Chaplin's "The Son and the Immortal", nearly a hundred years later, what are the different appreciation meanings in different eras?

"The Kid" is a family comedy movie made more than 90 years ago. Movies at that time had no lines, so everything relied on the body language of the actors to express it. Charlie Chaplin is worthy of being a master. , interpreting a touching story vividly, this video master has moved audiences for a century with such crying and laughter. In the absurd and noisy plot comedy, there is always a strong tragic social criticism wrapped in the weak and humble. The homeless man has both tenacious vitality and humanistic feelings for truth, goodness and beauty. His laughter and tears have not faded after a hundred years and can still bring strong emotions. Dreams are an imaginary metaphor, and the world where evil thoughts are at work is both paradise and It's hell.

Revisit the master's early works. This movie is not as funny as the movies in Chaplin's heyday, but more of a warm and heart-warming movie that encourages people to do good and makes people feel warm and touching! Every movement and look in Zhen Zhen'er's eyes is interesting, and it's a movie with warmth in the sadness. The relationship between father and son is heartwarming and touching, and the one about losing his son is particularly tear-jerking. The plot should have been pioneering at that time, and the way of expressing dreams was also very special. If you have a loving heart, even if you live in poverty, you will always be accompanied by surprising encounters, and you will be happy until you are happy.

Charlie Chaplin is truly worthy of being a film genius, director, music and star. Perfectly blended into one. The film brings us not only joy, but also touching. Although such a family is not rich and powerful, it is more popular than being rich and powerful. The master's first multi-film has already laid down the basic performance model and humor elements for the future. I envied that child very much and wanted to have such a happy childhood. Although he was poor, his life was very good. The kid is the best child actor I have ever seen in the silent film era, with cute looks and superb acting skills. The final dream is a bit of a stream of consciousness, and the ending will have a strong tragic color, diluted with a touch of warm color.

This film is one of Chaplin’s less funny films! Although the story seems a bit old-fashioned today, it is still quite touching! This film is Charlie's first film. There is no exaggerated joy, and the tragedy is deeply rooted in people's hearts. The lens editing is concise and smooth, and the performance is simple and vivid. It is a rare masterpiece of early films. No matter whether we are poor or rich, the deep love deep in our hearts cannot disappear. An extremely simple story, but the presentation technique is so interesting. The black-and-white, mime era of film produced effects far beyond those of today's special effects.

Charlie Chaplin is the same as "Life is Beautiful", it is also a comedy, and it also makes people burst into tears, from the confusion when they first picked up the child to the joy of having sex with the child. , to the madness of being separated from the child at the end, especially the part about searching for the child, which is particularly tear-jerking. The history of social development is often a symphony of pain and joy. When the ugliness of human nature is rampant, it is often the time when conscience is revealed.

As a film master who was both a writer and director, Charlie Chaplin's works have reproduced the waves of the times time and time again. I believe everyone still remembers the classic scene of smashing windows and repairing windows. Maybe we can't resist the coercion of the rolling world, but there is always a kind of touch that stays in our hearts across time and space.

There is only one Chaplin, and he hardly needs the help of any film technology. As long as he stands in front of the camera, the whole world is his audience. Probably no one can combine humor, warmth and deep sadness like Chaplin, and give people so many feelings in just 50 minutes. Chaplin could always express more in less time, and pure mime could express more emotion than a talkie could. Whether it's acting, using mirrors, scoring music or creating, you can experience Chaplin's superhuman talent!

The most admirable thing is that Chaplin can always use comedy plots to string together a tragic atmosphere. Although the entire movie has been shrouded in a deep atmosphere of tragedy, the protagonist always has a strong spirit of optimism. The smooth and natural story, the touching father-son relationship, the talented performances of the actors and the excellent soundtrack make Chaplin's tragicomedy undoubtedly an eternal classic. It’s hard to imagine that this is a 1921 silent film that pays homage to Chaplin, but it’s still interesting to watch now.

Classics lie in deep emotions. As early as the silent film era, Chaplin had used surrealism. Chaplin knew the extent of sensationalism more than 90 years ago and would never overdo it.

Watching the interaction between his character and his son, kicking back and forth, committing petty thefts, the state of a real low-level father and son is extremely real. It's such a simple idea, but now I don't dare to take pictures. At the same time, Chaplin also used montage as a tool to heighten the atmosphere: when the child was taken away by the police, the tramp's struggle and the child's cry were a great piece of editing and performance.

True kindness is the warmth from the heart. The warmth and coldness of society are revealed in the tacit interaction between the homeless man and the abandoned child, with laughter and tears. The simple story has ups and downs, is all-encompassing, and is a pure physical performance. It successfully carries forward the complex emotions, and has a preliminary glimpse of the deep atmosphere of social tragedy and the spirit of positive optimism. It has the prototype of Chaplin-style comedy style and the simplicity of old black and white movies. With respect to the master: May everyone be treated with warmth and kindness. The film leaves a relatively bright and open ending. Whether the kind-hearted Mousi can complete the counterattack of love is left to the imagination of the audience. Seeing the scene where the car thief abandons the baby, one can't help but sigh that Chaplin Amazing prophetic ability!