Reflections on Ba Jin's Home

After reading Ba Jin's Home, everyone has a home of their own. Home is the harbor where the soul lives and the harbor where the soul is parked. There you can show yourself unabashedly, because at that time you don't have to face a strict boss, a serious teacher and so on, that's all you and your family have!

Economists have different definitions of different people. Since ancient times, hundreds of classic poems have been sung by homesickness. When you are poor, home is a nest, a place to find comfort and warmth; When you are rich, home is your spiritual and material enjoyment. Home is not a space for wealth accumulation, it must contain family affection, a kind of family affection whose blood is thicker than water. But the home described by Ba Jin gave me different definitions and feelings.

I learned that Home is the first piece of the Riptide Trilogy written by Ba Jin in 1930s. Since the publication of 193 1, it has been attracting readers with its unique anti-feudal brilliance and touching artistic charm, and occupies an important position in the history of modern literature in China. After reading it, I think the Gaos are a small society. There are three brothers with different personalities: Chueh-hsin, Chueh-min and Chueh-hui, but their love fates are very similar. Gentle Cousin Mei, Qin with new ideas, and Ming Feng, who were badly oppressed, faced different pains despite their different backgrounds and knowledge. They couldn't get married independently, which was forced by the old feudal forces. Those who didn't resist were crying until the last moment of their lives. Those who can't resist can only know themselves; Those who resist, like Qin, I really hope that she can be with Chueh-min and find her own happiness, but looking at Ba Lao's description, it is full of irreversible depression, and I think they may not be together forever.

There is a passage in it: "In the Gaos, in this big house, Ming-feng's death and Wan'er's marriage were soon forgotten, and these two simultaneous events did not bring any influence to the Gaos' life. We only know that two maids were missing, and the master immediately bought new ones to replace them. SJGH replaced Feng Ming and Cui Huan replaced Wan'er, and the number remained unchanged. In a short time, Mingfeng's name was not mentioned. Only in the hearts of Xi 'er, Qian 'er and Huang Ma, the name often evokes a painful memory. Yes, even if one person is missing, it won't change the world, let alone two insignificant girls. "

"Home" is just a clue in the book, which profoundly exposes the evil and decay of feudal families, and at the same time enthusiastically praises the democratic awakening of the younger generation and its anti-feudal struggle as the soul. In the feudal era at that time, the pursuit of democracy and freedom was like a traveler looking for an oasis in the desert. By reading and studying this book, I not only enriched my literary knowledge, but also made me realize the progress of society and the development of democracy. After reading Home, should we happily enjoy the happiness brought by democracy and freedom?

Fan Wen 2 on Ba Jin's reading of Home is reading a novel recently: Ba Jin's torrent trilogy Home, Spring and Autumn. Although I only read the article "Home" for the time being, I found that Grandpa Ba Jin vividly portrayed the characters inside, which left a deep impression on me. I deeply feel that Grandpa Ba Jin deserves to be a great writer.

I am reading the second book now. When I finished reading the first book, I felt really immersive. By describing a big family, Grandpa Ba Jin reflected his disgust and hatred of the old society and system, and denounced the darkness, disobedience and flattery between people in communication. Through the different personalities of the three brothers and different views on the future society, it is really eye-catching. Among the three brothers, what I admire most is Lao Chueh-hui, an aspiring young man who is full of confidence in the future and firmly believes that the old society will definitely pass and the old system will definitely be abandoned. Because of his personality, he and Lao Chueh-hsin run counter to each other, just like two parallel lines can't have any intersection, which means they are destined to take completely different paths. Lao Chueh-hsin's character is the kind of person who is cowardly to the extreme in today's words, as he used to be called. Although he felt great pain, the pain did not change his character, but only changed his mind a little, but this change was not enough to make him act, and he still retained his cowardice. Chueh-min, the second of the three brothers, is on Chueh-hui's side, but he is not as impulsive as Chueh-hui, has a calm personality and actively strives for happiness when necessary. From this point of view, I still admire him. Therefore, in the whole family, only Chueh-min and Chueh-hui stand on the same line, and the others are from the old society. The supporters of the old system explain how far Chueh-min and Chueh-hui are from this big family. Therefore, Chueh-hui hates not only this old society and old system, but also this big family with only the old system and old system, and runs away from home in a rage! To show the determination to resist the old society.

The whole book revolves around the story of how Chueh-min and Chueh-hui fought against the old system in the old society and finally won. The theme of the whole article is "home", which makes people want to put it down.

Comment on Ba Jin's "Home" Model essay 3 "Home" is Ba Jin's masterpiece. In the history of modern literature in China, Ba Jin is a literary giant full of enthusiasm, progressive thinking and unique artistic style.

Ba Jin's torrent trilogy is Home, Spring and Autumn. In everyone's opinion, these three works are inseparable, but because of my laziness, I only watch Home for the time being.

This book takes the youngest generation of the times as the main line, deliberately showing the conflicts and contradictions between it and the previous generation that survived by following the rules of feudal system. However, what I admire is that the author can show the naked voices of different classes and people to the maximum extent under such a background. About love, about reason, about suppressing the "slaves" of the times and their own struggles, about the inner world of the little people who are most easily ignored by readers and the world of that era. Ba Jin's wonderful pen describes a real era and real people without reservation.

As for home, it is magnificent. From the stone lion sitting in front of the vermilion gate, through the overlapping gardens, stepping on the gurgling stream under the wooden arch bridge, to the suddenly enlightened lake, the author seems to have it all. Everything makes you wander in a dream country. She is dignified, elegant, gorgeous and romantic. It seems conceivable what an elegant and noble family is behind this luxury. However, just like watching fallen leaves, it seems to be flying but landing. After reading, I went home with a heavy heart. This kind of heaviness is that the beautiful and intoxicating home is filled with suffocating romance. Hope and despair have become a blurred boundary between the two generations, or hope has just brought destruction. It seems that it naturally blinds the eyes of the old man with feudal authority, but it numbs Ke Mingding's generation. They have valuable experience, that is, they naturally abide by all these designs for them, and even appreciate all the honors that are about to sink.

If Chueh-hsin was not a rebel under the feudal system, it would be better to say that he was a brave man who suffered great pain under the cruel reality. The era of Chueh-hsin's life doomed him to be the most difficult vagrant at the crossroads and a victim of the times. He inherited the majesty of Grandpa Gao and admired Chueh-min's courage and pursuit. Even if the article does not express the victim positively, its delicate spiritual depiction makes people feel that this is a weak person who suffers from inhuman pain. Among the "cowards" who are happy-go-lucky, he is undoubtedly the best one to handle life. He loves cousin Mei deeply, but he doesn't live up to Ruiyu's feelings. In the face of two deeply loved women, any choice is painful, but this pain is deeply hidden in a broken heart, and his thinking is numb, because this is not his own world, but he can't let go of the woman who loves him and him. The lonely moonlit night and accidental thoughts turned into deep remorse. In the real society, he can give up the dream of pursuing new trends, but he can't let go of the love between two women. For the dream of destruction, he has the final bottom line for the next generation, that is, he did not go with the flow, but turned the extreme pain of interpreting love into the last sword to challenge feudal society, a tragic departure and a silent battle.

Ming-feng is the one who feels the deepest. As a high-ranking servant girl, it doesn't mean that she has a different side from other servants. It was her homosexuality that plunged the whole society into the darkness of human rights. The profundity of depicting Ming-feng shows the life and suffering of the lowest people in feudal times. As a small role in the high government or a small role in history, the fate and thoughts of the people at the bottom, represented by Ming Feng, are hard to be perceived by future generations, while Home profoundly describes the struggle of a group of people. However, the most tragic performance of this struggle is that Ming-feng has been waiting for the light of hope for a long time in a meaningless real struggle. She just thinks that her love with Chueh-hui can change her fate, although their love is profound and lasting. However, it did not bring back Chueh-hui's heartbreaking "double love" after Ming-feng's death, but gradually faded away, just like a relaxed rise in life, becoming a memory and drowning in it. However, Ming-feng is warm, and she has long realized the cruel side of reality, the dead of night and the pain under the light; The love that has been waiting and cultivated has finally become an unavoidable luxury everywhere; Wan'er's marriage made her keenly aware of the horror of death. She waits for the arrival of her lover every second, and also waits for death every second. When her hopes were completely shattered, she went to death, chose to fight and died of depression, which aroused a large number of ups and downs.

The expression of the characters' inner feelings, contradictions or depression is the corridor of the soul, leaving behind the expression of the gap of the times. Different people walk, but they have the same feelings.

In our view, home is like a burning flame, which can bring you the warmest care when you are cold; Home is like a pool of clear water, which can bring you the coolest feeling when you are thirsty; Home is like a pair of gentle and considerate big hands, which can cheer you up when you are depressed. Home has given us great encouragement and support, because with home, we have room to live, and because of home, we have realized the true feelings of the world.

However, the autumn wind is rustling and the leaves are falling. When we face the ups and downs of a family, there is nothing we can do except a heartfelt sadness. This is helpless.

As a famous modern writer, Ba Jin left many outstanding works in the history of China literature. Home, with love and marriage as the main clue, is one of the torrent trilogy and the masterpiece of this literary master.

The novel "Home" truly describes the decline and differentiation of the feudal family of Gaofu, which is a "poetic ceremony" and a "generation under the same roof", exposes the decadent nature of the feudal system, accuses the feudal family system, feudal ethics and feudal superstitions of their sins, and praises the spirit of resistance struggle of the younger generation.

The different experiences of love and marriage in the novels Chueh-hui, Chueh-min and Chueh-hsin. Chueh-hui, the hero, is a rebellious image full of vigor. His second brother Chueh-min woke up under the May 4th movement and observed the hypocrisy, darkness and decay of feudal families. They pursued advanced ideas, paid attention to current events and actively participated in anti-feudal activities. They long for free love, hate feudal family and marriage, hate being bound by their own marriage, and hate burying their feelings in feudal ethics. Just like Chueh-hui and Ming-feng, they love each other regardless of worldly vision. Even if Feng Leshan wanted to marry Mingfeng, she would rather throw herself into the river than defend her love. Chueh-min and Qin Dou are typical of advanced youth. After witnessing the painful love experience of Chueh-hsin and Chueh-hui, they decided to fight hard and finally won their freedom. Brother Chueh-hsin is a typical figure. Even now, he is schizophrenic and dissatisfied with the tyranny of his old family. However, as the eldest son and grandson, he was bound by more feudal ethics and developed a cowardly and obedient character of being wronged and seeking perfection. He dared not resist boldly, could not marry his beloved muffin, and even pushed his gentle and considerate wife Jui-chueh to the death zone.

The novel also depicts many vivid characters, such as the marriage arranged by feudal ethics, and finally Mei Fen who died of depression and despair; Stubborn feudalism, completely reduced to the slave of feudal ethics; Gentle, virtuous and reasonable, Jui-chueh moved to the field to work because of her grandfather Gao's death, and died in childbirth, all of which criticized the social darkness brought by ruthless feudal ethics.

In such a society, people can't see the light and hope, and people live a walking life every day. Only new ideas and new concepts can lead people out of this terrible cage, just as the protagonist Chueh-hui finally abandoned his home where he grew up and went to other places to pursue the light he wanted in order to get rid of this cage. His enthusiasm and perseverance in pursuing new ideas and new things, daring to explore, dare to love and hate are worth learning.

After reading Home, I have to admire Mr. Ba Jin's thorough understanding of real life. He can show this real life in the novel so clearly that he is worthy of the title of "People's Artist". Home is also a treasure of China literature.

Read Ba Jin's Home, model essay 5. Since childhood, the cordial care and careful care of parents have enabled us to thrive; Grandparents are more considerate and never let us suffer a little injustice. Everything is for our children and grandchildren. Family lets us know that home is the cradle of comfort and warm harbor for everyone.

However, Ba Jin's Home completely subverts my understanding of family. This big family named Gao is full of feudal ideas. The man is the master, the woman is the master, and the woman is the master. All the elders arrange their children's marriage partners according to their own wishes and their relations with relatives. Whether you like each other or not, you must obey the arrangement and there is no room for discussion.

Chueh-hsin and Qian Meifen, Chueh-min and Chin, Chueh-hui and Ming-feng all have people who really love each other, but they are separated because of their grandfather's determination. Only Chueh-min won a certain victory with Chueh-hui's encouragement, and Chueh-hsin and Cousin Mei could not recognize each other as soon as they met. The separation of Chueh-hui and Ming-feng is a great tragedy. It can be seen how terrible and disgusting the old feudal thought is.

People should be treated well when they are sick. After grandpa fell ill, Mrs. Chen insisted on using ghosts and gods to suppress her illness. Chueh-hui saw that grandpa was scared to death, but he was so angry that he quarreled with everyone, but nothing was saved. Grandfather chickened out before he died and promised Chueh-min not to entangle with other people's marriages.

I only hate the power of feudalism and Chueh-hsin's cowardice. In order not to conflict with grandpa's ghost, I had to move out of the city a few days before giving birth and die alone. Only then did he realize that it was the whole system, the whole etiquette and the whole superstition that weighed him down and took away his youth, his future and his two favorite women. He is struggling, but he is weak, cowardly and unable to resist all this. So he was desperate, his legs went weak, he knelt down and cried feebly.

Chueh-hui has never stopped fighting against feudalism since Ming-feng jumped into the lake to commit suicide, and the Gaos have been declining, but this can't stop Chueh-hui from pursuing light and truth. Finally, Chueh-hui finally left this family full of feudal ideas, which he hated, and went to Shanghai to study with the support of his eldest brother. He looked at the flowing green water and whispered "goodbye", not knowing whether to be happy or sad. Although feudal forces flooded the family, it did not mean that no one was fighting for light and truth. Chueh-hui is the most representative person. Of course there is love in this family, and everyone has sincere love. They only hate that the feudal forces are too powerful to cope with sincere love. The tragedy is still happening.

As the saying goes, "the poor must have something hateful." Although we sympathize with the unfortunate people in the book, we cannot but condemn their weakness. If there were more people like Chueh-hui, maybe there would be fewer tragedies. Living in such a feudal and backward family, how can we enjoy the warmth of belonging to the family like modern times?

This book, these heartbreaking stories profoundly show us the evils of feudal thought. A good family has fallen to the point where everyone is incompatible and divided, which reminds us that feudalism will not last long. It will only cause tragedies again and again, destroy the harmonious and happy family, and finally destroy a society, a country and even the world.

Home should be warm and harmonious. We should cherish the existing happiness, understand each other, help each other, be kind to others, pursue light and truth, and strive to make the story in the book never happen again, so that our home will be harmonious and happy forever.

I think this book is most suitable for young people, eighteen or nineteen years old, who have just joined the WTO, have not seen much of the world, are full of energy and passion, and this book can arouse the interest of such people most. They may rebel against old things and pursue ideals and new things like Chueh-hui.

Now that I have read it, I really have my own judgment about Chueh-hui, and sometimes I can't fully agree with Chueh-hui. I sometimes sympathize with Chueh-hsin, and even feel that there is nothing unusual about Chueh-hsin's approach. For Chueh-min, it is more correct to think that he is mature and calm, has his own judgment on the world, can tolerate things he is bored with and can pursue things he likes. Perhaps only by combining positive resistance with negative resistance can people live better. In the end, didn't Chueh-min live happily and live at home for a long time? Maybe this ending is more suitable for ordinary people.

But I don't think the author meant what I said above. He hopes that young people can rise up and resist, accept new ideas and change the world with their own strength.

On the other hand, I think Chueh-hsin, Chueh-min and Chueh-hui are three aspects of a person. Everyone is the same contradiction, and there are three different plans to do anything, which is exactly the character and way of doing things embodied in the three brothers. When reading a book, I sometimes feel that I am Chueh-hui, but I have many difficulties in trying to resist. Sometimes I complain a lot about society. Sometimes I am Chueh-hsin, but I am an "antique" and resigned to my fate. Sometimes I feel that I am Chueh-min, and I can have strong sympathy for others. But I try to soothe everyone's mental trauma with words.

I think I may be a person who is deeply poisoned by books, but I can't be like Chueh-hui after all.

Tell me about this book.

It's hard to say whether this book is a tragedy or a comedy. Because of the death of Jui-chueh, Mei, Ming-feng and Grandpa and the decline of the extended family, it is a tragedy. Finally, Chueh-hui went to Shanghai to pursue new ideas. Chueh-min was very happy, which left hope for this book. But no matter from which angle, this is a heavy book.

The language of this book is concise and profound. The author has many comments in the book and will combine these words with the narrative. These are refined words with universal significance. Putting these profound and rational words into concrete things will show his profound insight. It's like a passage about going to bed, which connects people's personality with the world and sleep. Another passage is about a lake in the garden, saying that this home is like a lake, with a calm surface and rough inside.

Generally speaking, the language is narrative, simple and fluent, from point to point. The details are just right.

I think this book is worth reading on the whole. You will see the older generation who are boring and interesting, the next generation who actively resist, and the floating generation in society. You will see the society, maybe you will see yourself.