A collection of 5 sample essays introducing tourist attractions in Shanxi

Shanxi has many interesting places and local specialties, attracting many tourists every year. I don’t know if everyone has been there? Below are the guide words I compiled to introduce the scenic spots in Shanxi. Welcome to read.

Introduction to Shanxi Attractions Tour Guide 1

The Taihang Grand Canyon is located in the northwest of Henan Province, on the west side of Linzhou City at the eastern foot of the South Taihang Mountains, and belongs to Shibanyan Township, Linzhou City. It is 100 miles long from north to south and 2.5 miles wide from east to west. It has an altitude of 800-1739 meters and a relative height difference of more than 1000 meters. The total area of ??the scenic spot is 120 square kilometers.

The natural ecology here is well maintained and the vegetation is perfect. Its vegetation coverage rate is 90%, and its forest coverage rate is 80%, of which original vegetation accounts for about 60%. It is rich in tourism resources and has the reputation of "natural oxygen bar".

Everyone saw the surrounding cliffs rising, the towering peaks, the masculine exposed, the staggered platforms and walls, and the various shapes of peaks, mountains, platforms and walls. It is a typical representative of "Beixiong Scenery", known as "Beixiong Scenery" "Taihang Grand Canyon". Taihang Grand Canyon Guide Words

The Taihang Grand Canyon is characterized by majesty, danger, wonder, beauty, secludedness and openness. It has complete geological and landform types, excellent ecological vegetation, fresh and beautiful environment, and maintains the original state of nature. . Peaks, mountains, terraces, walls, gorges, ravines, streams, and valleys are all geologically exposed, and the landscape presents a vertical multi-layered nature, forming a vertical spatial series of three cliffs, two steep slopes, and one gentle slope. The green belt has distinct layers and is as simple and thick as a print. It is a natural geological museum.

There are four typical strata here, namely: the Pre-Sinian complex forms the fold base of the activated platform; the Sinian quartz sandstone forms multi-level erosion steps in the form of steep cliff triangles or valley slopes, which are activated The lowermost layer of the platform caprock; Cambrian sand shale and marl, forming a mountainside erosion surface with a hilly and gentle slope appearance, is the middle layer of the platform caprock; Ordovician limestone is a cluster of steep peaks, which is the upper layer of the platform caprock. . These four typical strata form a lower "fold base", and the upper part is a typical "activated platform" of platform caprock. The formation is characterized by raised fault cliffs, forming a typical Beixiong scenery. This typical topography is precious and non-renewable. Its typicality, treasure and irreplaceability deserve further study.

The four major scenic spots currently open in our scenic area are Wangxiangyan, Peach Blossom Valley, Taihang Pinghu, and Xianxia Valley. Taihang Grand Canyon Guide Words Our itinerary this time is as follows:

Luban Valley

Please note that on the top of the mountain to our left, we can see a huge valley. This is the famous Luban Valley, and it was also the only passage from the ancient mountain front to Shibanyan Township and Pingshun County in Shanxi. Luban Valley is 110 meters wide and more than 200 meters high. It has the potential of "one man can guard the gate, but ten thousand men cannot open it". Before the Taihang Tunnel was built, the people of Shibanyan Township had to climb over the 1,000-meter-high gully with their hands on their shoulders to get to the county seat, which was very difficult.

In the early days of the founding of the People's Republic of China, the comrades of the Shibanyan Township Supply and Marketing Cooperative used a pole to carry salt, kerosene and other daily necessities needed by the mountain people into the mountains, and then carried out the specialties from the mountains one by one. , this was the birthplace of the “shoulder pole spirit” that was famous in the national supply and marketing system at that time.

There is such a legend about the Luban Cut: The famous craftsman Lu Ban went to Linye Mountain to cut wood. He saw that the mountain was difficult to climb and it was difficult to walk. He wanted to split the mountain, so he swung the magic ax in his hand, but only ended up on the top of the mountain. A chasm was cut on it. On the mountain gorge to the east of Wangkou, there are obvious traces of a full finger print, which is said to be the hand print left by Lu Ban when he moved huge rocks.

Wangxiangyan Scenic Area

Tourists, the scenic spot we are going to now is Wangxiangyan.

The reason why it is called Wang Xiangyan is because of the story of a king and a prime minister. King Wu Ding was the 22nd king of the Shang Dynasty. Xiang refers to Fu Shuo, the slave prime minister.

Before Wu Ding succeeded to the throne, his father Xiaoyi asked him to live with the common people and grow his talents in the Linlu Mountain (today's Shibanyan, Linzhou, Henan) area in the west, more than a hundred miles away from the Yin capital. Wu Ding learned a set of productive labor skills here and made friends with the slave Fu Yue. Fu said he was smart since he was a child. Although he was born a slave, he studied hard and cared very much about world affairs. After Wu Ding was sent to Linlushan, he quickly made friends with Fu Yue. Fu Yue felt that although Wu Ding was the son of King Shang, he did not have the arrogance of a noble. Not only could he live in harmony with the common people, but he was also willing to make friends with slaves like himself, so he admired Wu Ding very much.

Wu Ding learned a lot of knowledge during his time with Fu Shuo. Later, Wu Ding became the king of Shang, and used the strategy of not saying a word for three years to invite Fu Shuo into the palace of Yindu and worship him as prime minister. Bo Shuo used all his talent as a literary and military officer, and within three years, he assisted Wu Ding in keeping the government in order, bringing the Shang Dynasty to its heyday, known in history as the "Yin Dao Revival". In order to commemorate this prime minister who was born as a slave, later generations called the place where he lived "Wang Xiangyan".

Now we arrive at the entrance of Wangxiangyan Scenic Area. Everyone can take photos.

The topography of Wangxiangyan Scenic Area is very unique. It faces a stream to the east, cliffs to the west, and is surrounded by cliffs on both sides, forming a highly closed valley. It faces the Suzaku Peak with a rocky screen, which coincides with the ancient Chinese Feng Shui theory of "green dragon on the left, white tiger on the right, and white tiger on the front." The ideal model of "Suzaku, Hou Xuanwu" has attracted celebrities from all over the ages to come here to cultivate themselves and live in seclusion. (Point out the surrounding mountains and directions while talking)

Wu Ding, the king of the Shang Dynasty, and Fu Yue, the prime minister who was a slave, both lived here; He lived in seclusion and took refuge here; Zhao Dexiu, a Taoist from Hebei Province in the Ming Dynasty, once cultivated his moral character here and lived in the mountains; Xu Sanli, the right minister of the Ministry of War in the Qing Dynasty, built a villa here to spend his old age. Modern tourism experts and scholars call it the "soul of Taihang" because of the majesty of Wangxiang Rock, the beauty of Wangxiang's nine peaks, the danger of the mountain climbing road, and the wonder of the mountain landscape.

The mountains here are steep, so be careful when you go up the mountain. OK, let's go up the mountain.

Wangxiangyan has luxuriant vegetation and rare treasures all over the mountain. Quercus moth oak, Quercus liaotungensis, Quercus japonica, and goldenrod are all over the valley. Forsythia suspensa, Polygonum multiflorum, Yuanhu, Bupleurum, and Ganoderma lucidum grow in the boundless jungle. etc. various Chinese herbal medicines. Polygonum multiflorum growing on the cliffs of the canyon grows as big as corn kernels every year, and a piece as big as a fist takes more than 200 years to grow. Ganoderma lucidum growing on the roots of dead trees in the moist mountains of Wangxiangyan has grown for more than a thousand years.

Introduce various small attractions along the way: Danghun Bridge, plank road, forest bathing corridor, Yangtian Pond, etc...

Introduce guide words for Shanxi attractions 2

Buddhist beads, Also known as rosary beads, Buddhist beads are used by Buddhists to remember and bind their hearts whenever they recite the Buddha's name; a must-have token for Buddhist disciples during their practice is rosary beads. Well, Wuye Temple is the most popular temple in Wutai Mountain, and the Buddhist beads in Wuye Temple must also attract everyone's attention.

According to the records of the Buddhist scriptures in the Wuye Temple, the highest quality beads are 1080. Because these beads are too long, they are only used by a very few eminent monks and latent practitioners, or are used by famous monks. It is used as decoration in large pujas and is rarely used by other people. The top grade Buddha beads are 108 beads (110 beads for Tantra practitioners), the middle grade beads are 54 beads, and the rest include 42 beads, 21 beads, 14 beads, 36 beads from Pure Land Sect, 18 beads from Zen Sect, etc.

Let’s talk about the different meanings of the number of beads in Wuye Temple: 1080 beads include 108 numbers in each of the ten dharma realms; 108 beads represent 108 simple troubles, or 108 The merits of respecting the Buddha, or the 108 kinds of immeasurable samadhi, etc.; 54 grains represent the state of self-cultivation; 42 grains represent the levels of the Bodhisattva vehicle such as dwelling, walking, direction, and ground; 27 grains represent the state of voice-hearing. 27 sages; 21 grains represent the ten original grounds, ten grounds of self-cultivation and Buddhahood in Buddhism; 14 grains represent the Fourteen Forbearances (Three Sages, Ten Saints plus Enlightenment) mentioned in the Nio Sutra. The remaining Buddhist beads with numbers of 36, 18, etc., some are divided into one-third or one-sixth of the number 108 for the convenience of carrying, and some are the thirty-six heavenly powers or the eighteen kinds of magical changes expressed by heretics. No other meaning. Rosary beads are a kind of Buddhist object. They are tools used for counting when reciting the name of the Buddha or mantras, so they are also called "Buddha beads" or "Counting beads".

The raw materials of Wuye Temple Buddhist beads are usually made of fragrant wood, turned into small round pellets, and run into strings. They are also made of jade and agate. The general number of beads is 14, 18, 21, 27, 36, 42, 54, 108, and 1080. It is said that there are many troubles in the world. Reciting "Namo Amitabha" and dialing a bead can relieve the troubles. Because when reciting the Buddha's name, one should eliminate all distracting thoughts and keep the mind pure, so the rosary is also called "pure heart beads". It is said in Buddhism that “reciting ‘Amitabha’ sincerely can eliminate eight billion kalpas of serious sins of life and death.

"Modern people play with jade or hide jade, or even as a fashion. Even if they are not Buddhists, they can also hide jade Buddha beads as ordinary jade. In this case, they may consider choosing Hetian white jade or Hetian green jade beads, which have a delicate texture and smooth oil. Slippery. Although the beads made of jade have beautiful luster and hard texture, they will easily become hairy and lose their original charm after being played with for a long time, so they are not as good as the beads made of Hetian jade that become more "live" with repeated play. Playing with it allows you to use your hands, brain, and heart at the same time, which is good for your health, and you can enjoy it.

Now that we know so much about the Wuye Temple Buddhist beads in Mount Wutai, are you impressed? If so. If you have the opportunity to go to Wutai Mountain, you must try the Wuye Temple Buddhist beads in person.

Introduction to Shanxi Attractions Guide 3

Shuijingtai is spectacular in scale, and the eastern part of the platform is the double-eaves Xieshan Mountain. When acting, it is used as a backstage. The western part of the stage is the rolling shed, facing the Notre Dame Temple. It is open on three sides. Sacrificial activities to fulfill wishes always include the performance of various dances and music to entertain gods and people. This has been the case throughout the ages. Because people in ancient times lived in poverty, worked hard all year round, had only one meal to eat, and had limited leisure, in order to adjust their lives, they often used sacrifices. This kind of folk sacrificial ceremony to welcome the gods has the characteristics of publicity, etiquette and entertainment. "Huainanzi·Spiritual Training" records: "Today's poor society is also a place where people knock on the pot and use it. "Tokyo Menghua Lu" describes the grand occasion of the birthday of the gods outside Bianjing City in the Northern Song Dynasty: "On the 24th, the birthday of Erlang Xiguankou of Zhouzhou is the most prosperous." The temple is located about a mile outside Wansheng Gate, and the temple was granted the guardianship of the gods. On the twenty-third day... a music tent and a teaching hall were set up on the terrace in front of the palace, where Jun Rong performed music and even danced and danced with each other... On the twenty-fourth day, various ministers and people from all walks of life presented many gifts, and their social fire was placed on the terrace. superior. "Drama flourished during the Song and Yuan Dynasties. In order to meet the needs of performances during the Yingshen Saishe, the stage was divided into a front stage and a backstage on the basis of the terrace and the pavilion. The stage was open on one side. The venue was also surrounded by surroundings, thus forming a fixed direction.

The mentality of entertaining the gods and people - the ceremony of welcoming the gods - the terrace, the stage and the theater.

Temple fairs. It is also a large-scale public event with comprehensive functions that is accompanied by celebrations and sacrifices, and it also prompts temples to have large-capacity venues, and some also form commercial, gathering, religious, and social venues. and other comprehensive functions in the temple square or temple street.

People have an ambivalent mentality of dependence and fear when offering sacrifices. It also means outings and outings. This makes the temple building present a unique duality of religion and secularity in its layout and shape. Since the main body of the worship activities is a large number of villagers, it is inevitable. It reflects its civil nature, and because the purpose of the temple is closely related to people's social life, it must also show secularity. It is reflected in the architectural form, with the dormitory hall, altar and pavilion for worshiping gods as the core; The music building for entertaining people and the stage set off each other; the large-capacity activity space courtyard is the transition, and the prominent archway, screen wall, gate tower and long incense path are the prelude to an organic and complete spatial sequence.

< p> Introduction to Shanxi Attractions Tour Guide 4

The Mengshan Giant Buddha is located about 20 kilometers southwest of Taiyuan City, Shanxi Province. It was first excavated in the second year of Tianbao (551), the Emperor Gaoyang of the Northern Qi Dynasty. It has been more than 1,400 years ago. The construction time was 162 years earlier than the Leshan Giant Buddha in Sichuan, which can be said to have a long history; when the Mengshan Giant Buddha was carved, "it was made with fire at night and soup as mud when it was cold". It took 25 years. The Buddha statue is 63 meters high, which is higher than what was previously said in the West. "The World's Largest Buddha" The Bamiyan Buddha in Afghanistan is 10 meters high. It is magnificent in scale and can be called the largest Buddha in the world.

In the 11th year of Yongping (68th AD) of the Eastern Han Dynasty, Emperor Ming began to build a temple here. During the Sui and Tang Dynasties in the Northern and Southern Dynasties, eminent monks such as Tan Luan, the founder of the Pure Land Sect, Hui Zan, and Dao Chuo, one of the three founders of the Pure Land Sect, all promoted Buddhism here. During that long period, Jinyang area was home to eminent monks. An important Buddhist cultural center in northern China. The Kaihua Temple where the Mengshan Giant Buddha is located is one of the most popular temples overseas, especially in Japan, South Korea and Southeast Asia. The Buddhist circles call the Mengshan Giant Buddha "Jiaocheng". "Mengshan Giant Buddha", because Xuanzhong Temple located in Jiaocheng County, Shanxi Province is the recognized ancestral temple of the Pure Land Sect of Buddhism.

In fact, the early dojo of the Pure Land Sect of Buddhism was in the Kaihua Temple where the Mengshan Giant Buddha is located. Because of its long history, it is mistakenly known as the "Jiaocheng Mengshan Giant Buddha" in overseas Buddhist circles. The Japanese Buddhist community even admires the Mengshan Giant Buddha, believing that it has the longest history and ranks first among Chinese Buddhist statues.

The temple where the Giant Buddha is located was originally the Dazhuangyan Temple built in the Eastern Wei Dynasty. In the second year of Tianbao in the Northern Qi Dynasty (551), Emperor Wenxuan of the Northern Qi Dynasty Gao Yang named it "Kaihua", also known as "Kaihua Temple". He carved a giant Buddha on the rock behind the temple and built two upper and lower temples on the mountain. The Buddha passed through five emperors and took 20_ years to finally be built. In the early years of Renshou (602), Emperor Wen of the Sui Dynasty, the Great Buddha Pavilion was built to house the Giant Buddha and was renamed "Jingming" Temple. Legend has it that when Li Yuan was staying in Taiyuan at the end of the Sui Dynasty, he dreamed that the night when he visited the Mengshan Giant Buddha, "the Buddha transformed into a sky full of light, and the light shone for several feet." He thought it was auspicious, and thus strengthened his determination to rebel against the Sui Dynasty. In the third year of Tang Wude (620) after Li Yuan became emperor, it was renamed "Kaihua Temple". In the fifth year of Xianqing (660), Emperor Gaozong of the Tang Dynasty Li Zhi and his queen Wu Zetian visited Bingzhou and paid homage to Kaihua Temple and the Giant Buddha. "Capacity", "open up the land in front of the niche and make sure it is wide".

After Wu Zetian and Li Zhi returned to the capital city of Chang'an, it took them two years to have two cassocks specially made by the emperor's inner palace, and a special envoy was sent to Bingzhou on horseback to cover the Buddha with cassocks. The gold and silver jewels decorated on the cassocks shined brightly, "emitting five-color light, illuminating the cliffs and rocks, candles the mountains and rivers", "the Taoist and secular people saw tens of millions of people", which caused a sensation all over the world. When Emperor Wuzong of the Tang Dynasty destroyed the Buddha, although the pavilion was in disrepair and dilapidated, the Buddha was not damaged. In the second year of Qianning in the late Tang Dynasty (895), Jin King Li Ke exhausted all the power in Hedong and spent 300,000 people in five years to rebuild the Great Buddha Pavilion. In the second year of Kaiyun of the Jin Dynasty (945) after the Five Dynasties, Liu Zhiyuan, King of Peking, stayed in Jinyang and rebuilt the Buddhist pavilion again. The newly rebuilt Zhuangyan Pavilion is five stories high, with 13 couplets on each floor, 26 bays, and 130 bays in total. The 200-foot-tall Buddha is covered in it, which shows how big the pavilion is. For a time, the Mengshan Buddha was like a national temple in the eyes of the royal family, and a spiritual treasure in the eyes of the people, and was highly respected. Its social and historical status is evident. This makes China's Mengshan Giant Buddha look particularly dazzling and magical for a long period of history!

Since the birth of China's Mengshan Giant Buddha, it has been favored by the royal family and loved by monks. It has served to promote and spread Buddhism. Culture plays an important role. However, as dynasties change and the years change, the once-prominent Mengshan Buddha has gradually faded out of people's sight. After being damaged by war and eroded by wind, frost, rain and snow, the statue finally collapsed at the end of the Yuan Dynasty. The head of the Buddha had collapsed long before the Yuan Dynasty. From then on, the belly, hands, legs and feet of the Buddha, as well as the base and the remains of the pavilion, were buried among rocks, residual bricks and mud, and were unknown to future generations. The "Mengshan Giant Buddha" that has been prominent for 800 years has been buried for more than 600 years. It is recorded in historical records that the Mengshan Buddha has “disappeared”.

In the 1980s, Wang Jianni, who worked at the Cultural Center in the southern suburbs of Taiyuan, participated in the census of place names and deliberately searched for the giant Buddha that had been missing for many years. Wang Jianni’s grandfather, Wang Jianping, served as the president of the Shanxi Buddhist Association during the Anti-Japanese War and was the founder of the Shanxi Buddhist Association. Wang Jianni has heard many stories about the Mengshan Giant Buddha from his grandfather since he was a child. In order to find the Mengshan Giant Buddha, Wang Jianni traveled all over the Xishan area of ??Jinyuan, and even almost lost his footing and fell off a cliff. Finally, he discovered the remains of the "Reconstruction of the Mengshan Kaihua Zhuangyan Pavilion" written by Liu Zhiyuan, King of Beiping after the fifth generation of the Jin Dynasty, in Mengshan. And he finally determined that the "Big Belly Cliff" in the local Sidi Village was the Mengshan Giant Buddha. In 1983, Wang Jianni published an article "The remains of the "Jinyang Xishan Giant Buddha" have been found" in the magazine "Place Name Knowledge", which caused a sensation in the Chinese archaeological and Buddhist circles.

Since the discovery of the Mengshan Giant Buddha in 1980, insightful people from all walks of life have paid great attention to the Mengshan Giant Buddha and called for its restoration, protection and development through various channels. The Mengshan Giant Buddha is a miracle in the history of world Buddhism. Such a giant Buddha carved on a cliff with a history of more than 1,500 years carries a history and culture that is unmatched by other giant Buddhas. Its cultural research value and social value are beyond doubt. It is a masterpiece among the world's cliff carving art. The giant Buddha buried in the dust sits among the stone cliffs at the southern foot of Mengshan Mountain. The broad chest and shoulders and slender arms are about to emerge from the stone cliffs on both sides. The broken half of the Buddha's body still conveys a shocking solemn mission.

Introducing Shanxi Attractions Guide Words 5

The luxurious Qiao Family in the Wang Family Courtyard, the magnificent Qu Family, and the spectacular Cao Family. Today I will lead you to experience the most colorful The Wang Family Courtyard. Pushing open the heavy door of the Wang Family Courtyard, a long scroll of Shanxi merchant culture with a history of nearly 720_ is revealed in front of us. It is a model of Chinese residential architecture, an example of family culture, and a specimen of auspicious culture. The integration of economy, the complete explanation of feudal culture and traditional etiquette. On the rich Loess Plateau in northern China, at the foot of the majestic and tragic Mianshan Mountains, this vigorous and ancient architectural community carries traces of thousands of years of Chinese civilization, deeply condensed in the inner and outer mountains and rivers of the Three Jin Dynasties.

As a result, the Wang Family Courtyard has many titles, including the Forbidden City in China, the Forbidden City in Shanxi, and the first Chinese residential building. It also has the famous saying "The Wang family does not visit the courtyard when they return", so some people say that Wang is A surname is half a country, a home is a courtyard, and a courtyard is half a city. The Wang Family Courtyard is located in Jingsheng Village, Lingshi County, Jinzhong Basin. The Wang family is a descendant of the Wang family in Taiyuan. They moved here during the Southern Song Dynasty. In the middle of the Qing Dynasty, they became a prominent family, so they built a large-scale building, almost extravagant, and built an area of ????area. A group of ancient buildings with an area of ??more than 150,000 square meters. The Wang Family Courtyard is built on a hillside with shade and sunshine. The cave-style design ensures that there is no scorching heat in summer and no severe cold in winter. It is popular in Feng Shui. The architectural community here displays bricks, wood and stone carvings in one courtyard, paintings, poetry and calligraphy are integrated into one furnace. Figures, animals, flowers and trees are integrated into one, and their postures are divided into different styles. Each has its own characteristics. It not only expresses the style of a large family, but also fully demonstrates its own characteristics. With a high position and powerful status, a building must have a plan, a plan must have an intention, and a plan must be auspicious.

The Wang Family Courtyard is divided into east and west parts by natural gullies. Each has its own city wall and city gates. The two large castles with strict barriers are connected by a stone arch bridge. The span is amazingly large. There are 54 courtyards in the two courtyards, varying in size. The eastern courtyard is the Dongbao Courtyard, also known as Gaojiaya. It was a building complex built by Wang Ruchong and Wang Rucheng brothers in the 17th century in the 10th year of Jiaqing, that is, 1820_. It covers an area of ??11,728 square meters, has 26 courtyards, and 212 houses. The architectural characteristics are that it has the shade and the sun behind it, with the mountain and the water at its back, and the Yinshan Mountain structure. It overlaps with the mountain, and the courtyards are stacked on top of each other in a well-proportioned manner. The buildings rely on the height of the mountain. The plane space structure is made three-dimensional, and the mountain becomes dynamic due to the rhythm of the building. Walking into the gate of Wang Rucong's residence, we can appreciate the extremely high cultural taste, which reminds us of the identity of the Wang family. Walking through the passage that connects and separates the front and back yards, and passing through the hanging flower door, the owner's living area is in front of us. The upper room is where the elders live, and the upper floor is the embroidery building specially designed for the young ladies. This layout, based on the patriarchal etiquette system of feudal society, keeps the seniors and juniors in an orderly manner and distinguishes men and women, which fully demonstrates the contemporary nature of the courtyard architecture. and nationality.

Although the Guixing Academy and Garden Courtyard located to the west of the compound are not large, they are also very quiet. The exotic flowers and plants make people relaxed and happy. Even in the closed courtyard, you can still climb up and overlook the scenery of nature. , is a good place for the director to cultivate his character and recite poems. There is also a private courtyard where students go to school, which shows that the owner attaches great importance to the education of the next generation. Indeed, many descendants of the Wang family have since entered official careers. In the east is the kitchen courtyard, with three courtyards in the front, middle and back. There are seven doors inside and outside. People with different statuses cannot pass through the doors and enter different restaurants. It can be seen that even the farmers are particular about eating. After the stone bridge, there is the West Fort Courtyard. This building complex is older than the East Fort Courtyard in 120_ and was built during the Qianlong period of the Qing Dynasty. It covers an area of ??19,800 square meters. Looking down on the West Courtyard, its plane is a very regular rectangle, 105 meters wide from east to west. , 180 meters long from north to south, because there is only one gate, facing the main street of the castle. The majestic gate has two entrances and two floors. One side is engraved with the bluestone plaque of Hengzhen Castle, and the other side is inlaid in the center of the gate. Because of the gate, It is red, so it is called Red Gate Fort.

There is a Longju Street paved with large cobblestones running from north to south in the fort, which is 133 meters long and 3.6 meters wide. The main street divides West Street into two major areas, east and west, and there are three cross lanes in the east and west directions. , a vertical street and three horizontal streets intersect, just forming a large "王" character. The courtyards communicate with each other, echo each other, and are connected with each other, which is an invisible link.

Since the Wang Family Courtyard was officially opened in 1997 in the name of the China Folk Residence Art Museum, this indoor paradise that has been hidden for a long time has gradually attracted people's attention and appreciation for its unknown and extraordinarily delicate charm of flowers. This is a unique corner of China. The boudoir in the countryside really makes people chant over and over again

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