises her talent, the better people can criticize her feudal morality. But at the same time, the author didn't write her as a clown, but achieved the purpose of criticizing the feudal system by criticizing Baochai. There are praises in the derogatory, and the praises contain derogatory, but they basically hold a negative attitude. I think this is the author's attitude towards Xue Baochai.

In A Dream of Red Mansions, Baochai rarely preaches and maintains feudal ethics directly, but reflects her true personality through her words and deeds in daily life.

In life, Baochai does not show her true feelings like Daiyu, but often hides her mind. On the surface, she "follows the times", "pretends to be stupid and clumsy" and "speaks few words", and her every move seems to be "dignified and virtuous", which fully conforms to the feudal "lady" demeanor. But in fact, she expects that "the good wind will send me to Qingyun with its strength". What is hidden in the gentle and honest instrument model is the ambition of "wanting to repay the white emperor". She is sophisticated and sincere. Although "I've been in Jiafu for a few years" seems to be silent and contented, in fact, I'm "observing carefully", so even in the complex and contradictory environment of Rongguo Mansion, I live in harmony, like a duck to water. Even Aunt Zhao, who has little jealousy, praised her: "generous" and "capable of being a man".

"Being a man" is indeed a character characteristic of Xue Baochai, which is combined with her "gentle and honest" exposed characteristics, making her praised by everyone. Baochai's principle of "being a man" and "not opening her mouth if it's none of her business, shaking her head and not knowing everything" makes her turn a deaf ear to everything, pretending not to see it, just to understand it in her heart, like Daiyu. This makes those feudal masters who do some shameful things on weekdays praise her as "a man." Baochai's "knowing how to be a man" is not only reflected in her efforts to win over the supreme ruler of the feudal class, but also in her efforts to collect and sell the oppressed at the lower level of the feudal class. Jia mu gave her a birthday and asked her to play, so she said it according to Jia mu's usual preference. He also said the sweet and rotten food that Jia Mu likes as his favorite food, and as a result, "Jia Mu likes it even more." After Mrs. Wang forced Jin Chuaner to death, she and the attacker heard the news, and even the attacker, who has always been a slave, did not feel tears. However, the ruthless nature of the exploiting class made her feel "strange" and quickly left the attacker and came to Mrs. Wang to comfort her. Put all the blame on Jin Chuaner's "confusion". She also said, "But if you give her a few taels of silver to send her, you will do your duty as a master and servant." In order to win over Mrs. Wang