Poetry with pictures.

1. What poems about "painting" can't draw infinite sadness (Tang Gaochan)

If you don't plant the roots of love in the field of love, you would rather be grateful to beautiful people (Lin Shu, Republic of China)

Spring water is bluer than the sky, painting a boat and listening to the rain (Don Wei Zhuang)

Beautiful scenery, heroes come forth in large numbers (stone)

Ask her husband in a low voice after makeup, thrush is not fashionable (Tang Zhuqing Rain)

Painters don't understand the sufferings of fishermen, so they can make a picture of fishing in the cold river (Sun Chengzong)

Her face! Can you imagine the spring wind? (Don Du Fu)

Let's take a look at the forest pavilion in the early years. Dan Qing first painted a beautiful picture (Ming Sizong)

Send acacia, not acacia. But draw a circle (Liang Qing burns people)

Painting takes verve as the first priority, and poetry takes temperament as the first priority (Qingyuan beauty)

Han Sheng's painting of horses is really a horse, and his poems are picturesque (stone).

Too lazy to draw a moth eyebrow, too late to make up and freshen up (Don Wen Ting Yun)

Draw a gourd all one's life (Song Gutao)

Walking under the window, smiling and supporting each other, loving pottery and thrusting eyebrows is out of date (Song Ouyang Xiu)

2. What are the poems about "painting"?

1, the distant mountains are colored, and the nearby water is silent. Spring has passed, but there are still many flowers and flowers. People go nearby, but the birds are still not disturbed. -Wei's paintings

2. The flag is painted in the dark in the snow, and the wind is full of mixed drums-Don Yang Jiong's "Joining the Army"

3. "Spring on the Lake" is picturesque, and the peaks are scattered around the flat-Tang Bai Juyi's "Spring on the Lake"

4. The stars and the wind last night, the west of the studio and the east of the Guitang-two untitled poems by Tang Shangyin.

5. Counting the calyx with snow at the beginning, it is difficult to draw a picture alone-the plum blossom of Don Cui Daorong.

6. The purple stranger screamed, and Qingyang painted a swing-Zhuang's "Chang 'an Qingming"

7. The new makeup is actually competing with painting, knowing which place is Zhaoyang-Feng Ming Xiaoqing's "complaint"

8. Draw a successful pavilion in the forest and win a unique fire gourd ladle Yao-Tang Li Bai's Six Poems of Xia Sai.

9. Her face! Can you imagine the spring wind? Huan Peikong's Return to jathyapple's Soul —— Tang Du Fu's Three Poems of Five Memories

10, graceful painting Ge as a spring pool until pedestrians are half drunk —— Wen Bao's Liu Zhi Ci

1 1, forbearing to look at the picture and changing color, willing to die for the country-Qing Qiu Jin's "Japanese people ask questions in the Yellow Sea, look at the map of the-China war"

12, Shuang Yan flies around the painted beam and is full of tulips-Tang Lu Zhao Lin means Chang 'an in ancient times.

13, Gu Yun gets up to paint the building, closes the door and opens the makeup mirror at sunset-Wu Qin Ye Wei's Yuan Yuanqu

14, who said that painting is sad, painting people's hearts and chasing the world-Zhuang's "Jinling Map"

15, the water window is low and the painting column is open, and the pillow is thin and jade-Chen Qing Wen Shu's Summer Miscellaneous Poems

16, blue flowers wither, embroidered curtains droop, scarlet blood screen folds-Tang Hanwo's It's Cold.

3. There are pictures in poems and poems in paintings. Draw Wang Wei.

From a distance, the mountains are high and the clouds are light, and the colors are bright. When you look closer, you can only hear the sound of water, but there is no sound.

Spring has passed, but there are still many flowers and flowers. People go nearby, but the birds are still not disturbed.

To annotate ...

(1) color: color also means scenery.

(2) shock: surprise and fear.

translate

The mountains in the distance are brightly colored, but there is no sound when you approach the water.

Spring has passed, but there are still many flowers and plants blooming.

People approached, but the bird was still undisturbed.

Poetry appreciation

The mountains in the distance are often blurred, but the mountains in the picture are very clear. If you listen to running water nearby, you should hear the sound of water, but the running water in the painting is silent. Flowers in full bloom in spring will fade with the passage of spring. And the flowers on the painting are in full bloom no matter what season. When people get close to the bird sitting on the branch, it will fly away in horror. But the bird in the picture can't fly even if you come near it. The whole poem seems to violate the laws of nature, but in fact it is a secret riddle, which shows the characteristics of this painting.

Looking at the mountains from a distance,

The distant mountains are smiling, and the colorful mountains are good. What is colored? Comely, handsome, red, wet, green and drooping are colors, so are cool gray, and so are strange and steep pictures. It is only because it is far away that it produces beauty and makes people feel that it has unlimited scenery. This is a kind of "serenity", and the beauty of serenity is beyond the reach of the first sentence, because only people with meditation can appreciate it. This is like the Chun Xue, which drove the Xialiba people out of the art space from the beginning. Cancelled the qualification of impetuous people to appreciate beauty. Here, there is no impetuousness, only calm as water. But not stagnant water, but living water. Do you think there is water in the painting? A spring water poured out with irresistible kindness. A flowing beauty jumps into the poet's eyes.

Listen to the water silently.

The source of flowing water is "dynamic environment", while the word "silent" enters the static environment, which is quiet and far-reaching. There is no contradiction with the first sentence. The poet can say that he can easily choose between dynamic and static. What is so amazing? It's too quiet, it's hard to give up, it's hard to find. In this way, we will be close to this poem and this painting, and our hearts will be close to the mountains and rivers. The beauty of all things is only because of "quietness". Silence is a beauty. In Wang Xizhi's poem, "Walking on a shady road is like swimming in a mirror" is also this kind of beauty. Sound and silence are dissolved together, the perfect sound of nature! This is what Zhuangzi called "nature". When "natural sound" and "human voice" and "earth sound" are together, a kind of natural sound that ordinary people can't say is formed.

Spring has passed, but there are still many flowers and flowers. People go nearby, but the birds are still not disturbed.

Flowers bloom heartily in that most beautiful season, and finally open life to the most beautiful. After the beauty reaches the extreme, it floats away. But the flowers don't fade, just because they are in the painting. Not only that, but also the flowers in the painting. By the end of spring, the flowers were gone, and the feeling of sadness was everywhere.

Birds are not surprised. They don't know that their youth is over and the years have passed. How many regrets have been left.

The painting in the poem seems to represent a dream, an invisible dream, but that kind of dream can only be remembered when the human mind is in a quiet state. But it's impossible. It's true. Poets can only look for the last thing in the world that can be entrusted with a touch of meditation. People leave, flowers stay in the air, birds are not surprised, people come again, there is no eternal beauty, all beauty will be hidden in illusion.

4. Painting poems 1, spring scenery on the lake

Bai Juyi

Spring scenery on the lake is picturesque, and chaotic peaks are scattered around the checkpoint.

There are thousands of green hills on the pine row and a pearl in the heart of the moon.

Early rice is inserted into the blue carpet line, and Qingluo nepotism shows Xinpu.

I didn't throw it into Hangzhou, and half of it was this lake.

2. Qiudeng Xuancheng Xie Tiao North Building

Tang Libai

In the picturesque river, the mountains and rivers are beautiful and the sky is clear.

Between the two rivers, one lake is like a bright mirror; The two bridges on the river look like rainbows falling from the sky.

Orange forest pomelo is set off in the cold smoke of kitchen smoke; Autumn is boundless, and the phoenix tree has become old.

Besides me, who will think of the North Tower and welcome the autumn wind, Miss Xie?

3.tanabata

Don Dumu

In the autumn night, candlelight reflected the screen, and Fan slapped the fireflies with his hand.

The night in Tianjie is as cool as water, lying watching morning glory and Vega.

4, Nian Nujiao nostalgia Chibi

Song sushi

The river of no return, the waves are gone,

Romantic figures through the ages.

On the west side of the old base, human nature is,

Chibi, Zhou Lang, Three Kingdoms.

Rocks pass through the air, waves beat against the coast,

Roll up thousands of piles of snow.

As picturesque as a mountain, how many heroes there are at one time!

Back in Gong Jin,

Xiao Qiao is newly married, handsome and heroic.

Feather fan nylon towel, laughing,

It's all gone.

I wander in my motherland, smiling at me with enthusiasm,

Give birth to Fahua early.

Life is like a dream, and a bottle returns to the moon.

5. The poem Painting is very poetic. Looking at the mountains from a distance, the colors are bright. When you approach the water, there is no sound. Spring has passed, but there are still many flowers and plants, people are approaching, but birds are still not disturbed.

draw

Tang Dynasty: Wang Wei

From a distance, the mountains are high and the clouds are light, and the colors are bright. When you look closer, you can only hear the sound of water, but there is no sound.

Spring has passed, but there are still many flowers and flowers. People go nearby, but the birds are still not disturbed.

To annotate ...

Color: Color also means scenery.

Surprise: surprise, fear.

Extended data:

Make an appreciative comment

Looking at the mountains from a distance,

The distant mountains are smiling, and the colorful mountains are good. What is colored? Comely, handsome, red, wet, green and drooping are colors, so are cool gray, and so are strange and steep pictures. It is only because it is far away that it produces beauty and makes people feel that it has unlimited scenery.

This is a kind of "serenity", and the beauty of serenity is beyond the reach of the first sentence, because only people with meditation can appreciate it. This is like the Chun Xue, which drove the Xialiba people out of the art space from the beginning. Cancelled the qualification of impetuous people to appreciate beauty. Here, there is no impetuousness, only calm as water. But not stagnant water, but living water. Do you think there is water in the painting? A spring water poured out with irresistible kindness. A flowing beauty jumps into the poet's eyes.

Listen to the water silently.

The source of flowing water is "dynamic environment", while the word "silent" enters the static environment, which is quiet and far-reaching. There is no contradiction with the first sentence. The poet can say that he can easily choose between dynamic and static. What is so amazing? It's too quiet, it's hard to give up, it's hard to find. In this way, we will be close to this poem and this painting, and our hearts will be close to the mountains and rivers. The beauty of all things is only because of "quietness". Silence is a beauty.

In Wang Xizhi's poem, "Walking on a shady road is like swimming in a mirror" is also this kind of beauty. Sound and silence are dissolved together, the perfect sound of nature! This is what Zhuangzi called "nature". When "natural sound" and "human voice" and "earth sound" are together, a kind of natural sound that ordinary people can't say is formed.

6. There are poems in poems and paintings in paintings. When Wang Wei lived in seclusion in Wangchuan, he wrote many beautiful landscape poems.

He wrote "Wangchuan Collection" by himself, including 20 five-character quatrains that he and his friend Pei Di sang to each other. The main content is to describe the scenery near Wangchuan and express the interest of seclusion. Look at Wu Xinyi first: hibiscus flowers with chopped red calyx in the mountains.

The mouth of a stream is silent, without a trace. They open and fall. In the silent mountain stream, magnolia blooms and falls, surviving and dying. It's not fake, it has nothing to do with the world, and no one knows.

This is a world far away from the hubbub, and it is also the unique artistic conception of the poet Wang Wei's integration of subject and object, which is simply the symbolic realm of Buddhism's view of emptiness. Therefore, Hu Yinglin, a literary critic in the Ming Dynasty, said that this poem was a work of Zen. "I have forgotten my life experience, and all my thoughts are silent."

The artistic conception created by Wang Wei here, born out of the image, is a combination of poetic realm and Zen realm, with profound meaning and strong artistic appeal. This artistic achievement can not but be said to be beneficial to his study of Buddhism and the edification of Buddhist thinking mode.

Wang Wei was called "Shi Fo" by later generations. He believed in Buddhism in his early years.

Mother Cui Shi has been practicing meditation for more than 30 years. Wang Wei and his younger brother, Wang Jin, "both worship Buddhism and live on vegetables, so it is better to eat meat and blood" (Biography of Wang Wei in Old Tang Dynasty).

When Wang Wei was 3 1 year old, his wife died and he no longer married. He lives alone in a room, and his screen is very tired. "he has no children" ("the list of brothers recommended by the bow"). He also wrote many poems about Buddhism, and he has high attainments in Buddhism.

Among the schools of Buddhism in the Tang Dynasty, Wang Wei believed in Zen, and Nanzong Zen was the main one. Nanzong Zen is the product of the combination of Buddhism, Confucianism and Taoism in China, and its philosophy of destiny and life provides the latest and most complete way for China literati.

However, some practice methods of Nanzong Zen have something in common with China's poetry creation. Yan Yu, a literary critic in the Song Dynasty, said: "Generally speaking, Zen is only in the wonderful understanding, and poetry is also in the wonderful understanding" (Cang Hua).

Miao Wu is an insight into Zen, and it can also be expressed as an understanding of art. Both poetry and Zen need a keen inner experience, both emphasize enlightenment and metaphor, and both pursue meaning.

When talking about "epiphany", Nanzong Zen often uses the expression of images to convey the law, with special emphasis on the role of intuition, suggestion, induction and association in understanding. Wang Wei came from Zen, and naturally he has a deep understanding of this method of grasping the world.

He integrated his understanding of Buddhism into his outlook on life and turned religious feelings into poetic thoughts, creating a poetic artistic conception of "emptiness", "quietness" and "leisure". Zen advocates the beautiful style of mountains and rivers, which has also played a guiding and enlightening role in Wang Wei's conscious approach to mountains and rivers and the exploration of their aesthetic value.

Wang Wei described his inner experience in the poem Zhuliguan: I leaned alone in the dense bamboo, playing the pipa and humming a song. It's too light for anyone to hear, except my partner, Mingyue.

The poet sat alone in the depths of the bamboo forest, playing the piano and whistling. No one knows his existence, only the bright moon accompanies him. Nature knows his inner loneliness best, and the bright moon brings him a quiet happiness.

Things and I are one, things and I forget each other. Zen and poetry are in harmony. The same is true in Chai Lu: there seems to be no one on the empty mountain, but I think I hear a voice.

The shadow of the sunset shone into the depths of the forest, and the scenery on the moss was pleasant. There was no one in the empty mountain, only heard intermittent voices floating from the depths of the forest, and a ray of sunset was transmitted on the moss in the depths of the forest, which was so trance-like and sad.

This is the ethereal realm that Wang Wei pursues, far away from the hubbub. Although lonely, it is also meaningful. In the Qing Dynasty, Wang Yuyang said that Wang Wei's poems were "Zen", and "implicit words were tantamount to the laughter of Buddha and Ye Jia" (Continued from Silkworm Tail).

In other words, Wang Wei's landscape poems are full of Zen meaning, Zen music and Zen taste, and convey Zen meaning. Nature fully shows the poet's unique taste in the beautiful scenery of mountains and rivers.

Wang Wei doesn't necessarily go to remote places for meditation. He also looks at the vast world and the lively farm life: sunny Yuan Ye is endless and has no atmosphere at all. The gatehouse of the outer city is close to the ferry pier, and the trees at the edge of the village connect the stream and the estuary.

The silvery white river is shining in the fields, especially bright, and the green mountains stand behind the ridge. It is the busy farming season, there are no idle people, and farmers are busy going to the fields.

-"New Sunny Wild Hope" A spring rain washed away the dirt and the scene was completely new. Busy farming, people and scenery are bathed in fresh air.

The phrase "white water" forms a layered picture of close-up and distant view. The water is bright, the mountains are green, and the contrast between light and color is harmonious. On the surface, you can't see the Zen meaning of this poem.

In fact, that spring rain was like holy water poured out of a pure Buddhist bottle, which washed everything clean and ethereal. It's just that everything is wonderfully integrated with Zen and poetry, and he doesn't let Zen overwhelm poetry.

Of course, what we pay attention to is the kind of praise for farmers' life, and we appreciate the beautiful aura without tirelessly pursuing its Zen philosophy. Wang Wei is a versatile cultural giant who is good at poetry, music, painting and calligraphy.

Su Dongpo, a great writer in the Song Dynasty, said: "There are paintings in Wang Wei's poems; Look at the picture, there are poems in the picture. " (Shu Moran Tian Yan Yu Tu) His words are incisive and to the point.

Wang Wei was an accomplished landscape painter in Tang Dynasty. He painted with Xiao Shupu's brushwork of ink and wash, created ink and wash landscapes, and became a family of his own, and was called the founder of landscape painting Nanzong by later generations.

His paintings emphasize freehand brushwork, pursue spirit likeness and express subjective feelings. So "draw things, don't ask the four seasons. If you paint flowers, you often take peaches, apricots, hibiscus and lotus flowers as a scene. " "It's hard to ask for shapes and objects." (Shen Kuo quoted Zhang Yanyuan in Mengxi) Therefore, Wang Wei is also known as the originator of China literati's freehand brushwork.

Painting can be similar in spirit, so it has the charm and interest of poetry, that is, there is poetry in painting. Staring at the natural landscape with this painting concept is a sigh, and it must have the charm of painting in poetry.

Wang Wei's profound artistic attainments in painting, music and calligraphy enable him to feel and capture the wonderful scenery, magical sound and ever-changing nature more accurately and meticulously than ordinary poets in his poetry creation, and appeal to the pen. I will also use words to set colors and pay attention to the harmony of poetry tones.

There are artistic conception of painting, fluency of music and changes of calligraphy in poetry. In this way, his unique poetic artistic style of "painting in poetry" and "hundred warblers, repeated performances by palace merchants" was virtually formed.

We should firmly grasp this feature when appreciating his landscape poems. Wang Wei is good at describing grandeur in general.