Advantages and disadvantages of Miyazaki Hayao and China animation in Disney DreamWorks

1, Advantages: DreamWorks has obvious American temperament, and it has the unique openness and tolerance of American culture in terms of open scenery, characterization, plot design and prominent theme.

First, the characters are generally very different, such as Po and Dad, cats in boots and humans ... Although the characters are different, their basic values are the same, which is a bit "harmonious but different".

Second, the subject matter covers a wide range, and the recognition of foreign cultures can be well grasped. For example, "Kung Fu Panda" is unanimously considered to show some traditional things in China;

Third, the plot is appropriate and the image is outstanding. Many of China's plays have the same feature: the protagonist must be perfect, even if he makes mistakes, it is to set off his tall image; The characters in American dramas are ordinary little people, and there are many shortcomings and mistakes from time to time, but they break out in time and make great achievements. After becoming a superhero, he is still an ordinary person, which makes it easy for the audience to have a sense of cultural identity and narrow the distance.

2. Disadvantages: Sometimes the story is repeated, and the story of a routine is not tired of telling in another environment, lacking creativity; There are also typical figures with limited images and simple relationships, which cannot reflect major propositions such as social contradictions. However, animation is animation after all, and mainstream values are good. Screen production can also be seen as well-intentioned, and the concept can stand scrutiny.

A brief history of animation:

The more standard definition of animation technology is the image technology that takes pictures of objects frame by frame and plays them continuously to form actions. No matter what the subject matter is, as long as it is shot frame by frame, continuous playing to form a moving image is animation.

The analysis map of bison running in stone age caves 25,000 years ago is the earliest evidence of human trying to capture action. The concept of "simultaneity" indirectly expresses human's desire to "move" by drawing actions that occur at different times on a picture. During the Renaissance, the people in Leonardo da Vinci's paintings had four arms, indicating the movement of swinging hands up and down;

In the history of painting in China, artists have a tradition of bringing static painting to life. For example, Sheikh's "six laws" in the Southern Dynasties advocated "vivid charm". In Pu Songling's Strange Tales from a Lonely Studio in Qing Dynasty, the character "Fairy in the Painting" stepped out of the picture, which also reflected the ancient people's demands for animation. These concepts have something in common with animation, but it is Europe that really tries to make the image in the painting move.