I can't play high and low notes, but I can sing scales well. How to practice? I want to study, thank you!

Me too! Solution: Drink more boiled water every day! Smoke less, you'd better not smoke! Practice hanging your voice for an hour every day, remember not to practice for too long or you will lose your voice! When you start practicing, don't practice high notes at once, but from low to high! If you think the treble is easy to sing, turn it up!

There is also the treble processing method: there is only one way to sing treble, that is, using Dantian. Why do some people still can't sing after using Dantian?

1, everyone has a different range. It is said that most of the short necks are male and female tenors, and most of the long necks are male and female bass. This is because of Adam's apple, some people sing bass and alto. Why can they sing high notes? You can also practice the day after tomorrow. It seems that family inheritance is also related. Your parents are male and female tenors, and you are destined to sing tenors. This is what I heard when I went to the lecture. So you can study it.

2, not enough gas, not enough strength. I don't want you to do your best, but I want you to use Dantian and your inner voice easily. There are four, chest cavity, nasal cavity, throat cavity and head cavity. Too tight will make you unable to sing high notes because you lock your throat.

It takes a long time to change the true and false sounds. Why do some people have low falsetto? Because your voice has not been turned on, it will take a long time to turn it on, and the strength of dantian is also controlled. low

Bass people can sing very high notes with real voices, but they can't sing higher notes with falsetto. On the contrary, a tenor can't sing a tenor with his real voice, but he can sing a tenor with a falsetto.

The music teacher said that apart from Bel Canto, if you sing pop songs in Dantian, you will get hoarse after a long time. May is an example. The most important thing in singing is to use the abdomen instead of shouting with your voice. Singing with Dantian is the best way to protect your voice. I found some information for your reference, but it won't hurt you until I get the beat right.

Dantian singing is actually the use of vocalization and "Qi"

When you use abdominal force, the sound will be called "rough" and "full"! ! This is because the source of sound is deep.

Dantian is like an engine! You have to use it to send your strength through the vocal cords to the singing point. ....

So singing is a bit like singing with "abdominal muscles"! But it's not just your real stomach problem!

It is the "deep place" of the stomach-the so-called abdomen.

But feel the way power is made, get familiar with it and use it! You can listen to something that sings high notes.

See if Tian Chan is useful! If it works, the sound will be solid. ......

Principle and classification of 1 and * * * ringing

...

Beautiful singing is the common pursuit of singers. If you want to get it, you need to fully understand the stage of human singing.

Interaction and function, and hard work, through hard training to get it.

* * principle

* * * Ming-an object makes a sound due to vibration, and this sound propagates to other objects, causing other objects.

This * * * vibration phenomenon is called * * *.

The production of sound requires a vibrating body, a medium and an eardrum to listen to sound. When an object is hit, it will vibrate.

At that time, it caused ripples in the media, called sound waves. This kind of sound wave is introduced into people's eardrums through the media and becomes sound. pronounce

When the body vibrates to pronounce, it can not only emit a pitch, but also emit some tiny overtones at the same time. For example, the vibration of a string

The mobility is 400. When its microwave reaches an object that vibrates 440 times per second, the object is affected by vibration.

, will cause * * * vibration, produce * * *.

The process of human body singing is from singing to using many spaces in the human body that can produce singing, so that the breath surges.

When you hit the vocal cords, a pitch will appear. Although this pitch is very weak, once it enters the inherent singing space of the human body,

Different forms of acoustic vibration are generated, and beautiful and melodious songs appear. Use * * * to amplify the sound.

Sound effects, but also beautify the sound. We should make full use of the vocal cavity constructed by human body and try to control singing.

Gradually train to form a stereo sound. The effect of singing is very important to singing.

< 2 > Classification of * *

Classification of * * * sounds: There are usually three classification methods: classification from physiological structure; Whether the structure from * * * can be adjusted

Classification; According to the application nature of * * * * classification.

Physiologically it can be divided into head cavity, nasal cavity and oral cavity.

The physiological structure of head cavity humming is above the nasal cavity. There are frontal sinus and ethmoid sinus in each sinus cavity. They belong to solids.

In a fixed space, acoustic vibration is an odorless sound. Small in size and high in position, this * * * voice is bright, concentrated and soft.

. When singing, you should pay attention to opening the mandibular joint to reduce the weight of the mandible, and feel a slight vibration in the bone room and a slight vibration in the eyebrows.

Sense, make the song concentrated and lively.

The sound of the head cavity depends on the strength of the pharyngeal wall of the nasopharyngeal cavity and the soft palate to control the direction of sound entering the nasal cavity, so that the sound enters the head cavity.

Form a * * * sound. This kind of control should be carefully understood in order to achieve good results.

It should also be noted that when singing lyrical and high-pitched songs with national singing, sound waves only vibrate at the nasal bone at the upper end of the bridge of the nose.

Just; If you sing a dramatic song with a loud volume by Bel Canto, sound waves need to be on and around the bridge of your nose.

Vibration on the surface of accumulated bone. Experienced singers are often good at sending their voices to their heads to get the feeling of singing.

Walking in the middle, I thought-it's really a beautiful way to sing, and this way, my voice will not get tired and I will always be young. if

Without the supporting role of head vocals, the life of vocals will not only be shortened, but also the sound will be ugly.

< 2 > nasal cavity * * * and its function

The nasal cavity is not nasal. It is the ringing effect produced by sound waves entering the nasal cavity. Physically, the nose

The upper part of the pharyngeal cavity is the skull and the lower part is the soft palate. It consists of nasal cavity and nasopharyngeal cavity, and it has large volume and vibration.

Produced in the nasal cavity, it is a vibration formed by a fixed space without breathing.

To get good nasal singing, you need to pay attention to the following points:

Application of Soft Palate: Soft Palate is usually called small tongue. Soft palate is the bottom of nasopharyngeal cavity, forming a dome shape, which is beneficial to pharynx.

The wall pushes. By using soft palate, the shape and timbre of nasopharyngeal cavity are changed. Practice humming,

It is convenient to vibrate the middle part of the soft palate, enlarge the nasopharyngeal cavity and open the lower part of the nasopharyngeal cavity at the same time.

Open and control the mandibular joint: the movement of the upper and lower mandibular joints should be opened by half an inch, which is conducive to achieving * * *. Gently lower your chin.

Move, I feel weightless and my voice is relaxed. Also remember that the nasopharyngeal cavity can not only let sound waves enter the nasal cavity.

* * * in a larger space, but also can't let the breath into this space. It plays a role in separating sound from gas, and can

Color change of * * * sound.

< 3 > Oral cavity and its function

The oral cavity is a variable cavity. It is also the middle joint area of high and low notes, and it is the part with clear articulation. Its * * * sound.

The area includes oral cavity and laryngeal cavity. The popular singing method mostly adopts oral singing.

According to whether the structure of * * * is adjustable, * * * can also be divided into fixed * * * and variable * * *.

Fixed vocal cavity: including nasal cavity and frontal sinus, sphenoid sinus, ethmoid sinus and fossa sound. Nose includes external nose and nasal cavity. nose

The volume of the cavity is larger than that of the external nose. Its upper wall is ethmoid bone, its lower wall is hard palate, its back communicates with nasopharyngeal cavity, and its nasal cavity communicates with the surrounding area.

There are ethmoid sinus, loop sinus and sphenoid sinus in the parietal bone cavity.

These singing cavities have a stable and fixed space, and their volume and shape cannot be adjusted.

Variable sound cavity: it includes oral cavity, throat cavity, nasopharyngeal cavity and oropharyngeal cavity, throat cavity, chest cavity and so on. The upper front of the mouth is

Hard palate, located at the base of tongue and behind epiglottic cavity. The upper mouth of laryngopharyngeal cavity is pharynx, the lower part is connected with esophagus, and the upper part is tongue root and meeting.

Anesthesia, which is connected with the lower part of the acoustic cavity and extends to the throat.

Nasopharyngeal cavity, the front wall of which communicates with nasal cavity. The lower part is bounded by the soft palate and leads to the oropharynx.

The oropharyngeal cavity is defined by the nasopharynx and communicates with the oral cavity. Laryngeal and lower throat.

The vocal tract above the vocal cords is connected with the mouth, nose, throat and pharyngeal cavity, forming a tubular oropharyngeal trumpet tube. Its exit

In the nasal cavity and mouth. The trumpet mouth is the throat cavity. Vocal cord and vocal tract are one of the main acoustic cavities.

The human body's fixed * * * aria and variable * * * aria will cause beautiful * * * singing response after training. Pharyngeal cavity, oral cavity and thoracic cavity

Connected is an important tune. The chest also plays an indispensable role in singing. In addition to the vocal system of human body singing

All the cavities in the system are singing * * *, and * * * will also play a role in human bones. voice

* * * mainly cavity * * *. The size and capacity of human upper pharyngeal duct can be changed. * * *, the effect can be increased in the future.

Loud volume and changeable timbre. Only when the sound is overtone and beautified can it make a beautiful sound.

Due to the different application properties, the * * * sound in front of the head can be divided into: upper * * * sound and lower * * * sound. Generally speaking, the upper part of the palate is called "Shang"

Part of it is * * * bright, and the upper jaw is called "lower part * * * bright" below.

Upper vocal cords: including nasal cavity, sinus, maxillary sinus, frontal sinus, sphenoid sinus and ethmoid sinus.

Lower hum: including oral cavity, pharyngeal cavity and upper throat.

As I said before, the sound of * * * can be heard everywhere in the air. However, the head cavity is not an air-filled cavity.

What can cause the sound of * * *? It turns out that it does not use a cavity with air as a singing cavity for transmitting sound, but

The intensity of sound is enhanced by the conduction of solid bone tissue. The intensity of sound is an important factor that constitutes the loudness of sound.

One of the elements, the combination of bone conduction and treble naturally increases the loudness of the sound, so it is helpful to use the * * * sound.

The expansion of.

The reason why * * * sounds are used is to use the * * vibration of the throat, pharynx and mouth to cause several sinus bodies through the conduction of the skull.

* * * vibration, strengthen the sound of * * *, we call it "bone conduction". The upper level is mainly borrowed.

Contribute to the "bone conduction" effect. In the language of life, although I didn't realize its ringing function, I said it out loud.

When speaking or making a certain sound, the ringing function of "bone conduction" is also participating in expanding the ranks of audio. Therefore, the singer emphasizes the need.

The sound of * * * is used because * * vibrates strongly. If you add a lower * * * tone, it will be difficult to raise and lower the bass.

The coordination of voice and emotion plays a positive role in singing.

To apply the upper * * * sound, we must first make the lower * * * sound powerful. Sound waves reach the hard palate and are induced by the vibration of the hard palate.

It vibrates the nasal cavity and the sinuses in the head cavity, which is the function of bone conduction. This not only increases the volume, but also increases the sound force.

Degree. It stands to reason that when the airflow reaches the oral cavity, it cannot be remitted abroad through the nasal cavity, and the airflow in the nasal cavity must be turned back.

Mouth, and then out of the mouth, so as to really get the voice of the upper * * *. However, the pharyngeal cavity is a fork in the road,

When the airflow reaches the pharyngeal cavity, some of it must rush to the nasal cavity and some to the oral cavity, so as to break the airflow in the nasal cavity.

It's not easy to talk back. In this way, all semi-nasal sounds are formed by using the upper * * * sound. This kind of situation, in some

It is very common among singers. When they want the help of upper humming, they will lower the base of their tongue and relax the soft palate.

Sometimes the nostrils are wide open, so that when airflow is introduced into the nasal cavity, most of it is discharged from the nasal cavity.

Using * * * sounds, it seems that semi-nasal sounds are inevitable. But in national singing, it is obviously better than the nasal sound of Bel Canto.

It's missing. This is caused by the difference in mouth opening and muscle tension between the two pronunciations. The sound of singing, every one

Almost every vowel has a nasal sound, especially the narrow vowel i.u.yu

If the listener doesn't distinguish carefully, he won't hear the color of the nasal sound, but he feels full of voice.

Because of the different nature of vowel pronunciation, its strong and weak effects on "bone conduction" are also different. Generally speaking,

The narrow vowel i/u/yu is obviously stronger than the wide vowel a/o/e, which can be fully proved by experiments. Why is this happening?

What about the phenomenon? This is because the mouth is narrow when the vowel is narrow. When sound waves reach the mouth, they are not very smooth.

It flows out of the mouth quickly, which is slower than the airflow of vowels. At this time, the strength of the upper jaw is stronger, because

It will cause strong vibration to the skull. However, it should be noted that this vowel is the easiest to lead sound waves to the nasal cavity, and it also

Nasal sounds are most likely to occur, and oral muscles are tense when pronouncing. In order to make it have no nasal sound or a small nasal sound,

When making this sound, pay more attention to the proper expansion of the mouth. The opening of wide vowel a/o/e is larger than that of narrow vowel i/u/yu.

When the sound waves from the throat reach the oral cavity, they are not as strong as the narrow vowels, so it is easy to radiate from the inside of the oral cavity.

Out, so the strength of shaking the skull is weakened. Therefore, for the initial vowel, the narrow vowel is more important than the wide vowel.

Amazing. This situation tells us that whether it can cause * * * sounds is closely related to the strength of airflow pressure.

From the sound level, high notes are easy to cause head singing, and low notes are easy to cause chest singing.

This is because the vocal cords are tightly closed and the airflow is strong when playing high notes; When playing bass, the vocal cords are tightly closed and the impact of airflow is weak. Bass singers often sing with their chests, while treble singers must sing with their heads. It should be noted here that bass singing can only be said to be dominated by the lower body, not to say that the upper part is completely abandoned. When singing high notes

When you speak, your voice will be pure and clear if you get the cooperation from the upper level. On the contrary, singing high notes can only be said that the * * * sound plays a major role. If there is no * * * tone, it will affect the sound level; However, the next * * tone should not be completely unnecessary. Without a lower * * * tone, it is difficult to get the width of a treble. We always ask for a mellow and beautiful song, whether it is high or low. I often hear some sopranos. Although she can sing C4, her voice sounds dry and harsh, lacking perfect color. This is the result of the mismatch between the upper and lower * * * Song. Therefore, when singing treble or bass, the use of * * * should be primary and secondary respectively, with * * * above the treble as the main one and * * * below as the auxiliary one; Bass should be dominated by the lower half, supplemented by the upper half. The two must cooperate properly in order to make a generous and powerful voice. We have heard some tenors who sing beautiful songs. When he sings, if he touches the top of his head with his hands, he can feel the violent vibration, and at the same time he can feel the bones in his chest shaking with his hands. This shows that the treble not only uses the * * * tone, but also uses the * * * tone. Some people emphasize the role of * * * and ignore the coordination relationship of * * *, so they can't get the ideal treble. Broadly speaking, chest cavity, head cavity and bone tissue all have the function of transmitting sound, but their functions are not the same.

Obviously, the vibration of the bone tissue in the chest cavity and the chest wall itself caused the * * * sound; The bone tissue of the head cavity is due to the area

No, the strength and clarity of the vibration are different. Generally speaking, the * * * sound of frontal sinus is the strongest and clearest, which is

Because this vocal area is the result of direct oscillation of all sound waves in laryngeal cavity, pharyngeal cavity, oral cavity and nasal cavity. We asked the singer.

Raise the voice to the head, that is, raise the position of frontal sinus, so that the bones in this part will make a * * * sound.

. Secondly, the occipital bone plays a more important role in the head. It is the bone that constitutes the bottom and back of the cranial cavity, and it is located in the head.

Just below the back of the department. Because its location is also the place where sound waves are directed, the sound of this part of the cavity is not only

In addition to the * * * singing skills on the forehead, when singing high notes, you also need the * * * singing skills of the occipital bone, which is defined by the Chinese opera.

The so-called "tendon removal at the back of the head". So, how to use this part of the * * * sound? There is a theory that pillows

The lower part of the bone is connected with the cervical vertebra. When powerful sound waves rush to the throat cavity, it will cause the vibration of the cervical vertebrae, and then the cervical vertebrae will vibrate.

When the spine conducts upwards, the occipital bone vibrates. In addition, when the sound wave reaches the oropharyngeal cavity, it will cause great conduction force.

It directly affects the vibration of occipital bone from the back. This part is close to the separation of "sphenoid sinus", so its vibration effect is also.

More determined. When using occipital bone, it is important to note that the neck must be straight.

. This posture can enlarge the throat and pharyngeal cavity, make the airflow unobstructed, and produce a powerful airflow column that rises to the back of the soft palate.

Department, causing the vibration of the occipital bone, thus producing the intensity of sound. When we raise our voice, we will feel it happening behind our heads.

Vibration, when the up and down * * * sound has been linked together.

Experiments show that the * * * effect of single throat cavity is not great, the sound is not very loud, and the change of timbre is not very clear.

Yes This is because the laryngeal cavity is basically composed of soft tissue, and the sound is produced in the soft vocal body and absorbed first;

Because the laryngeal cavity is small, the role of * * * is not strong; Again, because the throat cavity has not changed significantly, the timbre has not changed much.

The above situation shows that the use of upper * * * and lower * * * sounds depends on strong airflow, and then in a good

The larynx, pharynx, mouth and nasal cavity can only be produced on the basis of * * * *. So we should get everyone's cooperation and special exercise.

Expiratory obstruction of qi.

How to get * * * Ming (2)

2, * * and sound area

According to the change of sound level and the different uses of * * * parts, three sound areas are formed: high-pitched area, middle-pitched area and low-pitched area.

.

High-pitched region

Pronunciation focuses on the head cavity, which is conducive to the development of treble skills. Touch your forehead and cheekbones when you sing.

There is a feeling of vibration. The voice is characterized by falsetto. At the same time, pay attention to the nasopharyngeal cavity and soft palate when singing in the high-pitched area.

Equal parts and muscle movements cannot contract too much, so there is no room for sound waves to flow, which affects the overtone effect.

(of commodities) of medium quality or with a moderate price

Paying attention to uniform and harmonious singing in pronunciation is conducive to giving full play to the skills and characteristics of alto. Midrange is a low range and a high range.

At the junction, it is necessary to evenly adjust and control the volume of the high-pitched area and the volume of the low-pitched area to keep the sound smooth and unified.

One. This vocal area plays an important role in vocal music training. The alto music is soft, relaxed and lively. Pay attention

What's more, if the muscles such as throat and tongue contract too much when singing, there will also be acoustic flow obstruction, which will separate the head cavity from the body cavity.

Ming, and lost the support of the chest * * * Ming, there will be a wrong voice.

1 low sound zone

Vocalization focuses on chest singing, which is conducive to the development of singing skills in the bass area. I obviously felt a shock in my chest when I sang.

Dynamic, free voice, deep affection. It must be noted that when singing bass, the neck muscles, tongue

If the muscles contract too much, they will lose the * * * tone in the high-pitched area and appear dull mute, which will affect the singing effect.

Speak louder.

3. The sound changing area and the method to solve the sound changing.

I think everyone in the sound changing area exists. Some people say that as long as the voice is sung to a high position, the voice change does not exist.

The basis of this statement is not sufficient. It is necessary to admit that the phenomenon of voice change exists objectively, not psychologically.

If you have fear, you must think of various ways to solve it and study it creatively.

< 1 > what is a voice exchange area? When singing, suddenly appeared from low to high, or from high to low singing.

An uncontrollable "crack" sound suddenly feels that the sound is not unified. This unpleasant sound is

This is "changing the sound"

There are many reasons for the change of voice, and we should mainly analyze the reasons from the physiological aspects. Because there are two vocal cords in the hair.

When the voice is not balanced, one of the vocal cords is not taut, and the arytenoid cartilage is out of balance, resulting in staccato.

In other words, when making a "true voice", the vocal cords are close together, and the vocal cords are "tightened" by the muscles of the throat. The vocal cords are not close when making falsetto.

Laryngeal muscles are not too hard, and vocal cords are more relaxed. When singing, these two kinds of voice forces need to be well connected in order to

Unified voice. If the connection is not good, the "* * * volume" will not be adjusted in time when braking for the first time, and it will come out immediately.

There is a faint tearing or interrupting sound. Staccato is generally easy to appear in high-pitched extreme tones and near timbre changes.

In the notes. High notes are generally produced in E2, F2 and # F2. The "sound exchange area" is generally an interval including three semitones.

The tone with the biggest change is called "sound change point".

Because the physiological conditions of each person's voice are different, the position of the inflection point moves.

Soprano: Some sopranos are not clear about voice change, but it is difficult for dramatic sopranos to change their voices. Change the sound up and down at # f;

Mezzo-soprano: This kind of voice is more complicated, with a wide range and great changes in timbre. Generally, there are two voice exchange areas. One is above and below F2. sequence

2. In the range from # c to F2. Dramatic and low mezzo-soprano are in E2 and G2, while lyricism is in E-flat.

Tenor: Most of the voice changing areas are in # f and F2, and some are in G2 and A2.

Baritone: high baritone sandhi in E, E2 and F2, and low baritone sandhi in D2 and # C2.

< 2 > how to change the sound.

< 1 > adopt "singing off" to solve the problem of voice change.

The Italian "Bel Canto" uses vowel changes to solve the physiological phenomenon of voice change.

. Add "o" and "OU" to the variant. For example, the word "Ma" is < a vowel >, singing normal alto, singing alto.

The tone sandhi area is added with the O sound change < >, and the tone sandhi area is followed by the sound, which becomes the vowel of < >. After this

After the change, the virtual sound brought by the sound change gradually appeared bright sound. When solving the problem of tone change, we must master it.

Be prepared to change the sound before. When switching from one voice area to the next, you need to use the * * * key immediately.

The mixing method of * * * sounds with different sound areas can avoid the bad phenomena such as laryngeal sound and nasal sound caused by the disunity of sound areas.

For example, when a soprano changes from a midrange to a treble, generally speaking, the switching point is at the F2 pitch. At this time, go forward.

The second degree of E-flat is moved up, which stabilizes the larynx and regulates the changes of vocal cords in E-flat. And use vowels.

Variations, using weak voice to control the singing, mainly using * * * tone to adjust the singing, will naturally break through when singing to F2.

At the inflection point, the bright sound gradually enters the high-pitched area, making the whole sound area unified.

Closing the singing method is to use a brighter A in the midrange, then bring in O to round the sound, and start using Y in the voice change area. tenor

The sound area A should be used more, which can make the sound bright and round. Bass o should be used more to make the sound rich and deep. Use a,

O and I vowel training is the main way to unify the sound area.

< 2 > A new method to solve the problem of tone change with the word "Middle East"

National singing practice with the rhyme of "Middle East" is the fastest way to solve the problem of voice change and expand the range.

One of the means.

To measure the level of vocal music teaching, on the one hand, it requires good teaching quality, on the other hand, it requires students to improve their singing level quickly.

There are many contradictions in vocal music teaching. I think the most difficult problem is how to expand the range and reach the vocal range.

One. There is an obstacle in this, that is, how to solve the resistance of people's "voice change", which is a pole of human physiological changes.

Its complex performance is the invisible and intangible phenomenon of muscle activity disorder in the larynx. Over the years, "Bel Canto"

The physiological phenomenon of "voice change" has always been solved by vowel variation. Through this change, although in a

Some vocal music students have played the role of voice change, but some students have not completely solved it, and the range expansion is slow.

I am in favor of pronunciation. We have a lot of Chinese characters, so we should analyze and choose them from the aspects of pronunciation, meaning and character. Then, select

What kind of words are most suitable to solve the problem of voice change? Using nasal words to solve the problem of "voice change" is most conducive to expanding the range.

Location. Nasal sounds include frog, frog, frog, frog and frog. These four roads contain equivalents.

More, concentrate on practicing with the word "Middle East", and you can get the best results. In the word "Middle East", it is again

Focus on "empty, open, loose and thick" as the main training purpose. These words belong to the nasal category, and the words themselves

There is a natural nasal humming factor, such as the word "Tong", which is composed of "T" and "ong". When singing "Children"

At first, you bite the word "T", and soon you enter the "ong" sound. When you stretch it, you feel empty and the sound naturally enters.

Head cavity * * * sound. Because "Ang" itself has the natural singing factor of the head cavity, in this way, in the head cavity, Ang is produced

The * * * ring of raw bones gives people a feeling of generosity.

Physiologically, the word "Middle East" naturally goes down the throat, and the root of the tongue does not lift, which makes room for the mouth and pharynx.

Increase, the sound can circulate freely and unimpeded, and it will be solved naturally by changing the sound. Therefore, the characteristics of the "Middle East Road"

There are: Middle Easterners' tongues are centered, their throats feel loose, their words are half closed and their words are closed.

In addition to using the natural advantages of "Middle East", it is also necessary to cooperate with the stretching training of human muscles. The method is:

< a > set a fixed starting point a. The higher the sound, when you pull the muscles with A as a fixed starting point.

The more the muscles are pulled back, the more the space of the pharyngeal tube falls outward.

Note: A is the starting point. 1 At point A, the voice begins to sound, and the muscles begin to be pulled to the lower back, and the diaphragm moves elastically to both sides. five

On the basis of 1, the back muscles are pulled back, and the psychological feeling is that the muscles are pulled out of the space. 1 Stay at the position of 5.

. The treble 1 is better than the alto 5 in lacing.

< b > Take A as the fixed point, pay attention to singing up and down, and keep your breath steady and downward.

Note: 1, 3, 5, i/ is an ascending scale, so 1 should be placed at a fixed starting point, and 3, 5, i/ is an ascending scale with sound ratio.

A push down and back is a slight pull down and back of the muscles. The purpose is to open the pharyngeal cavity and move the larynx downward.

< c > during vocal music practice, the muscles of the whole back, back waist and back of the head feel pulled backward and downward, and at the same time, according to the sound.

High, these three parts need to be adjusted appropriately. For example, in C major 5~7, the muscles of the lower back, that is, the diaphragm, are pulled.

Lord. 7~3 need to pull back and down, especially the muscles of posterior pharyngeal wall. 3~ 1 It is necessary to strengthen the traction of neck muscles.

Therefore, using the rhyming characteristics of Zhongdong Road to practice your voice has both the effect of short throat and chest sound.

As long as we give full play to its specialties and practice according to the three requirements, we will break through the obstacles in the voice communication area and expand its scope.

A large and unified sound area. The purpose of solving the "inflection point" is to expand the range and unify the range. The training of singing and vocalization is to

In order to achieve the unity of the three musical zones. Make the song smooth, soft and comfortable when singing, without showing any traces of voice change,

The whole song was sung and expressed completely. In order to unify the three vocal areas, we should also pay attention to the training of the middle vocal area.

Get a good mixed sound in practice, and then gradually develop to the high-pitched and low-pitched areas. So according to the three sound zones.

Use the primary and secondary proportion of * * * to carry out key exercises and adjust * * *. The expressive force, aesthetic feeling and three-dimensional sense of that kind of music.

Will be trained.

4. * * * The relationship between homophonic height, volume and timbre

...

The relationship between < 1 > * * * and homophonic.

Pitch refers to the height of sound. Objects make sounds because of vibration. The denser the vibration, the higher the sound. The less vibration, the lower the sound.

. This change in density is called pitch. Everyone has his own natural range, and the singing voice must be high and low.

Points. Physiologically, the sound level is the difference between the vibration frequency of vocal cords when singing.

The faster the vibration, the more times the vocal cords open and close. The higher the frequency, the higher the sound, and vice versa. The level of this voice lies in the song.

We should control the use of vocal music singing.