The steps of impromptu dance

The steps of impromptu dance are as follows:

Spatial arrangement: space: there are one-dimensional, two-dimensional and three-dimensional spaces. Once: prone, lying, kneeling, low-level movements on the floor. The second degree: standing, squatting and tiptoeing, with moderate movements in the middle. The third degree: flying, generally refers to the high action of "jumping". Scheduling: front, middle and rear center lines.

Forecourt, midfield, backcourt and midline are concepts that every dancer is familiar with, so I won't explain them here. What needs to be emphasized is that we can skillfully use the "streamline" method to grasp the position at any time when scheduling the spatial position. In the simultaneous impromptu examination of many people, unnecessary collisions and mistakes can be avoided, and the fullness of movements can be increased, attracting the attention of examiners and judges.

The midline is one of the words that every dance examinee hears most in his study, and it is also one of the most striking and prominent positions in the exam. Therefore, in the exam, candidates try to grasp the position of the center line and the frontcourt, and there will be unexpected gains.

Emotional expression is the most important thing in dance. All action words and structures are designed to convey the thoughts, feelings and inner words of dancers, tell everyone a thing, a sentence or a person, and let people know why or what they think.

If all the skills, movements, directions and music of the candidates are well mastered and their emotions and emotional expressions are lacking in the impromptu choreography examination, then the examiner can only think that the candidates are a well-functioning machine, not a living dancer. Therefore, in the exam, no matter what problems and music they encounter, dance candidates should seriously think and listen carefully, combine what they see, think and know, integrate them into the role and music, and show them incisively and vividly. Only when they are distracted, not just when they are out of shape, can their emotions and even expressions be reflected.

In the impromptu choreography examination, there are concerts with different styles, such as classical, folk, modern and contemporary, and different musical styles will have different musical characteristics. Here are some common timbres, which candidates need to pay attention to and distinguish.

Different music styles require candidates to be familiar with and skillfully distinguish categories and grasp the style characteristics of different dances. No matter what kind of music, there will be rhythmic division. In the division of rhythm, candidates need to pay special attention to "3 beats and 4 beats", that is, "1234,5678" and "123,223,323,423" which are common in dance classes.

In addition, we should also pay attention to the structure of music and how to skillfully grasp the remake point and pause point in the impromptu exam. Here, xu teacher of China Film Art Examination Dance Academy has a little experience "1/2/4/8" and "every 4 films 1, every 1 card 1.

When you remember the rhythm point of the main theme, it will become 1, 1 every four days, so the rhythm will be clearer. And every 1 day, it must be the repetition point or remake point of music, which is exactly the point that candidates need to highlight and add highlights. The same is true for every change of 1 card point. Variations must be the beginning of another short piece of music, and it is also a prominent point. This will make the examinee's movements look clean and tidy, complement the music, and the score will be reflected.