Understanding after Jin Jing A Ying's long impromptu performance

I watched Jin Jing and Liu Shengying's long improvisation in the evening. People can't help but admire the high standard, and it is worth learning, as if it were a long impromptu ceiling.

(First, under the simple science popularization, impromptu performance is a hilarious story improvised on the spot without script or rehearsal. It can be described as the integration of on-site editing and directing. )

Perception from the story level:

This performance form is one of three choices. Compared with the previous long-form chopping down trees, this chopping speed is particularly fast. Choose one to go on for a long time, which may be the reason why this long-form is called "movie".

There are all kinds of opening inspirations before the impromptu performance. This opening inspiration is to interview the audience, and Jin Jing's lively opening style will explode the audience, which may be a combination of unique charm and years of stage experience. So a good opening should match the characteristics of the actors.

this is a manifestation of the unity of heaven and man.

Let's recall that three audiences were selected for the interview at the opening. The first one was the literary life of independent woman Sasha, the second one was Meng Han's road to king of comedy, and the third one was that the Russian doll was changed to V-shaped killing.

Sasha's story has become a blind date scene, and all blind date scenes are easy to make jokes. Because most blind date men and women have all kinds of obsessions or strange ideas. The blind date scene is also a scene that makes the audience feel superior and familiar to the public.

if you play a day when a scientist does an experiment, it is too far away from the public compared with the blind date scene.

Sasha's story is that Sasha is very realistic, likes houses and cars, and takes a fancy to the salary of the other party. In the process of blind date, a character who is ashamed and arrogant, such a character likes drama and Shakespeare. The man's role modeling (played by Jin Jing) is a very real traditional blind date man who works in an Internet company that doesn't work overtime. It belongs to people who are doomed to be difficult to achieve results in the city.

a high profile, a low profile, a pride, a reality, a duty, which creates a good contradiction. Arrogant is too arrogant. I thought it was a fruitless blind date, but Sasha established a new link with her hobbies (like drama and Shakespeare). In this way, there are infinite possibilities.

this achieves a dynamic balance.

In the past, watching some performances by other partners, the high posture was always high to the sky, and it was difficult to establish more links with the low posture and realize the dynamic balance of the scene.

The second story is Meng Han's comedy road. Before recalling this story, let's briefly recall the interview. Jin Jing interviewed the audience Meng Han: What is the most successful thing recently? Meng Han said it was a comedy show with more people and higher fares the other day. I have to say that this buddy is very real. Under the anchoring effect, from the perspective of the audience, there must be jokes with ridicule and attack.

Then it was turned into a story of a fringe comedian and a leader. The marginal guy who has been working hard has a dream, and he is a principled head of the team. Meng Han's obsession is to pursue comedy dreams, and the head of the team is very rational. The conflict in this scene is the pursuit of dreams and cruel reality, and most viewers will be familiar with it. King of comedy and New king of comedy are so popular.

Of course, I also admire that Jin Jing and A Ying can connect their brains at the scene and think of king of comedy in general, which is very tacit.

The third story begins with the wonderful primary school days of two eleven-year-old children, Xu Wensen and Li Wenting. Xu Wensen, a little boy, doesn't study very well. He may have inherited his father's and grandfather's genes. Li Wenting, his deskmate, often helps him. The world between two children is the best.

It's a pity that the information of eleven years old has been given. If this continues, if eleven-year-old children start to fall in love, it will be easy to promote a bad value, so it will gradually turn into a sunset love between their grandparents.

A great actor is great, and Jin Jing and A Ying are both very conscious of values.

In the past, watching some impromptu team performances, acting out its connotation turned into propagating and spreading some bad values. Too free and unrestrained. This is a question of the actor's basic quality and consciousness. Maybe he won a joke or two by preaching bad values, but an actor who has no sense of values doesn't know the basic laws of actors and performances, and it is difficult for him to get on the stage, gain public recognition and get angry.

The third story also uses multi-role switching, which is still very difficult, because a little carelessness will confuse the audience. But the scene is not chaotic at all. Besides the tacit understanding, there is also the shaping of characters. Most grandfathers are limping, and most grandmothers are S-shaped. Simple and easy to remember.

Then there is the development of the third story. The grandmother and grandfather met each other because they picked up their children (at first, they thought the children were the protagonists, but they were not, which is the charm of improvisation). Then, at first, the grandmother disliked the grandfather, and gradually her feelings warmed up, and they accompanied each other on October 1.

Maybe the story goes on like this, and then there is the entanglement of the grandfather, who is entangled in the memory of his dead wife and the choice of a new love. This creates a conflict point. Is it because of the feeling of missing your dead wife or because of loneliness?

with this curiosity, the audience will keep watching. During this period, some grandfathers also sought the opinions of children and publicized the theme that the elderly also have the right to pursue happiness. The ending is hazy, giving people unlimited room for daydreaming.

Summary of the story:

The theme of the story must conform to the socialist core values, which is the basic premise.

Story-building should be supported by distinctive characterization. On the surface, there are some behavioral characteristics such as crutches /S-shapes, and on the connotation, there are also grandpa's inner activities, such as showing in dreams, calling children and so on. That is to say, characters should have ideas, desires, emotions and thinking, which is the law of characterization.

the story should have a beginning (meeting), a development (seeing the children off for an eleventh date), a climax (the old lady goes to the grandfather's house, and the grandfather is entangled in hiding photos), and an end (everyone in Building V is happy), which connects the past and the future. This is the law of the story.

the combination of the law of characterization and the law of story is the unity of heaven and man.

Understanding from the technical level:

There is improvisational music as the soundtrack, which of course tests the foundation of the music teacher. Played a lot of rendering effects.

the addition of props, the original impromptu performance is a big problem that it is easy for the audience to get confused without physical performance, so almost all venues have only two chairs, this time there are two more boxes and some basic props such as curtains and fans.

No physical performances. There are not many physical performances on the spot, but they are all in place, such as watching watches, carrying schoolbags, hitting trees, dentures, scanning codes, etc., which are widely known and can be understood by the audience in seconds.

In the past, some brand improvisers often complicated the non-physical performance, such as tying the donkey with a rope and then giving it water, but I didn't understand it after drawing for a long time.

Time-space switching, when two people say something on the spot, they can switch time and space quickly, give the audience a brain supplement, and then they can cut back quickly without procrastination.

Time-space switching is a common way for impromptu actors. However, there are often some actors and some team performances that can't be cut back, and they fly away while playing. Grandpa's sunset love time and space switching is very good and perfect.

To sum up, some innovations and simplifications have been made on the basis of impromptu performance. These innovations and simplifications are carried out under the principle that the audience can understand and the live effect is good.

Feeling from the hilarious level:

At this point, I basically contributed all the laughter to the scene, so these feelings are mainly based on taste.

the basic principle of line laughter is to reinterpret it unexpectedly. In this respect, the two impromptu actors are in place, which is worth learning, so I won't go into details in this respect.

Secondly, with the coordination of the sound stage and the table, for example, Jin Jing's little sister, the ordinary lines can make people laugh with her voice and expression. There are also A Ying's S-shaped walking and changing expression packs, which will make people laugh even if they don't say lines.

There are also some funny things that make no sense. These are some memory points, such as strange news broadcast, yelling stewardess elder sister, call back of Sasha story and dream story, improvising songs, buying dice in nightclubs, and special note codes.

these little nonsense performances are just right, because most of the impromptu long performances are not well-balanced, and they are easy to fly. Short performances can pursue hilarity and forget development, and long ones will be boring and difficult to develop if they fly.

There are three main points in the summary of hilarious: joking with unexpected lines, laughing on the sound stage, and being funny with little nonsense.

Finally,

Because of the epidemic, I haven't played improvisation for a long time. I miss it very much, and I am amazed to see the high-level improvisation! I am also very grateful to the organizations such as Brother Corn and Ala for creating such an environment and opportunity for everyone.

In the past, one of the two impromptu teams I was in has been dissolved, and the other is currently rehearsing loosely, and the participation of personnel is not fixed. Improvisation is meant to make people open. I hope I can join some more fun impromptu teams or form a more fun team together.

Finally, I hope that impromptu comedy can be played by more people and create happiness for more people. I wish you all a happy National Day Mid-Autumn Festival.