Who sings better, Jason or JJ Lin?

Although both of them are the benchmarks of Chinese music today, their main directions are obviously different.

First of all, let's talk about JJ Lin: As long as the tenors in the main voice exchange area are good at G4-C5, as long as they don't set foot in C5 or above, it's basically JJ Lin's world (and it's already out of Asia and Somme's hegemony world). This also exposes the defect that JJ Lin's voice exchange is not enough, so that the ability above C5 is weak. The lack of marginal light function leads to air leakage in the head voice area, and the unnatural voice area borrows a lot of power. In this way, although a strong * * * harmony and its heavy timbre are obtained, the disadvantages are quite obvious: 1. It needs a high state, 2. It consumes singing skills, 3. It can't be completely separated from jam. It greatly limits the rich timbre dynamics and JJ Lin's original smart rhythm. (However, JJ Lin has made remarkable progress under the greatness of 13 and the flying clouds of new songs, and the tour of Sanctuary has become more and more marginalized, with less borrowing and a good head sound. )

Jason: JJ Lin's debut age is similar to that of JJ Lin, but it's different. Jason showed a very good function at the beginning of his debut. In the second season, I was a singer and won a full house, which made more people realize Jason's power. Strong five groups of high-pitched ability to use skilled small skills (black voice, roar, etc. ) and a gorgeous and beautiful head voice area. Jason has won the recognition of many people. In the fifth season, I made my debut as a singer Jason, once again showing his progress. C5-E5 is more stable, and further scientific vocalization (reducing the jam) further broadens the mixed sound area (with B5). Regardless of the sound quality, Jason's scientific vocalization (the opening of the treble bar) above the real voice E5 is rare among male singers in China. Jason's gorgeous ultra-treble zone makes people ignore Jason's lack of tension in the treble zone and his shallow singing in the midrange zone. As for the rhythm of music, I won't talk about it here. Let's expect Jason's progress. Generally speaking, Jason's singing is more scientific, consumes less, and has high stability on the spot. The disadvantage is that there are no good works to polish (there are signs of progress without LIVE, and my songs in the second season and silent performances in the fifth season are good).

Conclusion: Both of them are very strong and can be called the top seed in Chinese music, and their vocalization is also one of the few scientific singing methods in Chinese music. Let's just say that each has his own strengths.