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Who is the poet Xiao Du?
Who is the poet Xiao Du?
Answer: Du Mu
The life of the character
1, early career
Du Mu was the 13th in the family, so he was called "Du Thirteen" according to the custom of the Tang Dynasty. Du Mu's political talent is outstanding. When Du Mu was a teenager, he crusaded against the buffer region in Tang Xianzong, inspiring state affairs. After studying, he cares about the army. Later, Du Mu specialized in Sun Tzu's Art of War, wrote thirteen articles about Sun Tzu's Art of War, and wrote many policy addresses. Especially on one occasion, it was adopted by Prime Minister Li Deyu, and it was a great success.
In the second year of Changqing (822), Du Mu was 20 years old. He studied classics and history extensively, paying special attention to riot control and military affairs. Du Mu wrote Epang Palace Fu at the age of 23. At the age of 25, Du Mu wrote a five-character ancient poem "Poem of Feeling for the Heart" to express his views on the issue of the buffer region. At this time, Du Mu was already very famous and his works were circulated.
In the second year of Daiwa (828), Du Mu was 26 years old and was a scholar. In the same year, in the exam, the virtuous founder spoke out and was awarded the title of President of Pavilion, and tried to join the army for soldier Cao Zuo.
In the seventh year of Daiwa (833), Du Mu was awarded the post of promotion officer by Niu Senru, the ambassador of Huainan, and later became the secretary in charge of the official documents of our government. Beijing's title is to supervise the empire. At this time, Du Mu lived in Yangzhou, and he especially liked banquets. In the ninth year of Daiwa, Du Mu was recruited by the imperial court as an imperial adviser and went to Chang 'an to serve as the capital. In August, he took office in Luoyang, the eastern capital. So I escaped the sinister storm of manna change in November. Here, he met Zhang, an old friend of Xuanzhou, and wrote a famous poem. During his stay in Luoyang, due to his leisure time, he visited historical sites and wrote many poems.
In the ninth year of Daiwa (835), Du Mu was thirty-three years old and went from Yangzhou to Chang 'an to supervise the army.
In the second year of Kaicheng (838), Du Mu was called as the judge of Yingyong in Xuanzhou, under the command of Cui Dan, and was stationed in Xuanhui.
In four years (839), Du Mu left Xuanzhou at the end of the year and went to Chang 'an to fill the vacancy and compile the history museum. After five years of development, Du Mu was promoted to the position of Yuanwailang in the Food Department.
2. Move the officials outside.
In the first year of Huichang (84 1), Du Mu was transferred to the Ministry of Foreign Affairs.
In the second year of Huichang (842), he was released as the secretariat of Huangzhou. The reason why Du Mu was released is not recorded in the history books. Du Mu thought it was the exclusion of Prime Minister Li Deyu. Du Li's two families are family friends. Why doesn't Li Deyu want Mu? Some people think that Du Mu is charming and informal, which is inconsistent with Li Deyu's philosophy. In addition, there is also a struggle between Niu and Li. Du Mu has a good personal relationship with Niu's monks and Confucian scholars, and Li Deyu may think that they are one side. After Du Mu was appointed as Chizhou secretariat and Zhou Mu secretariat. Can promote advantages and eliminate disadvantages, and care for the people.
In September of the fourth year of Huichang (September 1984), Du Mu moved to Chizhou as a secretariat, and he was 42 years old this year. Chizhou governs Qiupu County (now Guichi, Anhui Province).
In the fifth year of Huichang (845), in July, Wu Zong wrote a letter forbidding Buddhism. Du Mu is very much in favor of this measure. Later, he planted "Hangzhou New South Pavilion" in Xuanzong's middle age, and described in detail the ban on Buddhism by Wuzong.
In the second year of Emperor Xuanzong of the Tang Dynasty (848), with the help of Zabai Zhou Yong, he became a foreign minister of Si Xun and the history museum and was transferred to the official department.
3. The dusk of life
In the third year of Emperor Xuanzong of the Tang Dynasty (849), it was difficult to support his family because of the low salary of Beijing officials, and it was not approved.
In the fourth year of Emperor Xuanzong of the Tang Dynasty (850), he was promoted to be a member of the official department. However, Du Mu repeatedly asked for the release of Huzhou secretariat, and finally agreed to his request. However, some people think that Du Mu's demand for release is not only for economic reasons, but because he is dissatisfied with state affairs and thinks that he can't make a difference in North Korea. In the autumn of the same year, Du Mu was appointed as the secretariat of Huzhou. He paid tribute to his predecessors in Huzhou, made friends with poets and wrote many poems. A year later, he was promoted to a doctor in the examination and imperial edict. In the second year of Chang 'an, he moved to Zhongshu Sheren. During this period, Du Mu renovated his ancestral villa in Fan Chuan and often made friends here in his spare time.
In the sixth year of Xuanzong (852), he was seriously ill and died in winter.
Poetry achievement
Lin Jianlue's Du Fu, a Poet of Late Tang Dynasty, holds that Du Mu's poems can be divided into two categories: one is heroic and the other is romantic. The former is "or for mourning, or for mourning, or for sentimental work, mostly written in strange style"; The latter "is mostly a low-key fresh style, so it won't be full of paper." Du Mu, a poet in Wang Shuxiang, believes that Du Mu's poems are charming, steep and sometimes delicate. However, you should know Yuan Zhen, Bai Juyi, Li Shangyin, Wen and so on. Both appeared at the same time as him. He doesn't want to influence the creativity and style that became popular for a while, and he doesn't want to influence Wen Li's obscurity. I want to be my own, and I want to correct the shortcomings of the times. My intention must be extraordinary. Qian Miao's "On Du Mu's Poetry" holds that the delicate and cool style in Du Mu's poetry is unique in the late Tang Dynasty and in the whole Tang Dynasty. This is the characteristic of Du Mu's artistic genius, interwoven with strong feelings of worrying about the country and the people and the tenderness of hurting the spring and others. Ge's "Du Mu and His Poems" holds that the ideal of "serving the country warmly" has brought rich imagination and heroic spirit to Du Mu's poems, but his pragmatic spirit has never made his imagination and metaphor strange in the fairy world. Due to Du Mu's unique talent in "expressing his keen sense of the beauty of life in direct language", "he can always find unique beauty from everyday scenes and find an emotional atmosphere that is most harmonious with the artistic conception, and express it through the ingenious organization of the picture." Wang Xiping and Zhang Tian analyzed the artistic beauty of Du Mu's poems, and thought that the artistic beauty of Du Mu's poems lies in its "vigorous and vigorous imagery beauty", "strong and frank poetic beauty" and "fresh and clean artistic conception beauty". Wang Xiping's "On Du Mu's Creative Personality and Artistic Style" points out that Du Mu used to be frank and straightforward in his performance; Reasoning in poetry; The main means of Du Mu's deviance is to use the method of bending the body, while refuting (reversing the case) and asking questions, thus forming a bold and unrestrained style. Wu Zaiqing's "A Preliminary Study on the Expression Techniques of Du Mu's Poems" holds that "his poems are vivid and vivid, which is more closely related to his use of metaphor, personification, situational expression, situational expression and contrast. The methods of expression, such as reversing the verdict, ending, asking questions deeply and using allusions, also play a certain role in opening up new artistic conception and deepening ideological connotation in his poems. " "The direct expression of the soul and the inversion of grammatical sentences directly affect the bold and unrestrained style of his ancient poems." "Implicit and indirect, falling behind, feeling in the scenery, expressing the scenery and asking questions in depth are more obviously conducive to the formation of his poetic style."
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