Linguistic Features of Acheng's Novels

The language features of Acheng's novels are as follows:

1, writing exercises, mainly verbs.

The rider took a sip of wine and wiped his mouth with his sleeve. He took out a knife to cut the meat, threw it into his mouth, his face bulged, his cheeks shrank tightly, and then swallowed it. Take off your hat, put it on the table, and slowly loosen your curly hair. When you put your hand on the table, there will be a creaking sound. Fingers spread out like a fan, generally long and not dense. The fat man brought another bowl of soup and put it on the table to get angry.

"Wipe" and "throw" vividly depict a rough and unrestrained rider image on paper, and vividly describe the process of eating meat between tightness and contraction. The three verbs of picking, releasing and loosening show the satisfaction of the rider after drinking and eating meat in an unobstructed view. The word fat Han shows the physical characteristics of a knight. In a few words, the knight's appearance, unrestrained and laissez-faire personality, the state before eating, and the satisfaction after eating are all imperceptibly presented to us. All the articles in this book are extremely short and pithy, and there are almost no long speeches.

2, good at sketching, making people meaningful.

The knight put on his hat, straightened up, untied the reins and pedaled. The rider turned it over, tightened his fur robe and clamped it with his legs. There was a crunchy sound in the canyon, and it was quickly suffocated and smaller and smaller.

Acheng's Romance Everywhere is called a model of writing sketches. We once said that Wang Wei is "painting in poetry, painting in poetry", and Acheng is also a painting in the novel. Their similarities are all about painting, and they all fully apply painting skills and aesthetic feeling to writing poems and novels. Just like reading this passage in Canyon, a picture of a horse galloping away with people, from far and near, finally turned into a black spot, leaving us endless distance.

3. Have a sense of rhythm and rhythm

After midnight, people called and everyone got up.

Just nine words, like a poem, are endowed with a sense of rhythm and rhythm. In a very common sentence, why is there a sense of rhythm and rhythm through Acheng's arrangement? The secret is hidden in punctuation. If this sentence is changed to "after midnight, someone will call and we will all get up", it is not only obviously lengthy, but also lifeless.

As Acheng said, "Punctuation is the function of rhythm in my writing, not grammar." Through concise language and proper use of punctuation, people can read fluently and enjoy a cultural feast unconsciously.