Common sense of blue and white

Cobalt oxide, the raw material for drawing blue and white porcelain patterns, is cobalt clay ore.

The underglaze color patterns of blue and white porcelain are decorated with cobalt oxide, which can be roughly divided into domestic blue and white porcelain with high manganese content and low iron content and imported blue and white porcelain with low manganese content and high iron content. Domestic blue and white materials mainly include: Pearl, Zhejiang, Shi Ziqing, Ping Dengqing (Bitangqing) and so on.

China is rich in material resources, mainly distributed in Ganzhou, Shanggao, Leping and Shangrao in Jiangxi, and there are rich cobalt-bearing minerals in Zhejiang, Guangdong, Yunnan, Fujian and Guangxi. The imported materials are mainly Ma Su Liqing (also known as vegetarian materials) and recycled materials from ancient Persia (the origin of which is now Xinjiang).

Blue and white materials are essential raw materials for producing blue and white porcelain, and the quality and color control technology of blue and white materials determine the rise and fall and development of blue and white porcelain. 1. Ma Su Li Qing, also known as Su Ni Bo Qing, is a special material for Jingdezhen blue and white porcelain in the late Yuan Dynasty and early Ming Dynasty. Blue-and-white porcelain painted by Ma Su Li Qing is rich in blue, with silvery black spots and halo.

(The reason is that the Soviet material has high iron content and low manganese content, which is obviously different from the domestic green material. Second, the broken Tang Qing, also known as "Ping Dengqing", is elegant and clear in color. The blue and white materials used from Chenghua to Jiajing in the Ming Dynasty were produced in Leping, Jiangxi today.

Blue and white in Zheng Deguan kiln in Ming Dynasty. Ping Dengqing has been using it, but the dosage is very small.

Third, Shi Ziqing, also known as Shi Qing, was born in Ruizhou (now Gao 'an, Yifeng and Shanggao in Jiangxi). In the mid-Ming Dynasty, most blue-and-white porcelain in folk kilns depicted decorative patterns with Shi Ziqing, and there was a record in "Jiangxi Dazhi" that "there was a trip back to Qing Dynasty, but Shi Ziqing abandoned it".

Therefore, Jingdezhen blue and white porcelain was used in Shi Ziqing before it was reused. Fourth, return to green; Imported blue and white materials; Song Dynasty's Heavenly Creations wrote: "Returning to green is the green of the western regions, and beauty is the green of the Buddha's head".

Starting from Zheng De in the late Ming Dynasty, the blue and white of the official kiln was changed to emblem green. During the Wanli period of the Ming Dynasty, there was a record in the Turpan Clause of Minghuidian that Jiajing paid tribute to the Qing Dynasty for 33 years and paid back 3 18 Jin 822 Liang.

It is proved that Jiajing blue-and-white porcelain is made of recycled materials, which are generally mixed into Shi Ziqing in proportion. Pure hair color, blue is purple. In the Ming Dynasty, Qin Long and Wanli official kilns continued to use Huiqing.

5. Wumingzi, also known as "painting and burning green", is a blue and white pigment used in the middle of Ming Dynasty, produced in Ruizhou (now Shanggao, Jiangxi). The article "Things" in Ming Zhengde's "Records of Ruizhou County" records that "Five Mingzi came out of Tianwang, and Jingdezhen painted porcelain with it". Six, Zhejiang Shaoxing, Zhejiang Jinhua unearthed blue and white materials, also known as Zhejiang Qing.

Zhejiang is the best blue and white material made in China. The color is heavy and bright, but elegant. There are varieties such as "Zi Yuan, Purple Material, Azure", among which Zi Yuan is the best.

This material was used in Jingdezhen official kiln from the middle of Wanli period in Ming Dynasty to the beginning of Qing Dynasty. Seven, pearl material; Produced in Yiliang, Chongming, Zhanyi, Qujing, Fuyuan and other places in Yunnan. Calcined from cobalt soil, it turns black and opaque after firing. This material was often used in the Qing Dynasty.

The colors are green and bright. Eight, leek edge; During the Qianlong period of Yongzheng in the Qing Dynasty, the name of "Jiubian" used in Jingdezhen blue-and-white porcelain was found in Tang Ying's "Illustration of Zhi Tao", in which "green materials were selected by the owner, with black, green, moist and light as the top choice, antique, neat and blue, and blue and white flowers were used with caution; Although it is dark green and not moist, it is only used for rough utensils; People without light and color will choose to abandon everything.

There is a kind of leek edge in the green, which is unique and clear and will not be scattered into the fire, so it is equipped with fine utensils.

2. What is blue and white porcelain?

Blue and white porcelain is blue and white porcelain.

Founded in Gongxian kiln in Henan Province in the Tang Dynasty, cobalt oxide is used as colorant. By the Yuan Dynasty, Jingdezhen's blue and white porcelain had matured.

Jingdezhen blue-and-white porcelain in the Ming Dynasty further developed and entered a prosperous period. The output of both official and private kilns has reached its peak.

The production of blue-and-white porcelain in the official kiln pays attention to the cost and is exquisite, from modeling to ornamentation. The use of blue and white materials can be roughly divided into three stages.

In the early Ming Dynasty, especially in the early days of Yongle and Xuande, the colorful imported material "Suni Boqing" was the main material; From Chenghua to Zhengde in the middle of Ming Dynasty, Ping Dengqing, a domestic material with elegant and blue hair color, was the main material. After Jiajing, it was mainly a "rejuvenation material" with blue hair color. In the Ming Dynasty, Jingdezhen and local folk kilns produced a large number of blue and white porcelain.

Patterns and ornamentation have broken through the shackles of standardization, and a large number of pictures of freehand brushwork flowers and birds, figures, landscapes and various animal themes have appeared, with clever composition, free and easy lines, and sometimes loose brushwork, natural and realistic; Sketch the outline from time to time, with both form and spirit. During the years of the Apocalypse and Chongzhen, some common patterns, such as "Blowing a flute to attract a phoenix", "Opposing the law", "Crossing at night in Qiu Jiang", "Cold birds and withered stones" and "Lotus Crane", were polished with pens, while others were simple and subtle, trying to concentrate the characters of people and animals, which made people daydream.

In the folk blue-and-white porcelain of the Ming Dynasty, vivid and lovely baby pictures can often be seen, such as "hide and seek", "flying kites" and "fighting crickets", with elegant colors and unrestrained and beautiful styles. In the creation of folk blue-and-white porcelain in the Ming Dynasty, porcelain painters often skillfully integrated painting and calligraphy.

"Fu", "Lu", "Shou" and "Fu", which symbolize good luck and good luck, were not painting themes originally, but were cleverly conceived by ancient porcelain painters, expressed on porcelain and sublimated into decorative images. For example, in Jiajing, Qin Long and Wanli periods, the words "Fu" and "Shou" composed of common pine branches; During the Wanli and Apocalypse years, the pictures of Ganoderma lucidum supporting longevity and Ganoderma lucidum TOEFL, and even the calligraphy "longevity" written directly on porcelain, all appeared full and smooth, giving people artistic enjoyment.

3. What are the characteristics of good blue and white flowers?

The best blue and white flowers are characterized by being as fine as dust, looming or like ticks.

Thick flaky ones are even worse, because the stones are very thin, so there will be blue and white. Blue and white is the essence of Duan.

(Guangyu) Put the inkstone into the water as if there were algae floating in it, which is called blue and white. When grinding ink, it is a fine product in inkstone, just like boiling a pot and waxing.

Blue and white flowers are like dust on the surface of water waves. They look shapeless and can only be seen when filled with water. (Chronology of Ink Pool) Fine blue and white flowers are better than coarse, moist than dry, heavy than dew, loose than hard, muddy than non-joining (non-joining patterns means disharmony or reddish spots or white spots, all of which are shortcomings of blue and white flowers).

Like a thin film on a mirror and thick ink on wet paper, this inkstone is a masterpiece. Blue and white flowers are made of dust, followed by goose down, like the feet of ants (also called the feet of flies), and the fourth kind has goose down knots (as big as fingers and as small as beans). There is a dark green or rouge green halo outside the goose down.

"Yanbian" is called a blue-and-white knot. There were many large-scale caves dug in the west before Qingganlong, but now it is rare. The rose purple is five (as big as a bean, as small as a pepper seed, with rouge halo outside). Only produces Daxi Cave) and Feitouliu (there are two or three or more points on each stone, which is also called blue and white knot by masons).

It's better to mix big dots with small dots (Yan bian is called mother-child blue and white). Rows of black spots, dry and rough, are worthless.

4. How to tell children about blue and white porcelain?

Design concept of beautiful blue-and-white porcelain: Blue-and-white porcelain, with its outstanding historical style and unique artistic features, is known as the "national porcelain" of China and a symbol of China culture.

It expresses natural objects on porcelain with China's unique ink painting scheme, with simple composition, elegant and bright colors, extremely rich shapes and lines, giving people an elegant visual aesthetic feeling. It just meets the strong desire of middle school students to learn and explore. It is an art that middle school students can easily understand and accept, and it is also a good teaching material for children's art appreciation, which can not only broaden their horizons, but also enrich their aesthetic taste.

Therefore, today we have entered the world of blue and white porcelain, enjoyed the national porcelain more closely and felt the culture of China. Activity goal: 1. Appreciate blue-and-white porcelain, feel the simple beauty of blue-and-white on a white background, and cultivate children's aesthetic interest and expression ability.

2. Guide children to know how to decorate and brighten things with beautiful lines. Activity preparation: 1, knowledge and experience preparation: the children learned about ordinary porcelain products in life in advance.

2. Material preparation: scene-Wu Miao, Mi Miao; Exhibition platform-1large treasure chest with all kinds of blue and white porcelain; Computer projector; Blue and white porcelain courseware; Music situation-three classical music, corresponding to the different atmosphere of children's appearance, appreciation and creation time; Children have a-1 disposable paper box and blue marker. Activity flow: 1. Appreciation of blue and white porcelain 1. (Appreciation in kind) 1. Introduce the theme with children's favorite "Mi Miao Miao" (music) to arouse children's emotions and stimulate their aesthetic interest.

Teacher: Children, today we are going to visit Mickey Temple. There are many interesting treasures in Miaomiao's former residence. Do you want to go? Now let's set off gently with beautiful music. The teacher led the children to dance to the soothing melody of classical music.

2. Enter the exhibition area-look for Mickey's treasure chest, and the teacher and children will uncover the secrets in the treasure chest and enjoy it in kind. Teacher: What are these treasures? What are they painted on? What shape does it have? What about their colors? 3. Organize children to visit Mi Miao Vivi's former residence. The teacher showed modern porcelain and blue and white porcelain in kind, and guided the children to sum up the mystery just discovered through intuitive comparison.

Teacher: What have you found about the porcelains we just saw? How is it different from our modern porcelain in color? The teacher concluded: these porcelains are only blue on a white background. This kind of blue porcelain has a nice name called blue and white porcelain. The ancients called it blue-green. They thought this kind of porcelain was as beautiful as flowers, so they called it blue-and-white porcelain, which is unique to China.

Appreciation 2: (courseware appreciation) 1. Ask questions and use them to guide children to appreciate pictures (play blue and white porcelain courseware). (1) Teacher: There is a requirement that children should pay attention to the patterns, shapes and patterns of blue and white porcelain when enjoying it. Where is the beauty? (2) Let the children read Mickey's customs clearance mantra, open the mysterious wall (projector) and enjoy the pictures.

(3) Ask the children how they feel after enjoying it: What do you feel after reading these blue and white porcelain? What do you think is the beauty of blue and white porcelain? 2. Guide children to appreciate several distinctive blue and white porcelain. (1) Inspire children to focus on the beautiful patterns on blue and white porcelain.

Teacher: Little children's eyes are amazing. They can find all kinds of beauty in blue and white porcelain. These Rimicci also have some special favorites. Let's take a look at their beauty. Take Mickey Mouse's favorite blue and white porcelain as an example. Guide children to appreciate them one by one in the form of guessing and talk about their beautiful patterns.

The teacher asked: What beautiful patterns are painted on porcelain? What story did it draw? What are they doing? (2) Guide children to imagine what beautiful pattern stories they want to draw if they are creators. Teacher: It turns out that every exquisite blue and white porcelain has a beautiful story painted in the middle. If you were allowed to design, what beautiful patterns would you like to draw on it? (3) Know all kinds of beautiful lace patterns.

Show some model drawings to inspire children to find that the decoration without lace pattern is not perfect, and guide children to understand the importance of lace pattern decoration. Organize children to recite the mantra again, open the mysterious wall, watch the pattern courseware and get to know all kinds of beautiful patterns.

Teacher: Mickey took many beautiful blue and white porcelain patterns with his camera. Let's see how ancient people decorated lace. Combine rhythm games to guide children to discover the regular beauty of various patterns.

Teacher: What kind of pattern do you like? Which patterns do you think look good? How are they arranged? Second, make blue and white porcelain and dress up a wonderful house. 1, Teacher: Today Mickey let the children know so many beautiful blue and white porcelain, and now we also help him decorate Miaomiao House with the skills we have learned.

2. Children try to create on paper plates with blue pens, further feel the quaint beauty of ancient blue-and-white porcelain, and encourage children to express boldly. Third, show children's works, children appreciate and evaluate each other, and the activity naturally ends.

Comments on Kang Shujuan's activities in Overseas Chinese Kindergarten in Longhai City: 1. The whole activity was refreshing, which made everyone really understand the art appreciation education activities in kindergarten. Although the focus of the activity is appreciation, teachers do not regard appreciation as an isolated activity, but pay attention to the organic integration of various art forms. Classical music runs through the main line, bringing children the poetry of ancient ink painting in the south of the Yangtze River and a feeling of purity and elegance.

2. Give full play to the teaching effect of multimedia projectors in activities, and make it easier. By familiarizing children with their favorite cartoon images and combining magic tricks such as chanting and beat games, the activity is full of mystery and more interesting, which greatly mobilizes their enthusiasm for participation. 3. Activities always emphasize children's independent exploration.

Teachers always use equal dialogue to guide children to interpret the cultural charm of blue-and-white porcelain step by step, so that children can easily obtain the relevant information of blue-and-white porcelain (color, pattern modeling, pattern application, expressed emotions and artistic conception) in the dialogue. The activities are gradual and in-depth. Through appreciating experience, setting doubts, internalizing children's development and improving their creation, the whole process brings creative learning space to children, so that children can unconsciously understand and accept blue and white porcelain and re-create.

5. How to tell children about blue and white porcelain?

Design concept of beautiful blue-and-white porcelain: Blue-and-white porcelain, with its outstanding historical style and unique artistic features, is known as the "national porcelain" of China and a symbol of China culture.

It expresses natural objects on porcelain with China's unique ink painting scheme, with simple composition, elegant and bright colors, extremely rich shapes and lines, giving people an elegant visual aesthetic feeling. It just meets the strong desire of middle school students to learn and explore. It is an art that middle school students can easily understand and accept, and it is also a good teaching material for children's art appreciation, which can not only broaden their horizons, but also enrich their aesthetic taste.

Therefore, today we have entered the world of blue and white porcelain, enjoyed the national porcelain more closely and felt the culture of China. Activity goal: 1. Appreciate blue-and-white porcelain, feel the simple beauty of blue-and-white on a white background, and cultivate children's aesthetic interest and expression ability.

2. Guide children to know how to decorate and brighten things with beautiful lines. Activity preparation: 1, knowledge and experience preparation: the children learned about ordinary porcelain products in life in advance.

2. Material preparation: scene-Wu Miao, Mi Miao; Exhibition platform-1large treasure chest with all kinds of blue and white porcelain; Computer projector; Blue and white porcelain courseware; Music situation-three classical music, corresponding to the different atmosphere of children's appearance, appreciation and creation time; Children have a-1 disposable paper box and blue marker. Activity flow: 1. Appreciation of blue and white porcelain 1. (Appreciation in kind) 1. Introduce the theme with children's favorite "Mi Miao Miao" (music) to arouse children's emotions and stimulate their aesthetic interest.

Teacher: Today, the children are going to visit Mickey Temple. There are many interesting treasures in Miaomiao's former residence. Do you want to go? Now let's set off gently with beautiful music. The teacher led the children to dance to the soothing melody of classical music.

2. Enter the exhibition area-look for Mickey's treasure chest, and the teacher and children will uncover the secrets in the treasure chest and enjoy it in kind. Teacher: What are these treasures? What are they painted on? What shape does it have? What about their colors? 3. Organize children to visit Mi Miao Vivi's former residence. The teacher showed modern porcelain and blue and white porcelain in kind, and guided the children to sum up the mystery just discovered through intuitive comparison.

Teacher: What have you found about the porcelains we just saw? How is it different from our modern porcelain in color? The teacher concluded: these porcelains are only blue on a white background. This kind of blue porcelain has a nice name called blue and white porcelain. The ancients called it blue-green. They thought this kind of porcelain was as beautiful as flowers, so they called it blue-and-white porcelain, which is unique to China.

Appreciation 2: (courseware appreciation) 1. Ask questions and use them to guide children to appreciate pictures (play blue and white porcelain courseware). (1) Teacher: There is a requirement that children should pay attention to the patterns, shapes and patterns of blue and white porcelain when enjoying it. Where is the beauty? (2) Let the children read Mickey's customs clearance mantra, open the mysterious wall (projector) and enjoy the pictures.

(3) Ask the children how they feel after enjoying it: What do you feel after reading these blue and white porcelain? What do you think is the beauty of blue and white porcelain? 2. Guide children to appreciate several distinctive blue and white porcelain. (1) Inspire children to focus on the beautiful patterns on blue and white porcelain.

Teacher: Little children's eyes are amazing. They can find all kinds of beauty in blue and white porcelain. These Rimicci also have some special favorites. Let's take a look at their beauty. Take Mickey Mouse's favorite blue and white porcelain as an example. Guide children to appreciate them one by one in the form of guessing and talk about their beautiful patterns.

The teacher asked: What beautiful patterns are painted on porcelain? What story did it draw? What are they doing? (2) Guide children to imagine what beautiful pattern stories they want to draw if they are creators. Teacher: It turns out that every exquisite blue and white porcelain has a beautiful story painted in the middle. If you were allowed to design, what beautiful patterns would you like to draw on it? (3) Know all kinds of beautiful lace patterns.

Show some model drawings to inspire children to find that the decoration without lace pattern is not perfect, and guide children to understand the importance of lace pattern decoration. Organize children to recite the mantra again, open the mysterious wall, watch the pattern courseware and get to know all kinds of beautiful patterns.

Teacher: Mickey took many beautiful blue and white porcelain patterns with his camera. Let's see how ancient people decorated lace. Combine rhythm games to guide children to discover the regular beauty of various patterns.

Teacher: What kind of pattern do you like? Which patterns do you think look good? How are they arranged? Second, make blue and white porcelain and dress up a wonderful house. 1, Teacher: Today Mickey let the children know so many beautiful blue and white porcelain, and now we also help him decorate Miaomiao House with the skills we have learned.

2. Children try to create on paper plates with blue pens, further feel the quaint beauty of ancient blue-and-white porcelain, and encourage children to express boldly. Third, show children's works, children appreciate and evaluate each other, and the activity naturally ends.

Comments on Kang Shujuan's activities in Overseas Chinese Kindergarten in Longhai City: 1. The whole activity was refreshing, which made everyone really understand the art appreciation education activities in kindergarten. Although the focus of the activity is appreciation, teachers do not regard appreciation as an isolated activity, but pay attention to the organic integration of various art forms. Classical music runs through the main line, bringing children the poetry of ancient ink painting in the south of the Yangtze River and a feeling of purity and elegance.

2. Give full play to the teaching effect of multimedia projectors in activities, and make it easier. By familiarizing children with their favorite cartoon images and combining interesting magic such as spells and beat games, the activities are full of mystery and more interesting, which greatly arouses children's enthusiasm for participation. 3. Activities always emphasize children's independent exploration.

Teachers always use equal dialogue to guide children to interpret the cultural charm of blue-and-white porcelain step by step, so that children can easily obtain the relevant information of blue-and-white porcelain (color, pattern modeling, pattern application, expressed emotions and artistic conception) in the dialogue. The activities are gradual and in-depth. Through appreciating experience, setting doubts, internalizing children's development and improving their creation, the whole process brings creative learning space to children, so that children can unconsciously understand and accept blue and white porcelain.

6. When did blue and white porcelain begin to appear?

Blue-and-white porcelain, also known as white porcelain, is often called blue-and-white porcelain, which is one of the mainstream varieties of China porcelain and belongs to underglaze colored porcelain.

Blue-and-white porcelain is made of cobalt ore containing cobalt oxide as raw material, with decorative patterns painted on the ceramic blank and covered with a layer of transparent glaze, which is fired at one time by high temperature reducing flame. Cobalt is blue after firing, which has the characteristics of strong coloring, bright hair color, high firing rate and stable color.

Primitive blue-and-white porcelain appeared in Tang and Song Dynasties, and mature blue-and-white porcelain appeared in Hutian kiln in Jingdezhen in Yuan Dynasty. Blue and white became the mainstream of Ming porcelain.

It reached its peak in the Kangxi period of the Qing Dynasty. During the Ming and Qing Dynasties, colorful blue and white, peacock green glazed blue and white, bean green glazed blue and white yellow and old glazed blue and white were also created and fired.

7. Introduction to the knowledge of blue-and-white tea sets The price of blue-and-white tea sets

Blue and white porcelain tea set Blue and white porcelain is called "the treasure of the world".

Primitive blue-and-white porcelain appeared in Tang and Song Dynasties, and mature blue-and-white porcelain appeared in Hutian kiln in Jingdezhen in Yuan Dynasty, reaching its peak in Ming and Qing Dynasties. It is made by drawing patterns on the green tire with cobalt oxide, then glazing and firing at high temperature.

It is blue and white, pleasant, crystal clear and bright, and beautiful for a long time. A big city with white glaze and blue flowers, the flowers are clear from the glaze and pleasing to the eye.

Blue and white porcelain is simple, but it has a quiet luxury; Pure color, but there is a scattered ethereal dignity. Blue-and-white porcelain tea set, in fact, refers to a kind of apparatus which uses cobalt oxide as colorant, directly paints patterns and ornamentation on the porcelain body, then coats a layer of transparent glaze, and then reduces and fires it in a kiln at a high temperature of about 1300℃.

But the understanding of "blue" in the color of "blue and white" is different in ancient and modern times. The ancients called black, blue, cyan and green "cyan", so the meaning of "blue and white" is wider than today.

Its characteristics are: blue and white patterns set each other off and are pleasing to the eye; The color is elegant and beautiful, and it has the power of gorgeous but not gorgeous. In addition, the glaze on the pigment makes it moist and bright, which adds the charm of the blue and white tea set.

Jingchengge blue-and-white porcelain tea set follows the traditional firing technology and exquisite painting scheme, combines the porcelain culture of high-grade blue-and-white porcelain tea set with elegant tea culture, and shows the spirit to the majority of blue-and-white porcelain lovers through the form of tea set. Blue-and-white porcelain tea sets mainly include: covered bowls, male cups, blue-and-white cups and blue-and-white tea trays. The history of blue-and-white porcelain tea sets According to known literature, the custom of drinking tea began in Shu and Jiangnan in Han Dynasty. During the Jin, Southern and Northern Dynasties, specialized tea sets gradually differentiated from utensils. In the Tang Dynasty, tea set played an important role in the development of tea set in China. At that time, drinking tea was very popular, which promoted the production of tea sets to some extent.

[1] It was not until the middle and late Yuan Dynasty that mass production of blue-and-white porcelain tea sets began, especially in Jingdezhen, which became the main producing area of blue-and-white porcelain tea sets in China. Due to the high level of painting technology of blue-and-white porcelain tea sets, especially the application of China's traditional painting techniques to porcelain, this can also be said to be a great achievement of painting in Yuan Dynasty.

After the Yuan Dynasty, besides Jingdezhen, there were a few blue-and-white porcelain tea sets produced in Yuxi, Jianshui, Zhejiang and other places, but they could not be compared with the blue-and-white porcelain tea sets produced in Jingdezhen at the same time in terms of glaze color, embryo quality, decoration and painting skills. In the Ming Dynasty, the blue and white porcelain tea sets produced by Jingdezhen, such as teapots, small handles, teacups, etc., had more and more varieties of colors and more exquisite quality. No matter the shape, modeling and ornamentation, it is the best in the country and has become the object of imitation by other kilns producing blue and white tea sets. In the Qing Dynasty, especially in the Kangxi, Yongzheng and Qianlong periods, blue and white porcelain tea sets entered a historical peak in the history of ancient ceramics.

Blue-and-white porcelain wares fired during the reign of Kangxi were called "the best in Qing Dynasty" in history. I want to say a few more words about the way to taste tea, that is, to drink it in a small cup.

Drinking oolong tea with high flavor will use scented cups. I think this mentality is very correct.

For ordinary students, it is very powerful to drink the fragrance of pine smoke from a small race in Zhengshan. But sometimes I hear someone take a sip of tea and say, well, how old is this tea tree and how long has it been there?

I will be a little speechless. Perhaps individual teas, such as Pu 'er raw tea, can be drunk and preserved for a long time, and only extremely powerful people can. What's more, each tree, each batch of tea leaves, each storage method is different, how can it be said in one product?

I will be very happy to meet such a person. There is another important point.

Many people like expensive tea. In fact, whether it is Dahongpao, Jin Junmei or Lion Peak Longjing.

The real output is only a little, where is enough for local tyrants in the country. Do you really think those people who are asking for tens of thousands of yuan a catty for this name are real? Jin Junmei can't be bought for one or two thousand pounds, but if you are lucky, you can buy a good variety of Zhengshan, and you will soon be able to buy the best of Dianhong.

Which one would you choose? Also, is the longer the better? Is cooked tea low? There is no spring in the supermarket. I don't think so. I used to drink all kinds of tea I brought with me, and then I bought a big box of 7 yuan litchi black tea in foreign supermarkets.

Yes, it is the canned tea in the supermarket that everyone despises. But the sweetness of litchi cooked in a room is still very exciting.

It has nothing to do with money. Finding what you like is the most important thing. A little more advanced, and the tea ceremony.

Ordering tea and boiling water, walking in the clouds, fish beads and crabs are all written in the tea classics. I think it's too hanging. It's a little weird I don't like it.

But the more interesting book is about the ancient people fighting for tea and writing on paper with tea. As for Zen tea blindly.

This is even worse. I think it's better not to think about it at this age. I'll think about it later after studying hard. For monks, the tea ceremony will be combined with incense.

Although I am very interested in Xiangdao, I just listen to people chatting over tea because I have never touched it at all. I can't remember many place names in Southeast Asia, and there are many sayings about a piece of wood. For unclear things, I usually acquiesce that the water is deep, and then look up from a distance.

I hope one day we can have general contact. I heard from an elder that in Japan, the tea ceremony sometimes burns the best incense, and incense ashes should be drunk after that. I wonder if it's true.

But I studied biology or chemistry. How is carbonized thing good for health? I always feel that everyone likes to pursue something to the extreme, but are you pursuing this thing or the extreme? It's like drinking expensive tea or making a high-end tea ceremony, and you're exhausted. Would you really like it? It seems to be beside the point. This is just my own idea.

To be more practical, if you like to make your own snacks, you don't have to pay attention to the collocation of Chinese and western foods at all. Whether it's baking cookies or steaming snacks, it's much more interesting than chasing a cool bully

Nutritional value Theoretically, the lighter the degree of fermentation, the better the nutritional retention. But I want to say that there is only a little tea in the cup. Even if you eat it all, you won't make it up, let alone rush out to drink it. If you want to supplement amino acids, you can drink more drinks and eat more vegetables. If you want to supplement vitamin C, you can eat vitamin tablets or oranges.