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Inspirational stories of calligraphy celebrities
Zhang Xu is a great cursive writer. He likes drinking very much. Often drunk by mǐng tincture (dǐng), shouting and running. Then he picked up a pen to write a book. All his works are weeds. Sometimes he would frantically immerse his head in ink to write. After waking up, I watched my works repeatedly, and the world called him "Zhang Dian". Zhang Xuzhen is good at cursive writing, and his calligraphy is deeply loved by contemporary people.
One year, he was sent to Changshu as a county magistrate. After more than ten days in office, an old man came to complain with a form paper. Zhang Xu knew the case, made a judgment, and the old man left. A few days later, the old man came again. Zhang Xu asked the old man angrily, "Why are you bothering me with such a trivial matter?" The old man said, "Actually, I'm not here to complain. Because I think your handwriting is so wonderful, I want to keep it as a treasure! " Zhang Xu felt unusual and asked him why he loved calligraphy so much. The old man said, "My father loved calligraphy very much when he was alive, and left many calligraphy works." Zhang Xu asked the old man to show his works, which is really a rare masterpiece in the world. So he repeatedly studied and learned, from which he understood many mysteries of calligraphy.
The strong stimulation of wine can make people glow with hidden authenticity, and the so-called "telling the truth after drinking" is exactly the case. Some literary and art workers are proud of their talents, and they are even crazier after drinking and behave abnormally. So people call them "crazy people" and they are instantly vivid. But he is not good at drinking, pretending to be crazy and selling stupidity, addicted to drinking and scolding, painting after drinking, and often destroying and cracking. "Rich people want to paint, but they are reviled." People call him crazy, but his name is not understood.
Artists pursue truth, goodness and beauty, and the pursuit after drinking is more intense and unscrupulous, or they despise powerful people or denounce snobs. And the list goes on. After Li Bai's ninth birthday, he dared to let the hot Yang and Gao Lishi sharpen their motuo boots. Such a slave despises the arrogance and affability of powerful people! Cute! Respectable! Kai Liang in the Southern Song Dynasty was even wilder. Liang Kai was a figure painter in the Southern Song Dynasty. He is a heavy drinker and usually entertains himself. "When he was drunk, he was soaked through again." His behavior is wild, and he got the nickname of Liang Crazy. As recorded in Treasures of Painting, when he was in Song Ningzong, he was waiting for a letter from the Academy. The emperor gave him a gold belt, but he didn't accept it. He hung it in the yard with the emperor's reward. In feudal society, what the emperor gave must be preserved and enshrined respectfully. Kai Liang's action is what most people dare not do and don't understand. In the Ming Dynasty, Gui Zhuang (16 13- 1673) could write cursive script and was good at drawing ink bamboo. After the death of Ming Chengzu, he refused to cooperate with the Qing government and often used wine to drown his sorrows. After drinking, he was very sad and there was no one around. Gui Zhuang is as famous as Gu, a great thinker at that time, and is known as "returning to the strange and keeping the strange". Wei Wu, a court painter in the Ming Dynasty, went in and out of the court, but looked down on the powerful. Eunuchs at that time had great power. The autocratic behavior of eunuchs endangering the country is despised by people, while some people are awed by their arrogance and bow to their knees. Tachileik is what he seems, and his love and hate are clear. The attendants wanted to paint, but they never got one. There are also some people who ask Wei Wu to paint. If they are impolite, he will never write. Only when you are drunk will you automatically wipe the paper clean, throw it on the ground after painting and let others take it away.
The works of Dionysian artists are often the embodiment of their own nature and the concrete reflection of their understanding of truth, goodness and beauty. Most of the works are hearty and natural, revealing a true feeling, without the slightest female affectation.
Li Shimin was an emperor in China feudal society. When dealing with political affairs, he often devotes himself to practicing calligraphy in his spare time. At that time, Yu Shinan, known as one of the four great calligraphers in the early Tang Dynasty, worked in the palace. Because he is proficient in ancient and modern times, his words are like gods, so Emperor Taizong has always respected him and often copied and studied Yu Shinan's calligraphy.
In the process of practicing calligraphy, Emperor Taizong deeply felt that the word "ge" in Shinan font was the most difficult to write, and it was not easy to write its spirit. On one occasion, he practiced "Yan" for fear that his writing would be bad and disgraceful, lest ministers read its jokes and deliberately leave the word "Ge" blank and privately ask Yu Shinan to make it up.
In order to show his progress in calligraphy, Emperor Taizong invited Wei Zhi, an admonition officer, to watch some works and asked Wei Zhi's opinion: "Do you think my handwriting looks like that of Yu Shinan, a bachelor?" Wei Zhi looked at it respectfully and carefully, and kept silent with a smile. At this time, Emperor Taizong asked him anxiously: "Is it like it? Why not talk? " Wei Zhi quickly said, "I dare not comment on your handwriting." Emperor Taizong said, "You can speak frankly. I forgive your innocence. " At this time, Wei said, "According to the minister, only the right side of the word' Ge' is the same as that written by Yu, and the rest are quite different." Hearing these words, Emperor Taizong sighed deeply and admired Wei Zhi's eyesight, thus realizing that learning calligraphy can't be fake at all. If you want to learn something, you must work hard.
Calligraphy celebrity inspirational story 4 Zen master Zhiyong, born in Sui and Tang Dynasties, is the seventh grandson of Wang Xizhi. Because he practiced calligraphy very hard, all the broken brushes were discarded in the bamboo basket. After years of life, he accumulated five baskets, so he made his own inscription and buried these pens, which was called the pen grave. This shows that he loves books and treasures things.
Legend has it that when Xiao Xian, a calligrapher of the Ming Dynasty, was a child, well-written children in the village got together to have a "big character writing contest". An old man who cut firewood passed by and saw them writing, so he put down his firewood and came to see it. The little fairy held up the banner of "the best in the world" written by herself for the old woodcutter to read. The old man said, "This word is not well written. How can you call it the first? " Xiaoxian said unconvinced, "Then please write and let us open our eyes?" The old man took off a straw sandal, dipped his toe in ink, and with a wave of his hand, wrote the word "one" on the paper. This is vigorous, vigorous, thick and unrestrained, with a deep brushwork. Xiaoxian was shocked to see it. He immediately knelt in front of the old man and said, "Grandpa, I want to worship you as a teacher." The old man said: "The word' one' is like firewood, and it must be both rigid and flexible." After learning from the teacher, Xiaoxian posted the word "one" written by the old man on the bedside, watched and pondered his brushwork every day, and finally became a calligrapher.
Tian Xingjian, a calligraphy work by Guan Shan, a calligrapher of the State Guest Ceremony.
Cai Yong, a famous calligrapher in the Han Dynasty, wrote six books of Fei Bai Shu. What is a "flying white paper"? You will know after listening to this story.
One day, Cai Yong sent the written article to Hongdumen of the Royal Library. While waiting for the interview, several craftsmen were painting the walls with brooms dipped in lime water. He stood by and looked, but he saw the doorway. I saw the craftsman go down with a broom, and a white mark appeared on the wall. Because the broom seedlings are thin, they can't be soaked with too much lime water, and the wall is not very flat, so after a broom goes down, there are still some places on the white road that show the wall. I can't help but shine at the moment. He thought that before writing with a pen dipped in ink, the strokes were all black. Isn't it more vivid and natural to show some silk or paper with a black pen like a craftsman painting a wall? Thought of here, he suddenly fell into a mood. Run home as soon as you finish.
Cai Yong returned home, forgot to rest, and prepared his own pen and ink. Thinking of the craftsman painting the wall, he began to write. Who knows it's easier to think of than to do? At first, the paper was not exposed or the exposed part was too hard. Far from being discouraged, he tried again and again. Finally, he mastered proper limit from the aspects of how much ink he dipped in, how much ink he used, and how fast he wrote. He wrote a faint white brush stroke in black, which made the words elegant and flying, and had a unique flavor. Cai Yong's original style of writing soon spread and became a "flying white book". Until today, it has been used by calligraphers.
The calligrapher Li, the national guest of Guanshan Calligraphy, "The sky is high and the air is clear, and it is calm."
Calligrapher Zhang Zhi has profound attainments and outstanding contributions in calligraphy. Zhang Zhi studied classics and history from childhood, studied calligraphy diligently, and practiced calligraphy without choosing paper and pen. Sometimes he dipped the rag in water to write on the stone, and sometimes he scratched on the table with chopsticks. Even the cloth and silk used to sew clothes at home were colored first and then dyed. But his writing posture is very exquisite, and he often waves his hair at the bronze mirror, so that he can clearly see his front and back through the reflection on the mirror.
In order to practice calligraphy, Zhang Zhi dug a West Weir Lake in Fiona Fang at home. After finishing his homework for a day, he went to the pond to wash the ink left on the inkstone and brush to prolong their service life. He washed and washed for a long time, and the clear water in the whole pond was dyed black. Later, people called practicing calligraphy "Linchi", which evolved from the story of Zhang Zhi learning books.
Zhong You (15 1-230), a calligraphy celebrity inspirational short story writer, was born in Yingchuan Changshe (now Changgedong, Henan) and Xuchang. Cao Wei, the minister of the Three Kingdoms, was an outstanding calligrapher. His calligraphy "Dot and painting have many different interests" (Shu Duan), which created a new style from Li to Kai and made great contributions to the development of China's calligraphy. At that time, the famous Cao Cao also asked him for calligraphy.
Zhong You was smart and studious since childhood. When he was eleven or twelve years old, he went to Baodu Mountain in southern Shandong with his calligraphy predecessor Liu Desheng to copy the cliff stone carvings in Qin and Han Dynasties. When he chats with people during the day, he often practices calligraphy for dozens of feet. Sleeping in bed at night, I kept pointing at the quilt. Three years have passed, and my calligraphy has finally made great progress. After the establishment of the Three Kingdoms, Zhong You worked with calligraphers such as Cao and Han Danchun.
On one occasion, Zhong You saw a roll of "Nine Potential Eight Characters" written by Cai Yong at home, and liked it very much, so he lent it to him to take home. However, Dan Wei agreed to study at home because of the treasure of eight characters, and refused to let him take the treasure out. Later, when Dan Wei died, the insider secretly dug his grave and got this volume of nine-potential eight-character tactics of Mo Bao. Zhong You bought it with a lot of money, and he kept it in his hand all the time, even when he peed. Several times, he went to the toilet. He was fascinated by the shelf and didn't come out for a long time. He was so anxious that someone looked everywhere. Zhong You lived for 79 years. On his deathbed, he told his son Zhong Hui (word shiji) earnestly that "I have been thinking hard for more than 30 years". I never forgot this when I was driving. I often read his books, but I must learn from his words. Every time I see 10 thousand kinds, I know my favorite books. If you stop at a place, draw this place and walk around a few steps; If you are sleeping, pull out your quilt and put it on. "This passage can be said to be a summary of his experience in learning calligraphy all his life.
Zheng Banqiao loved calligraphy since childhood, and ancient calligraphers copied all kinds of books. After some hard work, he finally wrote almost the same works as his predecessors. But people don't appreciate his calligraphy very much. He is in a hurry and practices harder than before.
One summer evening, Zheng Banqiao and his wife were sitting outside enjoying the cool. He wrote on his thigh with his fingers and on his wife. The wife clenched his hand angrily and said, "You have your body and I have mine. Why not write about your own body and write about other people's bodies? " Smell speech, Zheng Banqiao suddenly woke up, he linked it with his school days. Everyone has his own body, which is different from each other, so there will be all kinds of people in the world. Shouldn't writing be like this? Everyone has his own font, so that there will be breakthroughs and innovations through the ages, otherwise Chen Xiangyin, a thousand people, is meaningless. Thinking of this, he understood the problem of learning to write. Why do I always learn the style of the ancients, instead of going my own way and creating my own style? From then on, Zheng Banqiao learned from the strengths of various schools, blended official script with seal script, cursive script, line script and letters, and used painting methods to write, eventually forming his own unique "six books and a half", which is often called "disorderly stone street style", and became a famous painter with a special style in Qing Dynasty.
The inspirational short story of calligraphy celebrity 10 was born in AD 1256. Most people (now Beijing), from official to official, are famous calligraphers and poets in Yuan Dynasty. Especially in calligraphy, his regular script, running script and cursive script have all reached the level of perfection, which is as famous as Zhao Mengfu, the great calligrapher at that time; He is better at cursive writing, and is famous for his hanging wrist writing, vigorous brushwork and free and easy.
Xianyushu likes reading books since he was a child, especially literary books. At the age of seven or eight, he was able to write poems and articles. However, in the process of composing poems, he became interested in calligraphy, especially appreciating the works of Wang Xizhi, Wang Xianzhi, Yan Zhenqing and Liu Gongquan. Therefore, whenever he sees their works, he likes to imitate them; When he was 12 or 13 years old, he had developed a meaningful and vigorous font without anyone's guidance, which was often praised by people.
At this time, he met an old man with a silver beard After reading his handwriting, I smiled and said to him, "You are very young and have no education. It is very commendable that you can achieve this level by personal efforts. " However, as far as writing skills are concerned, it is still a little weak. "
When the old man finished, he opened his eyes and looked at his own eyes. Knowing that I didn't understand, I shook my head helplessly and left.
Indeed, Xian Yushu has been used to praise recently, but he didn't understand what the old man said: "The foundation is weak". Of course, he was surprised after listening. At this moment, someone said to him, "Do you know who the old man who was talking to you just now? He is Tianxi Zhang, known as the old man in Silverstream! "
Hyun-sook was shocked and said, "Is he the great calligrapher Tianxi Zhang?"
After that, I chased after him and ran for more than a mile before catching up with the old man. Then I plopped down on my knees and said to the old man in a pleading tone, "Old man, it's all my fault. My disciple didn't know Mount Tai and almost missed Master. Please forgive me and accept me as an apprentice. "
Seeing Xian Yushu is sincere and has a certain foundation in calligraphy. The old man agreed to accept him as an apprentice.
Since then, under the careful guidance of Lao Zhang Man Tian Xi, Xian Yushu studied hard and quickly mastered the basic skills of calligraphy. After more than a year of practice, orthography, cursive script, official script, running script and other fonts have basically taken shape. However, Xian Yushu was not satisfied with the turning brushwork in his cursive script. For this question, he has consulted his teacher Tianxi Zhang many times, and the teacher has taught him many times, but the effect is still not obvious. Therefore, he is worried all day and always complains that he is too stupid.
See this kind of situation, Tianxi Zhang is also very worried. He was afraid that haste makes waste, so he comforted him and said, "This is totally a charm. You will learn it when you really understand it. It is urgent to practice calligraphy. "
On this day, Xian Yushu practiced for a while and felt upset, so she decided to go out for a walk and practice again when she came back.
He went to the suburbs, thinking about the essentials of pen rotation as he walked. Just then, he suddenly saw a car stuck in the mud, and two pushers pulled forward desperately, but the wheels were disobedient and it was very difficult to move forward. The freshly baked Lingshu wanted to come forward to help, but he didn't know how to do it, so he had to stand by and watch.
He never expected that, just as he was watching, he suddenly found that the wheel turned east and west, and the road marks rolled out were the turning strokes that he had practiced hard for a long time. So, he ran in a hurry with great surprise, imitating with his hands, leaving, and painting in the air with his hands. Two rickshaws looked at the discussion and said, "Look, that child must be crazy!" " "
Xian Yushu finally solved the problem of cursive writing. He hurried back to the study, spread out the paper, polished the ink, wrote an article with a pen and showed it to the master skipping.
Tianxi Zhang read his cursive script and listened to him explain the process of turning brushwork. He couldn't help but sigh: "This is really' hammering into a needle', and the work will naturally come!"
Xian Yushu eventually became a famous calligrapher, and his works include Collection of Xue Kunzhai and Miscellaneous Notes of Xue Kunzhai.
Calligraphy celebrity inspirational short stories 1 1 Wang Xizhi loved to write since childhood. It is said that when he usually walks, he also practices calligraphy with his fingers at any time. After a long time, even his clothes were cut. After studying hard and practicing hard, Wang Xizhi's calligraphy has reached a high level. Because of his noble background and outstanding talent, all the ministers in the imperial court recommended him to be an official. He is the secretariat and general of the right army (people also call him Wang Youjun). Then he became an official in Huiji County. He doesn't like living in the bustling capital. When he saw the beautiful scenery in Huijili, he liked it very much. Whenever he is free, he will travel with his friends. On one occasion, Wang Xizhi and his friends gave a banquet in Yinshan Lanting, Huiji County. Everyone writes poems while drinking. Finally, Wang Xizhi wrote an article on the spot to commemorate this banquet, which is the famous Preface to Lanting Collection. Wang Xizhi's Preface to Lanting Collection has always been regarded as a treasure of China's calligraphy art, but its original work has been lost.
Wang Xizhi's calligraphy is becoming more and more famous. People at that time regarded his calligraphy as a treasure. It is said that once, he went to his protege's house, and the protege warmly received him. Sitting next to a new case, he saw that several cases were smooth and clean, which aroused his interest in writing, so he asked his protege to bring pen and ink. The pupils were so happy that they immediately brought the pen and ink to Wang Xizhi. Wang Xizhi wrote a few lines on several boxes as a souvenir and went back.
A few days later, the protected person was on a business trip. His father went into the study to tidy up, and when he saw that the new book case was stained with ink, he scraped off the words with a knife. When the protected person came back, the handwriting on several boxes had disappeared. The protected person has been worried about this for several days.
Another time, Wang Xizhi went to a village. An old woman went to a charity sale with a basket of hexagonal bamboo fans. That kind of bamboo fan is very simple, without any decoration, which can't attract the interest of passers-by and can't be sold as it is. The old woman is very anxious. Seeing this situation, Wang Xizhi felt sorry for the old woman, so he went up to her and said, "You can't sell this bamboo fan because there are no pictures or words on it." How about I write an inscription for you? " The old woman doesn't know Wang Xizhi. Seeing his enthusiasm, she wrote him a bamboo fan. Wang Xizhi took a pen, wrote five words on each fan and gave them back to the old woman. The old woman can't read, and she feels that his handwriting is scrawled, so she is very unhappy. Wang Xizhi comforted her and said, "Don't worry. You only tell the fan buyer that this is written by Wang Youjun. " As soon as Wang Xizhi left, the old woman did as he said. Collectors rushed to buy Wang Youjun's calligraphy after seeing it. A handful of bamboo fans will be sold out soon.
Many artists have their own hobbies, some love to grow flowers and some love to keep birds. But Wang Xizhi has his special hobbies. Where there are good geese, he is interested in seeing them, or buying them to enjoy. There is a Taoist in Yinshan. He wants Wang Xizhi to write a moral classic for him. But he knew that Wang Xizhi would not copy scriptures for others easily. Later, he found that Wang Xizhi liked white geese, so he specially raised a group of geese with good varieties. Wang Xizhi heard that there were good geese in Taoism, so he really went to see them. When he approached the Taoist priest's house, he saw a flock of geese floating leisurely on the surface of the river, with white feathers and high red tops. It was really cute. Wang Xizhi watched by the river and was reluctant to leave, so he sent someone to find a Taoist priest and asked to sell him the goose. The Taoist priest said with a smile, "Since the princes love eating so much, they don't have to spend any money. I'll give you all these geese. But I have a request, that is, please write a volume of scriptures for me. " Wang Xizhi did not hesitate to copy a scroll of scriptures for Taoist priests, and the goose was taken back by Wang Xizhi.
Inspirational Short Stories by Calligraphy Celebrities 12 In the 12th year of Hongzhi of Emperor Xiaozong of Ming Dynasty (1499), Tang Yin was imprisoned for cheating in the examination room, and his life was reversed. Shortly after he returned to Suzhou, that is, in the fourteenth year of Hongzhi (150 1), he began the longest and longest trip in his life, visiting famous mountains and rivers in Jiangsu, Jiangxi, Hunan, Fujian, Zhejiang, Anhui and other places for one year. There are few records about Tang Yin's long-distance travel in the literature, which may have a lot to do with his mood when traveling. After the unjust imprisonment in the imperial examination hall, family and marriage have also changed, and they have come all the way in depression. Therefore, the specific route and itinerary of Tang Yin's long-distance trip cannot be completely and accurately verified at present. We can only research some places he mainly visited and stayed in through his few poetry materials, sporadic inscriptions in other people's poems and paintings and several chronicles.
At present, there is a consensus in academic circles that Tang Yin started from Suzhou, first arrived in Zhenjiang by boat, then went from Zhenjiang to Yangzhou, visited the Slender West Lake, Pingshantang and other places of interest, and then walked along the Yangtze River through Wuhu and Jiujiang, reached Lushan, and went boating in Peng Li. Then take a boat back to the river and go to Huangzhou to see the ancient battlefield site of Chibi. Then go south along the Yangtze River into Hunan, visit Dongting Lake and climb Yueyang Tower. Then go along southern Hunan to Hengyang and climb Mount Hengshan in Nanyue. Then turn east to Fujian, roaming Wuyishan and Jiulihu famous mountains in Xianyou County. Then from Fujian to Zhejiang, I visited Yandang Mountain and Tiantai Mountain, crossed the sea to Putuo, then came to Hangzhou, then walked back along Fuchun River and Xin 'anjiang River, arrived in Anhui, and boarded Huangshan Mountain and Jiuhua Mountain. At this time, I had to return to Suzhou because of the lack of hot money and poor physical strength.
Jiuli Lake Begging for Dreams
Tang Yin Zheng Deyuannian (1506) prayed for a dream in Jiuli Lake, which is a widely circulated story of his long journey. The second volume of Tang Bohu's Anecdotal Collection, Legacy, contains: "Tang Ziwei asked for the dream of nine immortals, and the dreamer showed the word' Zhong Lu', but the speaker did not know why." In the second year of Jiajing (1523), Tang Yin visited Wang Yong in the mountains and found the word "Man Fang Ting" written by Su Shi in the wall, with the word "Zhong Lu" under it. Tang Yin can't help but think of the dream-praying gains of Hongzhi's trip to Jiuli Lake in Fujian in the 14th year. These are the two words. Tang Yin went back on his words and said, "A hundred years is strong and a half, and the future will be painless", so he went home silently. On the second day of December, Tang Yin died at home at the age of 54. It seems to confirm the words in Su Shi's poems, and Wang Hao also recorded it in Zhen Ze Chang Yu. Jiuli Lake is located in Xianyou County, Fujian Province, with beautiful natural scenery. At the end of Ming Dynasty, Xu Hongzu's Travels of Xu Xiake and Diary of Jiuli Lake described the natural scenery here: "Drifting here, suddenly falling into the lake. If you are like a horse, you will be surprised at the first time. Jiuxian Temple is in the west, and Carp Lake is in front. The lake is not mighty, but the mountains are clear and green, surrounded by full of green, and the creative spirit is different. ..... at the Night Prayer Dream Temple. "
The custom of praying for dreams in Jiuli Lake is commonly known as "begging for dreams" and elegant as "lying and swimming". It began in the Tang Dynasty, flourished in the Song Dynasty and flourished in the Ming and Qing Dynasties. In the Song Dynasty, praying for fairy dreams in Jiuli Lake has become a stepping stone for scholars to seek fame and fortune, and this custom has continued from Xinghua County to four counties in central Fujian. In the Ming Dynasty, the dream-chasing atmosphere of Jiuli Lake was unprecedented. Tang Yin's travels in Fujian are also found in his other poems. For example, Baoyan Temple in Fujian once collected two poems by Tang Yin. One of them is: "It's a pity that the trees in the imperial court were uprooted and the Han officials were driven out. It is because it is late that it is not as good as spring. " Metaphorically, I am like a pomegranate, unable to catch up with the fate of spring. The second one is: "It's getting lower and lower. Time series: autumn and winter in Xia Meng, east, south, north, summer and east. At present, everyone is old and things are uneven. If you want to be stable at home, a pot of turbid wine. " It shows that we should be indifferent to the ups and downs of the world. There is also a song "After Ning Min Shinjuku Hotel, the pavilion people hung chrysanthemums, and suddenly felt that because of the topic": "Yellow flowers have no owner, and the winding path is cold. Try your best to buy powder and pay for it all your life. " Show indignation at being abandoned by the world. Tang Yin's travels in Fujian reflect his complicated and contradictory mentality at that time. From the poems left in Baoyan Temple and Ludi, we can see that Tang Yin is still ruminating and reflecting on the past. He lamented that his fortune was bad, his talent was wasted, and he fell into a heavy pessimism. As for his dream pursuit, can we regard it as Tang Yin's serious and special thinking on how to take the next life path?
I have traveled all over Zhejiang, and I am still unfinished.
In the 14th year of Hongzhi's strong tour, Tang Yin passed Tiantai and Hangzhou on his way home. Although he left few poems, these words reflected his different mentality from that of Fujian people. When he visited Xiaoguo Temple in Tiantai Mountain, he wrote a song "Smell the Flower Guanyin" (Volume 3): "Laugh at the flowers and break the sandalwood lips, and realize the dust body. Take the star crown and the iron, and the moon on the roof is a gift. " It can be seen that his interest at that time was already rainy. In Hangzhou, I can see him wandering in the scenery. The lonely mountain he has been to is: "The fairy mountain on the lake is very remote, and the world dust can't cross it." Bai Ping opened a Tibetan fishing market with a deer farm in the middle of the red leaves. Shadows in the setting sun and orange fragrance in the new frost trees. It is said that in the old place, the roadside is covered with grass and grass. (Volume 2: Inscriptions) Baochu Temple has become a playground for Tang Yin to drink and write poems and invite friends to enjoy the scenery: "You try the pavilion with the topic, and Lan Ruo knocks from beginning to end. In the early morning, incense was condensed through the fog in the temple, and night fishing lights were scattered around the lake. Climb the new wine and pour the white wine, hang the ancient empty mountain and pour the imperial green. It is also a pleasure, and poetry is sung and listened to by old friends. " (Volume 2: Traveling with Zhu Yanming to Fubao Temple) Later, when he recalled the time when he strolled by the West Lake in his hometown of Suzhou and Hangzhou, his thoughts were still endless. He couldn't help sending poems to his friends in Hangzhou, and regarded Hangzhou as a place of enjoyment and leisure like Suzhou: "I live in Suzhou and Hangzhou, and Suzhou and Hangzhou have been a paradise since ancient times. It's 300 meters across the road. How many times do you get drunk all day? Bao Kuita dipped in the shadow of the lake, and the official tile palace incense musk the umbilical cord. As long as the two places can enjoy themselves, going to other places will not be advocated. " (Volume 2: Send Guo) When he left Hangzhou, he went up the Fuchun River and passed the fishing platform, and wrote a poem: "An old friend of Emperor Wu of the Han Dynasty went fishing in a rocky area, and the fish in that rocky area was still different from the past. Pine trees are full of firewood axes, and white kudzu falls on the clothes of the sun. Who will look after the sleeping cow at once? ? There are countless birds flying. I am wandering with porridge. Where are the rivers and lakes? " (Yantan Volume 2) At the end of the trip, I thought that Yan Ziling in ancient times could devote himself to fishing for the rest of his life, and he seemed to be lost in endless reverie about the afterlife.
Free travel in southern Anhui and Peixian.
In the eighteenth year of Hongzhi (1505), Tang Yin traveled in southern Anhui. Unlike three years ago, he was wronged in the examination hall and traveled alone with melancholy and resentment. This time, at Wang's request, he wrote "The Ancestral Hall of the King" for him, saying, "There are many noble families here, and Wang is one of them. ..... His sons, Ge You and Uncle Jingmi, followed the story, introduced six sages in the family, and announced Ye Naili, so the temple was well prepared. ..... The descendants of the Queen, if they know what they are doing, don't do it for the sake of Sri Lanka, and let the Shide clan grow up with this temple for millions of years. Isn't this a good idea for the emblem? Hongzhi is ugly, I passed the emblem, and my friend paid the money, so I remember. " It can be said that it is a breeze, and the depressed mind has been cleaned up. ? Then, he climbed Yun Qi Mountain in Xiuning County, and his new state of mind was clearly seen in his "Qiyunyan Poetry" (Volume 2): "The suburban garden has been shaking for more than September, and Qiushan climbed to the beginning happily today. Frost forest painting, wild goose empty half cursive script. Qu Tiller has a deep friendship, but Kong Fangxiong has a bad relationship with him. Sai Weng's gains and losses are tireless, and he feels relaxed and quiet in his chest. When Tang Yin arrived in Shexian, he also wrote Zhu Zhai Ji for Wu. ? In the second year of his trip to Anhui, Tang Yin accompanied Qin Wang to visit Ge Feng Station in Pei County, Jiangsu Province, and painted the real scene of Pei County Station.
In addition to the above travels, Tang Yin's frequent whereabouts are mainly in Jiangsu and Zhejiang provinces, such as Yixing, Jiangyin, Zhenjiang and Pinghu.
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