An essay describing Wuwei

Wuwei City is a tourist city in Gansu Province. The following are related articles describing Wuwei's composition that I collected for you. I hope I can help you. If you feel good, you can share it with more friends!

An essay describing Wuwei-China's tourist sign is Wuwei's horse stepping on a swallow, which I knew before I went to Wuwei. Besides, I have no special memory.

Starting from Tianzhu County, drive along the highway to the northwest, with Maya Snow Mountain on the left and Qilian Mountain on the right. The road is sandwiched between two mountains. From a distance, the snow on the top of the high snowy mountain blends with the white clouds in the blue sky, which seems far away and close, making people confused about where the snowy mountain is and where the clouds are. Qilian Mountain stretches continuously, abruptly dividing the Loess Plateau into two worlds. Looking at those mountains in the distance, people feel as if they are sitting in front of a computer screen and enjoying Google Maps. Clusters of green trees are dotted among the endless mountains.

When you leave Wushaoling, you enter Gulang County, and the road is close to the mountain root. The undulating mountain peaks next to it are like pictures in computer games. The green grass clings to the ground, sometimes high, sometimes low, and the transmission line tower stands high on the hillside, with blue sky and white clouds and grass towers, which is a picture that makes people think and feel excited.

Gulang county is close to the highway, and there stands a huge stone beside the highway, which seems to be a sign of a county.

Cars ran along the Silk Road in the past, and I seemed to see a line of camels reflected in the afterglow of the sunset, as if I heard the sound of camel bells echoing on the vast loess plateau. Looking at the continuous peaks and narrow canyons, I seem to see the ancient warriors urging Ma Benteng to fight on this land.

"Go to Antelope Town!" Along the fingertips of my peers, I saw clusters of buildings that were not very huge in the distance, surrounded by green wheat fields. Because there are several colleges and universities here, it should be a bustling place in my impression. I didn't expect her to be so simple, like an ordinary village.

A dry river bed, covered with pebbles of all sizes, passes by, which makes people feel sad and sigh. Once the trickle of Qingxi appeared and disappeared, like a hard scar on smooth skin.

The beautiful Wuwei has finally arrived! On the semi-circular metal gate, the red Chinese character "Wuwei" is full of vitality and has a modern charm. The pedestrians and vehicles on the streets of Wuwei are not very crowded and look orderly. It is near dusk, and we are staying at Wuwei Hotel.

The next morning, I hurried to Leitai after breakfast, and finally saw the tourist sign of China in the book-the flying swallow on horseback! I saw it was placed on a stone tablet tens of meters high. Looking up, the galloping horse hissed in the blue sky, prancing on the flying swallow with one hoof, as if it were a soaring Tianma, and its figure was so vigorous and beautiful. Looking at its strange shape flying in the air, I was amazed at the wonderful creativity of ancient craftsmen, and at the same time I seemed to gain confidence and rushing power from it at once. According to the tour guide, Leitai covers an area of124,000 square meters and is a "patriotic education base" in Gansu Province. We scrambled to take pictures under the signboard of Feiyan.

Walking back along the road paved with blue bricks and white bricks, I saw a red pit in which bronze chariots and horses seemed to be marching, showing the world the glory and history of Wuwei. Further on, it's Leitai. When I walked into the gate of Leitaiguan, I saw three trees standing by the wall. When I look closely, there is only one tree. The other two trees are made of cement to help the big tree in the middle, and there are colorful flowers below. Leitai seems to be a red brick wall. It entered from a circular arch with the words "Han Tomb No.1". After a while, in a cave-like lattice on both sides of the passage, there are cultural relics unearthed from Leitai, such as turtles and bronze unicorns, and there is a deep well next to it, in which many banknotes are cast. Further on, there is a brick tomb. Because of its age, it was supported by iron pipes to prevent collapse. It is said that this is the tomb of "Zhang Ye's first army". A large number of cultural relics and ancient coins have been unearthed from this tomb, which is called a rich underground museum, where Ma Ta Yan Fei was unearthed. Above the tomb is a terrace with trees on both sides of the spacious stone steps. On the painted door, there are two vigorous characters, "walking clouds". The palace is magnificent and the pines and cypresses are towering. Not far from Leitai, there is a "Leitai Han Culture Museum", which displays many unearthed cultural relics.

Out of the platform, we went to the Confucian Temple again. According to the tour guide, the Confucius Temple was built in the Ming Dynasty. It is a national key cultural relics protection unit and another scenic spot in Wuwei. It covers an area of more than 30,000 square meters, with a building area of 1500 square meters. It is the place where scholars of past dynasties sacrificed Confucius. Known as "the crown of Longyou Academy", it is the largest and most well-preserved Confucius Temple in northwest China. It is also one of the three Confucian temples in China. Entering the courtyard, I saw Cooper towering, quiet and elegant. The Champion Bridge was covered with red ribbons, and then there appeared the Mupai Bridge-Lingxingmen, which was seen on the poster of Wuwei. Dacheng Hall is built on stone steps, and the architectural style of Ming and Qing dynasties makes it look very solemn and majestic. What I remember most are those hanging plaques, such as "Book City that Never Sleeps" and "Concentrate on Yankee". Some calligraphy is not only vigorous and powerful, but also very three-dimensional. From different angles, they are in the yang for a while, and then become yin. Confucius' teaching image stands high among the green trees and looks at everyone who comes to pay tribute with the eyes of sages. Walking in the courtyard, looking at Wenchang Palace, Guiji Hall and other ancient buildings, time and space seemed to travel through ancient times in an instant. I seemed to see a literati with four books and five classics in his hand, shaking his head and endorsing.

After dinner, walking in the brightly lit streets and watching leisurely strolling people and neon-lit tall buildings is really a bright pearl on the Silk Road. I suddenly remembered Liangzhou Ci written by two poets in the Tang Dynasty, Wang Zhihuan and Wang Han. I wonder if it has anything to do with Wuwei today. However, whether it is poetry or song dynasty, a series of words such as Yellow River, ancient city, Qiangdi, wine, pipa and battlefield are unfamiliar to Wuwei today. Only the gentle willows are still dancing, and the red wine is still sweet.

Because time is tight, there are many scenic spots in Wuwei, such as Baita Temple, desert park and Tiantai Mountain Grottoes, but I don't regret it, because I will come to Wuwei again.

The second composition describes Wuwei guarding the Gobi, the west, the strip-shaped Hexi Corridor, and the generous steps of poets and generals in the wide corridor.

Wuwei, I approached you not to visit how the city site of Xiongnu originated in Wuwei, nor to appreciate the rigor of Liangzhou guarding the Silk Road in those days, nor to witness the arrogance of the regime of King Daliang in Hexi. On the edge of Tengger Desert, at the foot of the majestic Qilian Mountains, in the depths of the Gobi Oasis, in a dynasty with abundant talents, the heroism of opening up the territory was turned into the heroism of going west again and again. Zhang Qian and Ban Chao held batons, while countless poets such as Cen Can and Wang Changling held grapes and wine, opened the frozen inkstone and set up the peak of poetry with sonorous poems. Wuwei is destined to be like that soaring blood horse.

"There are 100,000 households in seven cities in Liangzhou", "One line connects the desert and controls the throat of the five capitals". The unique geographical location determines your wealth and peace, and it is this wealth and peace that makes you have to accompany the war and get close to your dream neighbor. Wuwei, a famous city, is destined to be a life-and-death struggle between war and peace. Flowers and poems, swords and crossbows, the prosperity of Confucianism, and the fragrance of melons and fruits are all your statues, and they are your historical silhouette in the dusk.

Today's Wuwei is like a heavy book, silent in the clouds accumulated over the years, sticking to self-confidence and reserve with its unique personality. In China, inaction is an ancient well, leisurely in the hurricane of time; In the west, Wuwei is a mountain-like threshold, which sublimates the story behind the threshold into a pioneering and indomitable national spirit.

With a long hiss, the thunder platform in the sinkhole vented, and a bloody horse chased the wind, which became the soul of China tourism.

I don't want to be buried for a zombie, and I don't want to lose my dream of flying to show off my noble ceremonial. Flying through the clouds to express the yearning for freedom is the highest criterion of aesthetics and the gesture of a nation's spirit of self-improvement.

Bronze chariots and horses were restored, sold, and put into a rigid lineup to make a cheap touch. Only you, the flying Tianma, are natural and unrestrained in your galloping, which makes people feel how the soul can transcend and live forever in the secular world while moving. At the desk, you are inspiration and warning; Under the blue sky, you are the most beautiful symbol of the reform and opening-up city and China tourism.

I don't know what kind of genius created this bronze statue of human spirit, how talented artists turned their free and unrestrained thoughts into unrestrained shapes, and how many masterpieces were created by great artists in ancient times, but I know that endless creation in 8,000 years of culture is like the Yangtze River. Tianma drags silk galloping, and filar silk dresses up as Wuwei Liangzhou peace. With the war in Liangzhou Malaysia, at this moment, the wind and smoke are quiet, with only one kind of strength and beauty, making the gallop immortal.

From Kuafu day by day, to Ma Tian standing on a swallow, from Jingwei to the Goddess Chang'e flying to the moon, the Chinese nation has never stopped struggling. Give courage to struggle, give magnificence to imagination, ride a horse and fly a swallow, and be unconstrained. Pegasus is a portrayal of the image of our country.