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Why is singing with a microphone different from oratorio?
Another reason is that cappella and the microphone have different sound transmission. When singing a cantata, the sound is transmitted through our inner ear and a small part of the outer ear, while the sound sung with a microphone is transmitted through a stereo or headphones.
This is like a classmate recording his own voice and listening to it, which will make him feel that the voice he listens to in peace is very different. He is not used to it, mainly because of the different way of transmitting sound, so he still has to sing with a microphone.
Extended data
Notes on singing with a microphone:
1, avoid singing too loudly.
2. Don't wrap your hands around the microphone (that is, the microphone head), just hold the handle of the microphone, otherwise the sound will be stuffy and distorted, and the microphone will ring;
3. Keep the microphone at an angle of about 45 degrees with your mouth, and don't be too far away from your mouth.
4, do a good job of sound transmission, mouth open enough, make the sound channel more unobstructed, let the sound more into the wheat, to prevent the voice from being small, stuffy, and unable to make more * * * sounds.
Maintain the depth, width and height of sound. Depth: raise your head and yawn, stretching the posterior pharyngeal wall; Width: the base of the tongue is fully expanded, and it opens to both sides after connecting with the posterior pharyngeal wall; Height: With a surprised expression, open the upper cover more often.
In this way, more wheat will be added to the song and the sound will be better when it comes out of the speaker. In short, I feel more accustomed to singing with a microphone, so I won't be in a state where I can't sing with a microphone if I practice more.
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