Wang's introduction

Wang (196 1 year-), a Beijinger, 1988 graduated from the Department of Chinese Painting of Zhejiang Academy of Fine Arts, 1988 studied in the Department of Rock Paintings of Tama University of Fine Arts, Japan, and 1998 began advanced research in China's heavy colored rock paintings at China Institute of Arts and Crafts of the Ministry of Culture. He is currently teaching in China Academy of Fine Arts.

Name: Wang

Date of birth: 196 1 year

Occupation: mural painting

Title: Professor

Nationality: China.

Graduate school: Zhejiang Academy of Fine Arts

College: Gong * * * Art College > Mural Art Department

Masterpiece: One of jing xing Rock Wonderland.

personal record

1980 worked in the photography group of People's China Magazine of Foreign Languages Publishing Bureau.

1982 From Kaifeng, Henan, along the Yellow River to Qinghai, we made a historical and cultural investigation, sketched and experienced life. Life on the road.

1983 works in the exhibition department of China International Book Trading Company.

65438-0984 was admitted to Hangzhou Zhejiang Academy of Fine Arts (now China Academy of Fine Arts), Central Academy of Fine Arts and Beijing Film Academy.

65438-0984 entered Hangzhou Zhejiang Academy of Fine Arts, served as the chairman of the 7th Student Union, and held many art activities.

1985 "Wuwei Painting Society" was established with friends and classmates, and "Small Trend Painting Exhibition" was held in Beijing.

1988 graduated from Zhejiang Academy of Fine Arts. Besides studying and writing, he also participated in some social practices.

1988 Painting in Beijing Xiangshan Studio.

1988 hold art exhibitions in diplomatic embassies, hotels and restaurants.

1988 Red Gate Gallery held a solo exhibition for me for the first time since its establishment.

When President Bush visited China, he was interviewed by American media.

65438-0989, I went to Japan-China College in Tokyo to study Japanese.

1990 was admitted to the Japanese Painting Graduate School of Tama University of Fine Arts, Japan.

1990 The tutors are Mr. Kayama Matazo and Mr. Bao Dao Ishikawa.

1990, Wang Xiong Feitian Ink Painting Classroom was established.

1990 solo exhibition of south credit vault of Tokyo Electric Power Art Museum, Tokyo.

1990, solo exhibition of sabina Gallery, China, Japan and South Korea, solo exhibition of Setagaya Art Museum, solo exhibition of Asian modern art, solo exhibition of Yokohara Gallery, solo exhibition of the 10th International Ink Painting Exhibition, and solo exhibition of Sakura Bank.

1990 The first All-Japan International Student Exhibition won the prize.

199 1 year served as a guide for the application of mineral color techniques in Huayanjing mural at the base of Tiantan Buddha in Lantau Island, Hong Kong.

The year 199 1 is an illustration of the Chinese textbook of the education channel of NHK TV in Japan.

199 1 year is an illustration of the joke library.

199 1 year, Selected Paintings of Flying Figures in Wang Xiong was published.

199 1 set up "China research institute of heavy color stone painting" to find and collect minerals all over the country. Research and development of mineral pigments. And promote publicity in China.

1996 was named "Rock Painting".

1996 editing textbook "The Latest Guide to Color Rock Painting Techniques".

1996 lecture tour in art colleges and universities all over the country-the expression of materials and techniques.

1997 Tianya China zhongcaiyan painting research institute established the exhibition, training and academic research department.

From 65438 to 0997, the cultural relics in western China were investigated.

1997 served as the distinguished director of China Contemporary Gongbi Painting Society.

1998 participated in the teaching of "Advanced Research Class of Heavy Color Stone Painting in China" sponsored by China Institute of Arts and Crafts of the Ministry of Culture.

1998 co-sponsored a seminar on Chinese painting color with Art Watch magazine in Huairou.

From 65438 to 0998, he planned and presided over the 4th China Art Exhibition sponsored by China Artists Association.

1998 Edit China's latest exquisite works.

1998 founded colorful rock painting magazine.

1999 was hired as a special researcher by Tama University of Fine Arts in Japan.

In 2000, he was a visiting scholar of visual arts at the University of Wollongong, Australia, and studied the application of mineral colors in indigenous culture.

200 1 Planned and presided over the first China Rock Painting Exhibition sponsored by China Artists Association, and served as artistic director.

200 1 Editor-in-Chief "China Rock Painting Collection".

200 1 presided over the special edition of Art magazine 1 rock color painting.

200 1 Sketch in Xishuangbanna, Yunnan, China.

In 2002, I went to Europe to study 12 national culture and art. Go to Russia and Southeast Asia to sketch.

In 2002, he published Collection of Chinese Painting Department of China Academy of Fine Arts.

From June, 2003 to October, 2003, he published his works and thesis "On the Innovation of Chinese Painting and Rock Painting" in Art Newspaper.

In 2003, Art Circle magazine published its works.

In 2003, he participated in the organization of the second China Rock Painting Exhibition sponsored by China Art Department of the Ministry of Culture, and served as a judge.

In 2004, he published an article "Questions about Rock Paintings" in Art Newspaper.

In 2004, he participated in the organization of the 3rd China Rock Painting Exhibition sponsored by China Institute of Arts and Crafts of the Ministry of Culture, and served as a judge.

In 2004, he was a visiting professor at Cai Chong College of Shaanxi Education College.

In 2004, he published his works in the Literary Review of Heilongjiang Artists Association.

In 2005, he taught in the Department of Chinese Painting of Central Academy of Fine Arts.

In 2005, I went to Inner Mongolia, Xiangxi, Sichuan and Qiandongnan to sketch.

Chongqing literature and art works published in 2005 and their brief introduction.

In 2005, Art magazine published works and introduced them.

In 2005, People's Fine Arts Publishing House published the Handbook of Mineral Colors, edited by Yu.

In 2006, he edited and published Wang Xiongfei's Painting Collection, and Wang Xiongfei's solo exhibition was held in Beijing.

In 2006, he published his works in China Figure Painting Techniques and Sketch Techniques published by China Youth Publishing House.

In 2006, Xi Academy of Fine Arts and Nankai University held lectures.

In 2006, the Rock Painting Art Research Center of China Culture Promotion Association was established as the director.

In 2006, Chinese and Japanese painters were organized to "seek the source in the desert" to inspect the ancient murals in the northwest of China.

In 2006, the Ministry of Culture held the 17, 18, 19 China advanced seminar on colorful paintings.

In 2006, Xueyun University in Japan held an academic exchange seminar on "Changes of Chinese and Japanese Painting and Textual Research on Materials".

In 2006, he went to Nagoya University of Arts to give a lecture on "Silk Road and Dunhuang Art in China".

In 2006, Nagoya University of the Arts held "Wang Xiongfei's solo exhibition".

In 2006, as artistic director, the 4th China Heavy Color Stone Exhibition was held in China Art Museum.

Visiting Professor, School of Art, Renmin University of China, 2007.

In 2007, the Ministry of Culture held the 20th and 21st China Advanced Seminar on Heavy Color Rock Paintings.

In 2007, Chae Yeon Art magazine was founded.

In 2007, the 5th China Heavy Color Rock Art Exhibition was held in China Art Museum.

In 2007, CCTV's 11th special program "Wang Xiong Yan Fei, Pioneer of Painted Leather".

In 2007, I drove to Dunhuang and Tibet to inspect and sketch.

In 2008, the head of rock color painting teaching in the comprehensive art department of China Academy of Art.

In 2008, I was the tutor of the Master of Rock Color Program in the Art College of China Renmin University.

In 2008, the 22nd and 23rd China Advanced Seminar on Heavy Color Painting was held by the Ministry of Culture.

In 2008, the magazine Rock Color Art published four issues.

In 2008, China Rock Painting Exhibition-Thirty Years of Reform and Opening-up was held in Beijing National Grand Theatre.

In 2008, he was invited to give lectures at Taichung Education University in Taiwan Province Province, Donghai University in Taiwan Province Province, Tainan University in Taiwan Province Province and Pingtung University in Taiwan Province Province.

Art inspection in England and Scotland in 2008.

The Art Investigation of "Seeking Sources and Collecting Wind in the Desert" in 2008 for the Master Class of Rock Color in China Renmin University.

In 2008, Japanese TV station interviewed "Wang Xiongfei, the pioneer of rock painting in China".

In 2008, the magazine "Children of China-Famous Painters" featured a report.

In 2009, he was hired as a visiting professor in the Fine Arts Department of National Taichung University of Education in Taiwan Province Province.

In 2009, he served as the instructor of the 24th China Advanced Seminar on Heavy Color Painting of the Ministry of Culture.

In 2009, the magazine Rock Color Art published four issues.

Russian art inspection in 2009.

In 2009, the 60th anniversary exhibition of China rock paintings was held in Beijing.

In 2009, the first rock painting research and creation class of China Academy of Fine Arts started.

In 2009, the cover of China Children-Famous Painters was published.

In 2009, the work Twilight in Kangba was collected by the National Museum of China.

20 10 was employed as a visiting researcher at the School of Creative Design and Art, Donghai University, Taiwan Province Province.

20 10 tutor of 25th China advanced research class of heavy color rock painting.

20 10 "rock color art" magazine published two issues.

20 10 the second China academy of fine arts rock color painting research and creation class started.

20 1 1 paid an academic visit to Tokyo University of the Arts and Tama University of Fine Arts in Japan, and visited the vice president of the school, the famous painter Bao Dao Chaichuan and the famous painter Kaji Nakano of the Japanese painting department.

20 1 1 The second semester teaching of the research and creation class of rock color painting in China Academy of Fine Arts (20 10).

20 1 1 rock painting research institute led members of the rock painting research and creation class of China Academy of Fine Arts to collectively inspect ancient rock paintings in Shanxi and Beijing.

20 1 1 "Rock Color Art 20 1 1.3." Published (edited by Wang Xiongfei).

20 1 1, "Rock color painting adds color to the innovation of Chinese painting" was published in China Information News.

20 1 1 "New Realm of Rock Color Painting" was published in Rock Color Art magazine.

20 1 1 "The Significance of Imitation of Ancient Rock Paintings" was published in the Art of Rock Paintings. ..

20 1 1 Dream of the Western Regions was published in Rock Color Art (20 1 1, page 7).

20 1 1 Qiuci's story was published in Rock Color Art (the back cover of March issue of 201/).

20 1 1 Pamir Bride was published in Rock Color Art (20 1 1, page 8).

20 1 1 year, members of the rock painting research institute visited Xianju, Zhejiang Province to create rock paintings.

In 20 1 1 year, "Looking back, the soul holds three colors of gold, and the waves of the Yellow River are still ringing today" was published in the Journal of Rock Painting (the first edition of 201/year).

20 1 1 Rock Painting Magazine was published (Editor: Wang Xiongfei).

The work Xianju Wonderland 20 1 1 was published in the Journal of Rock Painting (2nd edition, 20 1 1).

20 1 1 Participated in "Rock Painting Development Conference"-Council of China Culture Promotion Association and Rock Painting Art Committee (held in Chongqing).

20 1 1 "Xianju writes Xin Dan Qing to go forward bravely" was published in the Journal of Rock Painting (201/first edition).

20 1 1 Dunhuang Lecture Series of Graduate School of China Academy of Fine Arts (Wang Xiongfei gave a lecture on "The Influence of Dunhuang Murals on the Development of Contemporary Rock Paintings").

20 1 1 The works of jing xing Yanyi and jing xing Yaner were published in Art Newspaper (2011June 14 edition 19).

20 1 1 The work The Believer was published in Art Newspaper (June 1 1, No.9).

20 1 1 year, all members of the rock painting institute of China Academy of Fine Arts went to Tibet to inspect ancient murals.

20 1 1, Xianju, a member of the society, participated in the "Zhejiang Art Exhibition" (Zhejiang Art Museum).

20 1 1, "On the March of Danqing-A Record of the Rock Painting Research and Creation Class of China Academy of Fine Arts" was published in Art Newspaper (46th edition, July 1 16).

The work jing xing Rock No.4 of 20 1 1 was published in Art Newspaper (46th edition of 201/July).

20 1 1 "Research on Rock Painting Materials and Techniques"-Zhejiang Social Science Association.

20 1 1 year's scientific research project achievement reply (No.:20 1 136) (provincial project).

20 1 1 China academy of fine arts 20 1 1 volunteer service activities of summer students in Dunhuang Mogao grottoes.

20 1 1, "Walking in the snowy ancient road-an investigation of ancient Tibetan rock paintings" was published in the Journal of Rock Paintings (the first edition of 2011August 30th).

20 1 1 "Rock Color Art 20 1 1.9." Published (edited by Wang Xiongfei).

20 1 1 The Textbook of Rock Painting-Research on Rock Painting Materials and Techniques was published (China Academy of Fine Arts Press) (edited by Wang Xiongfei).

20 1 1 published the anthology and works of "201China Rock Painting Exhibition and China Rock Painting Development Forum for Twenty Years" (China Academy of Fine Arts Press) (edited by Wang Xiongfei) (horizontal topic).

20 1 1 Jingxing Rock No.3 was published in Rock Color Art (page 20 12, September 20 165438).

20 1 1 hold the "20 1 1 China Rock Painting Exhibition and China Rock Painting Development Forum for Twenty Years" exhibition and seminar.

20 1 1 Twenty Years of China Rock Paintings was published in 201China Rock Paintings Exhibition and China Rock Paintings Development Forum.

20 1 1 published the paper "On the Innovation of Chinese Painting and Rock Painting" in Art Newspaper (20 1 1 edition).

20 1 1 The work Impression of Xishuangbanna-Rain was published in Art Newspaper (46th edition, 20 1 1+00).

20 1 1 The Significance of Ancient Rock Paintings and Murals Copying to Contemporary Chinese Painting Teaching was published in the Proceedings of the National Chinese Painting Teaching Seminar in Colleges of Fine Arts (edited by the Chinese Painting Department of China Academy of Fine Arts).

20 1 1 on the innovation of Chinese painting and rock painting was published on page 50 of "201/China Rock Painting Exhibition and China Rock Painting Development Forum for Twenty Years".

20 1 1 "The Long History of Mineral Colors in China" was published on page 8 of Rock Painting Textbook (China Academy of Fine Arts Press).

20 1 1 "One Rock in Jingxing" and "Two Rock in Jingxing" were published in the album "20 1 1 China Rock Color Painting Exhibition and China Rock Color Painting Twenty Years Development Forum".

20 1 1 Hui 'an Daughter was published on page 82 of Rock Paintings Textbook (China Academy of Fine Arts Press).

20 1 1 "Ganoderma lucidum" was published on the back cover of the rock painting textbook (China Academy of Fine Arts Press).

20 1 1 Miao girl published in China (China Academy of Fine Arts Press), p. 85.

20 1 1 China academy of fine arts carried out the project of copying rock paintings and murals in Qizil, Xinjiang (copying in Qizil for more than one month).

20 1 1 "Spirituality, Understanding, Perception and Intellectuality-Painting on the Rock" was published in Eastern Airlines magazine (20 1 1, 65438+February).

20 12 Editor-in-Chief: Rock Color Art Magazine 20 12.438+0.

20 1 1 Attend the Joint Meeting of the Secretaries-General of China Culture Promotion Association (Beijing Wuzhou Hotel).

20 1 1 Actively prepare the works of "Major Project of Chinese Civilization".

20 1 1 The paper "New Realm of Rock Painting" was published in Art Wealth on March 4th, 20 12.

20 1 1, Tajik Girl, Xishuangbanna Impression-Cloud, Xishuangbanna Impression-Rain, Xishuangbanna Impression-Yearning, jing xing Rock Wonderland, Miao Girl and other works were published in Art Fortune.

20 1 1 Curated "Danqing Fenghua-Cross-Strait Paintings and Rock Paintings Creation Exhibition" (Donghai University, Taiwan Province Province, May 2065438 1 May 65438+4, 2065438).

20 1 1 The paper "The Influence of Ancient Mural Copying on the Creation and Teaching of Contemporary Rock Paintings" was published in "Danqing Fenghua-Proceedings of the Symposium on Cross-Strait Rubber Paintings Rock Paintings".

20 1 1 the pursuit of oriental spirit by rock paintings was published in "Danqing Fenghua-Cross-Strait Paintings with Rubber Paintings and Rock Paintings".

20 1 1, I went to Qizil research institute with the leaders of the institute to establish a teaching base for the institute.

20 1 1 Planning "Exhibition of Bao Dao's Works by Famous Japanese Rock Painter Ishikawa" (Mural Department of Xiangshan Campus).

Solidified in 20 1 1 "Inheritance-History-Future-The Second Cross-Strait Rock Paintings Colloquium Exhibition" (Xiamen Art Museum).

20 1 1 Ancient Chinese Rhyme-Grotto Art was selected as "20 12 Datong International Mural Biennale".

In 20 1 1, he went to India and Nepal to inspect ancient murals for editing and publishing the series of public art colleges.

20 1 1 with 9 scholars, experts and painters majoring in the protection and restoration of cultural property in Tokyo University of the Arts, Japan.

20 1 1 academic exchange of rock color painting, and the "academic seminar on rock color painting" was held in the mural department of the School of Art, University of Technology.

20 1 1 Attend the "Seminar on Chinese Painting Teaching in China Contemporary Art Colleges" (Hangzhou Blue Sky Qingshui Bay International Hotel).

20 1 1 Planning Multicolored Oriental-Qiuci Ancient Rhyme-Oriental Rock Art Exhibition (Zhejiang Art Museum).

2065438+2003 People's Republic of China (PRC) National Art Examination Examiner, Art Development Center of Ministry of Culture.

20 13 Editorial Board of People's Republic of China (PRC) National Art Examination Textbook, Art Development Center of Ministry of Culture.

Materials and Expression of Rock Paintings in China, Urban Development and Public Art Research Series 20 13, China Academy of Fine Arts Press (ISBN978-7-5503-0592-2).

20 13 Shaolin temple murals-creation of Buddhist stories.

From 20 13, I cooperated with Kikucha Art Research Institute in Xinjiang to copy Qizil murals.

The work Snowy Night (20 13) participated in Ode to Peace-Diaoyu Island Painting and Calligraphy Exhibition sponsored by People's Republic of China (PRC) Ministry of Culture (professional guidance) and China Cultural Management Society.

20 13 "ode to peace-Diaoyu island calligraphy and painting collection (painting volume)" was published-some writers of rock painting publishing house ISBN978-7-5063-6925- 1.

In 20 13, the collection of rock painting teaching documents in national art colleges was published. China Academy of Fine Arts Press ISBN978-7-5503-0594-6 (Academy-level project).

On 20 13, he published the paper "Talking about the Ideas and Methods of Rock Painting Teaching" and "20 13 Collection of Rock Painting Teaching Documents in National Fine Arts Colleges". China Academy of Fine Arts Press ISBN978-7-5503-0594-6.

20 13 published the paper "The Influence of Ancient Mural Copying on Contemporary Rock Painting Creation and Teaching". 20 13-7- 13 China master of painting and calligraphy, No.463.

20 13, Wang Xiongfei instructed students to create "mask" with rock paintings after graduation, and won the gold medal.

On 20/0/3, student Zhang's work "Dream of Dongji Island" won the gold medal of "20/0/3 China Rock Painting Exhibition".

20 13 Wang Xiongfei student Li Na's work "Dharma Map" won the silver prize of "20 13 China Rock Painting Exhibition".

On 20 13, he published the paper "Artistic Beauty of Rock Paintings from Mineral Materials", 20 13-7- 13, Art Newspaper, 13 edition (comments).

20 13 Documentary Shooting of "The Road of Rock Painting" (CCTV, Gansu Jiuquan TV Station.

20 13 Lecture "Materials, Creation and Expression of Rock Paintings" 26th China Advanced Seminar on Rock Paintings (Beijing).

20 13 investigation and teaching of ancient mural relics in Shanxi.

20 13 was hired by the Art Research Committee of China Cultural Management Association as the executive director and editorial board member of "The Collection of Seal Carvings of Modern and Contemporary Calligraphy Masters in China".

20 13 Editor-in-Chief of Journal of Rock Painting.

On 20 13, Tokyo University of the Arts conducted a research report on "The Emergence of China Rock Paintings and Postwar Japanese Painting Techniques".

20 13 had a teaching exchange with Tokyo University of the Arts.

20 13 Lecture on "The Application of Rock Paintings in Meticulous Painting with Heavy Colors" (sanhe city Cultural Bureau).

20 13 "Shaolin Temple Mural Forum Demonstration Meeting" was held in Henan Building.

There are 10 rock painting exhibitions in 20 13 years.

20 14 Creation of National Art Exhibition.

20 14 edited "20 14 China Rock Painting Literature and Works Collection".

20 14 compilation of Wang Xiong sketches.

In 20 14, he created Shaolin Temple murals and copied Qizil murals.

20 14 compiled a series of studies on urban development and public art-"China Rock Painting Materials and Performance".

Honor record

Selected as the academic backbone member of the pilot project by China Academy of Fine Arts. Published many papers and works. He won the All-Japan Student Performance Award.

And instructed students to create awards many times. The Red Gate Gallery held a solo exhibition for me for the first time since its establishment. When President Bush visited China, he was interviewed by American media.

Views and styles

Rock painting is a painting form with natural mineral toner as the main material. Modern rock paintings have broken the artificial barriers of nations, regions and countries, and are more cosmopolitan. It advocates inheriting tradition, stepping out of tradition and pursuing diversification in aesthetics.