What do the colors of Peking Opera facial makeup mean and who do they represent?

1. The red Peking Opera mask represents loyalty and heroic character, and the main representative is Guan Yu.

2. The blue Peking Opera mask represents strong, brave and upright characters, the main representative of which is Dou Erdun.

3. The black Peking Opera mask represents integrity, selflessness, and upright characters, the main representative of which is Bao Zheng.

4. The white Peking Opera mask represents sinister, deceitful, soaring and solemn characters, the main representative of which is Cao Cao.

5. The green Peking Opera mask represents a tenacious and violent character, the main representative of which is Wu Tianqiu. Extended information

Peking opera facial makeup originated from daily life. Everyone's facial organs have similar shapes and contours, and their physiological layout also has certain rules. The texture of facial muscles is also closely related to the character's age, physiology, experience, and natural conditions of life. Therefore, the outline of Peking Opera facial makeup is based on It is based on life and is also a summary of life.

For example, in life, people's faces are often said to be dark from the sun, pale from fright, red from shame, brown from illness, etc., which are not only the revelation of the psychological activities and mental state of the characters in the play, but also the expression of physiological characteristics. It is also the basis for determining the colors, lines, patterns and patterns of facial makeup. Although facial makeup comes from life, it is an amplification and exaggeration of real life.

The exaggerated and vivid descriptions of historical figures in romance novels and rap art are also the basis for Peking Opera facial makeup. For example, Guan Yu's red phoenix eyes and lying silkworm eyebrows, Zhang Fei's leopard head and ringed eyes, Zhao Kuangyin's face like heavy jujubes, etc. All these descriptions have been absorbed by opera makeup, and their performance is particularly obvious and prominent on the Peking Opera stage.

The color painting methods of Peking Opera facial makeup are basically divided into three categories: rubbing the face, wiping the face, and drawing the face. The initial function of facial makeup was to exaggerate the facial features and facial texture of the characters in the play, and use exaggerated techniques to express the character, psychological and physiological characteristics of the people in the play, so as to serve the plot of the entire play. However, it developed later , facial makeup from simple to complex, from thick to fine, from the outside to the inside, from shallow to deep, has gradually become a pattern art with national characteristics and using the human face as a means of expression.

Baidu Encyclopedia-Peking Opera Mask