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The characteristics of literary artistic conception mainly include the following three aspects:

(1) fusion scene. This is the expressive feature of artistic conception creation. For example, Mao Zedong's poem "Qinyuanchun Changsha" is a model of creating artistic conception by using the artistic technique of blending scenes. The inscription of today's poems focuses on writing scenery and is full of affection; The next story focuses on lyricism and watching the scenery in love.

(2) Virtual and reality coexist. This is the structural feature of artistic conception creation. For example, in Shang Mo Sang, the poet described the abnormal reaction (reality) of pedestrians, teenagers, tillers and hoes to compare the beauty of Luo Fu. Another example is Pipa, where the poet wrote about the moon in the river three times, but the purpose of describing the moon is to set off the feelings of the characters. "Although we drank wine, we were not happy. We were breaking up. When the river mysteriously widened towards the full moon," set off the poet's sadness when he broke up. "The boat in the east is quiet, and the boat in the west is quiet, just looking at Bai Yue in the middle of the river", which sets off the wonderful and charming effect of pipa sound. "She is guarding an empty boat at the mouth of the river, and there is no one to accompany her except the bright moon and cold water", which sets off the lonely and sad mentality of the pipa girl. The scenery is real, but the feelings set off by the scenery are empty. This is similar to the rendering contrast in China's paintings.

(3) the charm is endless. This is the aesthetic feature of artistic conception. Such as Li Shangyin's poem "Jinse", and a moment that should be eternal has come and gone unconsciously. There are borders outside China, although one is elusive and hard to find. This kind of artistic conception, like seeing flowers in the fog, is even more memorable and arouses people's infinite aesthetic imagination.