Appreciation of Classical Calligraphy Works of Ancient Poetry _ Appreciation of Hard Pen Calligraphy Works of Ancient Poetry

The characters in regular script are mainly square, and there is little difference in the size of the characters, so they are square. This kind of square and symmetrical regular script will certainly form when arranged? Vertical line and horizontal line? Fill in the grid layout. Therefore, Fangzheng regular script is very suitable for writing ancient poems. What kind of calligraphy charm will such calligraphy works have? The following are the calligraphy works of ancient poetry and regular script that I have compiled for you. I hope it works for you!

Appreciation of ancient poetry and regular script calligraphy works

Pictures of calligraphy works of regular script ancient poems 1

Fig. 2 Calligraphy works of ancient poems in regular script

Fig. 3 Calligraphy works of ancient poems in regular script

Fig. 4 Calligraphy works of ancient poems in regular script

Characteristics of regular script

But the pen is heavy and thin, no matter fat or thin, it is more expensive than the center. If it can transport the center, it will be fat and strong, though thin and fat. Zhong You and Yan Zhenqing's small letters are plump, fat and strong, and turbid and clear. Between the lines, there is an air of Wen Ya, but Wang Xizhi's small letters are thick. Therefore, if you use a small pen, you don't want it to be too fat. If it is too fat, it will be turbid. If it is turbid, it will be pointed out that it is bloated and dirty, dull and fleshy, fat and muddy, and does not want to be too thin. If it is too thin, it will wither. If withered, the pen is thin, flat, dry and bald, thin and hard without meat, which is called dry bone.

Whether the pen is fat or thin, it should be based on the strength of the bone, not the straightness of the bone. The attitude is the first, I don't know the center, and I don't pay attention to fatness. This is a way to get rid of the roots and get the tail. There is an intriguing remark in Tang Taizong's Zhi Yi. He said: the essence of Confucius' book is expression, and there is no attitude if God is not harmonious. Take the heart as the bones and muscles, and if the heart is not strong, it will be weak and healthy; Take a pair of hair as the skin, if the pair is not round and the words are not warm, it is better to use it with the heart. ? The so-called heart, refers to the pen heart, but also the bones of the word. It is also the skin of words. Meat should be wrapped in tendons, and bones should hide meat. It takes a pen to be round. If it can be rounded, it is suitable for both fat and thin, and the flesh and blood are commensurate.

Use pen lowercase letters to indicate that you have changed in weight, if? Even up and down, front and back, straight and close, like an operator, this kind of pen without ups and downs will inevitably have the shortcomings of blunt engraving. Bao said in "The Story of the Pen": The life of mortals must be soft and moist; When it dies, it will become hard and dry, just like a plant. If it is soft, it will be round and fat, if it is hard and dry, it will be flat.

Regular script stippling is straight and full of elasticity, which is expressed in the form of curve beauty, just like the physical beauty of an athlete. Try it? Eight methods of eternal words? Which one is flat and similar, even if it is tall and straight, the hanging needle is full of changes in rigidity and softness. Pretend to use small letters, make it use a pen, the pen is straight, straight and curved, vigorous and graceful, and tall and straight. Naturally, you can achieve the effect of combining rigidity with flexibility.