Joke Collection Website - Talk about mood - The legend of Keisuke in Japan
The legend of Keisuke in Japan
Characters in bamboo stories
Takenori is one of the oldest literary works in Japan. Is the originator of this literary genre. Its appearance represents the development of Japanese literature from lyric poetry to ancient novels. In content, it should be a myth, which can barely be classified as a fantasy work.
Hui's birth is extraordinary. Zanqi made hemp. When Lu Jin cut bamboo in the mountain, he saw a bamboo pole shining. He was so surprised that he couldn't help looking carefully and found a little man about three inches long in the bamboo tube. This little man is Xu. Ma Lu took Hui Ye Ji home and gave her to the old woman at home to raise her.
Extraordinary birth doomed Hui's extraordinary life. Strange things happen again and again. In just three months, she has become a big girl with abnormal beauty, which makes the room full of brilliance and no darkness (a veritable night)!
Hui Ye Ji's fame spread from one person to ten, from ten to one hundred, and finally people all over the world knew it. Since then, many men have come to propose marriage, and Hui's indifference and sadness have followed. Among these suitors, there are five most prominent ones, namely: Prince Dianthus, Prince Che, Prime Minister Right, Master Abe, great companion Yu Xing and Ma Lu in The Story of a Clock Stone. These five people, whether it was freezing on March 9, the day when snow and ice hit the road, or in hot summer and June, never stopped when they encountered a thunderstorm. However, Hui gave them five difficult problems to spite them, namely, the stone bowl in Tianzhu, the jade branch in Penglai Mountain, the fire rat skin in Datang, the colorful jade on the faucet and Bei 'an, the son of the swallow.
Hui Jiye is so embarrassed to them, on the one hand, because she knows that she is a paradise on the moon and cannot be combined with mortals; Secondly, because she despises people on the ground from the heart, she may not feel it herself, but as a heaven, she does have this idea. In her answer to her adoptive father Ma Lu, she clearly pointed out that "how vulgar these people are!" This kind of mood is more obvious when the prince carries a jade branch with him. She thought gloomily, "Will I lose to this prince?" It is worth noting that the word "lose" is very interesting. ) She was silent again, holding her chin in one hand, sighing repeatedly and thinking hard about countermeasures. In the case of Hui's helplessness, the craftsman who made the jade branch for the car was found and asked Hui to pay. The excuse is that Huijiye is the prince's royal wife. However, Hui didn't care about this, but happily took out her wallet. At this point, the lie about the car carrying the prince was exposed, so naturally, I couldn't stay any longer brazenly, so I had to leave and escape into the mountains, leaving his traces.
The last three people carefully got the three treasures they said at the beginning. Unfortunately, all failed, even Ma Lu on the stone lost his life for Zibei 'an. But Hui was not moved by it, and said some sarcastic remarks. In her reply to the master's peace song, there is a saying: Why bother with such a vulgar thing! Only when she was uneasy about the Ma Lu incident on the stone did she write a condolence song: "I haven't heard from you for years, but I don't think Belle succeeded." I didn't expect the stone to die after listening!
All these show Hui's indifference. In fact, she unconsciously pretends to cover up her indifference and contempt for earthly people in the name of God's extraordinary way, although this is objective in fact.
Hui's sadness mainly comes from her attachment to her native land and her guilt for her adoptive parents. Try "Hui looks up at the beautiful moonlight in the sky and suddenly feels sad inexplicably" and "She often looks at the moon when people are not looking, and secretly tears", all of which show her yearning for her native land. Her casual words directly expressed her thoughts. "But can I not look at the moon?" In short, the sadness spread. The sigh of homesickness has always been deep, even if heaven and man are inevitable.
Orthodox comments always say that Hui Jiye has pure filial piety to her adoptive parents. However, in my opinion, her kind attitude towards her adoptive parents is not so much filial piety as guilt. Bamboo took the old man home and really took care of her for more than ten years. Kindness is deeper than biological parents. Hui Jiye said: "I don't miss my biological parents in the moon world very much, but I miss it more." The first half of this sentence can be said to be sincere, but the second half is debatable. She didn't mean it when she said she was more attached to the secular world. Later, Heaven and Man came down to take Hui back to the Moon Palace. His arrogant attitude was disgusting, which reflected the general mentality of Heaven and Man. If Hui is regarded as an alien between heaven and man, she can't completely get rid of this mentality. Subconsciously, she thinks the underground world is dirty. Her longing for heaven and guilt for her adoptive parents put her in a dilemma. This contradiction is the main reason for her sadness.
When her clothes were put on, all the sadness disappeared. As everyone knows, at the same time, there is a greater sadness-she lost her heart as a "person" and replaced it with a heart as a "god". Sadness is more terrible than death! This is also the sorrow of all heaven and man! They don't know how to be sad, don't know how to be sad, and don't know the ups and downs of feelings. What's the difference between this and the dead? But yes, they are gods, and God doesn't need anyone's feelings. For example, slavery is very different in the eyes of slave owners and slaves. Slave owners think it is an angel's system, slaves think it is a devil's system, and slave owners don't need to understand the feelings of slaves. Therefore, the indifference and sadness I mentioned is from the perspective of people, but it is nothing if I look at it from the perspective of God.
Name of Japanese lunar exploration satellite
"Goddess of the Moon", also known as "Huijino", is a newly developed lunar exploration satellite in Japan. It is said to be the largest lunar exploration project since the Apollo program in the United States, representing the highest level of Japanese lunar exploration project. It was designed by Japan Aerospace Research Institute and Japan Aerospace Exploration Agency. The name "Huijino" was chosen by the Japanese public because Huijino is an ancient Japanese legend.
"Moon Goddess" is a free translation of the English name of Japanese lunar exploration satellite, and it also has a nickname in Japan-"Hui Ye". The name is taken from Ye Huiji, a beautiful moon princess in Japanese folklore.
Hui Ye Ji is the protagonist in the ancient Japanese legend Wu Wu Yu. She is a beautiful girl, born on the moon, and then fell to the earth. Legend has it that an old man who chopped bamboo found a lovely girl 9 cm high in the bamboo core and took her home to raise her. After 3 months, the girl grew into an incomparable beautiful girl. The old man asked someone to give her a name, so the girl was named "Ye Huiji".
Men all over the world dream of "Ye Huiji" as their wives, and many sons and grandchildren wander around the old people all day. When five nobles, including the prince, proposed to Hui, she cleverly proposed to marry someone who could find her favorite but hard-to-get treasure. None of these suitors got what they wanted. In the end, the emperor tried to marry Ye Huiji by virtue of his power, but it also ended in failure. "Ye Huiji" ushered in the moon palace messenger on the Mid-Autumn Festival night and returned to the moon where she should belong.
For the Japanese, "Hui Ye Ji" is a familiar figure since childhood. Quiet, witty and contemptuous of powerful people, Princess Moon tells children what is beautiful, ugly, illusory and immortal.
JAXA Aerospace Exploration Agency publicly collected nicknames of satellites orbiting the moon from April 1 1 to May 1 1 in 2007. In 2256 applications, 170 1 suggested that the nickname of the satellite should be "Ye Hui".
Shimizu Reiko's Painting Collection "Hui Ye Collection"
Shimizu Reiko, who conquered Japanese shrines with his "super-beautiful" painting style, finally launched the China edition of Hui Ye Collection in Taiwan Province. The exquisiteness of the painting is described by the publishing house as "even the editors are in a daze"; But Shimizu Reiko remains a mystery.
Shimizu Reiko debuted 20 years ago, and her clean painting style made her unique, with many die-hard readers. However, her works are not household names, because their themes tend to be science fiction, idealism rather than commercialism. In recent years, the novel "Hui Ye Collection" is still beautiful and moving. However, due to its numerous characters and the love-hate relationship between body double and the donors, it has been criticized by some readers as "obscure".
However, Shimizu Reiko's painting strength and sci-fi creativity are recognized. Dongli Publishing House recently published Ji's collection of China paintings. Unlike Japanese paintings, Japanese paintings often cost thousands of dollars. "Hui Ye Ji" sells 370 yuan (Taiwan dollars), with the introduction of the protagonist and the relationship diagram, all of which are China culture, so that collectors can better understand the plot.
Hui Ye's collection of paintings also keeps Shimizu Reiko's low-key mystery. Even if a large number of full-color paintings are included, she can't see her creative mood. This female cartoonist, who has never been exposed, is 40 years old. She is satisfied with the life of a cartoonist. She also revealed that her daily creation started at 9 pm until 6 am the next day, and she has been watching TV since she woke up.
It was once said that Jing, the heroine in Hui Ye Ji, was originally modeled after the Japanese actress, but in the later stage of her creation, Jing's well-behaved appearance changed. Shimizu Reiko hopes that her works can bring readers more fantasy space.
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