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How to evaluate M. Guo's evaluation of crystal in the second season of The Actor in Place?
As we all know, Jing M. Guo has a sense of inferiority, so in order to be accepted by the mainstream and the public, it can be seen that he has really learned a lot of film theory knowledge, from using some technical terms in the first season's comments to frequently using some drama theories in the second season.
But for Jing M. Guo, this way of painting a gourd ladle also leads to his comments being too focused on books and floating, which is right at first glance, but careful tasting actually hides many problems.
Take his comments on crystals for example. His performance of Crystal is unique in that the plot is not ups and downs, the play is not contradictory, and the mood is too stable, which leads to the whole performance being too stable and lifeless.
From the perspective of drama theory, there is no problem with his evaluation. A complete work is bound to have conflicts and ups and downs, and the emotions of the characters must be broken first and then established, constructed and collapsed.
However, Crystal's performance is not a complete work, but a fragment.
Under the setting of "romantic moon", Ruyi, who was devastated by deception, lost her yearning for love at this stage and became paralyzed and cold-blooded. Not to mention the crystal in this scene, just like Gong Li's performance. More is to show her disappointment with the real world, her eyes are dull and absent-minded, revealing her side of life without desire or desire.
As a movie fan and a viewer of Romantic Moon, Crystal has seen this movie for more than five times. She knew Ruyi's mood at that time and what Chen Kaige wanted to express through this performance, so even on the PK stage, even though she knew that a more "indulgent" performance would make the audience feel better, she obeyed the characters and their hearts and interpreted the characters' mood with restraint and convergence.
In this respect, there is nothing wrong with Crystal's performance, which is also proved by Chen Kaige's careful comments. As a director, he also recognized Crystal's wishful thinking, but Mrs. Jing M. Guo followed the script and was too theoretical, which led to this joke.
Of course, in the final analysis, Jing M. Guo is too self-abased, and wants to show everyone what he has learned, so that everyone can know his knowledge reserve and his understanding of the film, but he doesn't know that his understanding only stays on the surface and between the lines, and there is no more systematic and rich combination with reality.
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