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What is leveling?
Press four tones in Mandarin.
Suck into the river to make fresh tea;
Very flat, very flat.
Sell all the green hills as painting screens.
It is flat. It is flat.
According to the ancient four tones,
Suck into the river to make fresh tea;
Flat and light, flat and light.
Sell all the green hills as painting screens.
Ordinary, ordinary, ordinary.
Judging from the above arrangement, the use of ancient sounds is the law of linking sounds, while the use of modern sounds is inconsistent (at least the law of upper and lower levels is inconsistent). Therefore, when we talk about Lianzhong Pingzhuan in the future, we must first find out whether the creator is based on ancient sound, modern sound or local dialect; Otherwise, it will make a joke.
Plane contour
abridged table
Plane contour
Five laws are equal: the first word and the second word of the first sentence are flat.
The five laws start from the beginning: the first word and the second word of the first sentence are silent.
Seven laws are equal: the second word of the first sentence must be flat.
Starting with the seven laws: the second word of the first sentence must be linked.
Five is definitely equal to the rhyme of the first sentence.
Flat (rhyming)
Fairness and flatness (rhyme)
Very flat, very flat.
Flat (rhyming)
The first sentence doesn't rhyme.
Flat and light.
Fairness and flatness (rhyme)
Very flat, very flat.
Flat (rhyming)
The first sentence of the five-element poem rhymes.
Fairness and flatness (rhyme)
Flat (rhyming)
Flat and light.
Fairness and flatness (rhyme)
The first sentence of these five poems doesn't rhyme.
Very flat, very flat.
Flat (rhyming)
Flat and light.
Fairness and flatness (rhyme)
The first sentence rhymes with the first sentence.
Flat (rhyming)
Flat Tiles Flat Tiles (rhymes)
Very flat, very flat.
Flat (rhyming)
The first sentence doesn't rhyme.
Flat and light, flat and light.
Flat Tiles Flat Tiles (rhymes)
Very flat, very flat.
Flat (rhyming)
The first sentence of this quatrain rhymes.
Flat Tiles Flat Tiles (rhymes)
Flat (rhyming)
Flat and light, flat and light.
Flat Tiles Flat Tiles (rhymes)
The first sentence of this quatrain doesn't rhyme.
Very flat, very flat.
Flat (rhyming)
Flat and light, flat and light.
Flat Tiles Flat Tiles (rhymes)
The five laws rhyme with the first sentence.
Flat (rhyming)
Fairness and flatness (rhyme)
Very flat, very flat.
Flat (rhyming)
Flat and light.
Fairness and flatness (rhyme)
Very flat, very flat.
Flat (rhyming)
The first sentence of the five laws doesn't rhyme.
Flat and light.
Fairness and flatness (rhyme)
Very flat, very flat.
Flat (rhyming)
Flat and light.
Fairness and flatness (rhyme)
Very flat, very flat.
Flat (rhyming)
The first sentence of the five laws rhymes.
Fairness and flatness (rhyme)
Flat (rhyming)
Flat and light.
Fairness and flatness (rhyme)
Very flat, very flat.
Flat (rhyming)
Flat and light.
Fairness and flatness (rhyme)
The first sentence of the five laws doesn't rhyme.
Very flat, very flat.
Flat (rhyming)
Flat and light.
Fairness and flatness (rhyme)
Very flat, very flat.
Flat (rhyming)
Flat and light.
Fairness and flatness (rhyme)
The first sentence of the seven laws rhymes.
Flat (rhyming)
Flat Tiles Flat Tiles (rhymes)
Very flat, very flat.
Flat (rhyming)
Flat and light, flat and light.
Flat Tiles Flat Tiles (rhymes)
Very flat, very flat.
Flat (rhyming)
The first sentence of the seven laws does not rhyme.
Flat and light, flat and light.
Flat Tiles Flat Tiles (rhymes)
Very flat, very flat.
Flat (rhyming)
Flat and light, flat and light.
Flat Tiles Flat Tiles (rhymes)
Very flat, very flat.
Flat (rhyming)
The first sentence of the seven laws rhymes.
Flat Tiles Flat Tiles (rhymes)
Flat (rhyming)
Flat and light, flat and light.
Flat Tiles Flat Tiles (rhymes)
Very flat, very flat.
Flat (rhyming)
Flat and light, flat and light.
Flat Tiles Flat Tiles (rhymes)
The first sentence of the seven laws does not rhyme.
Very flat, very flat.
Flat (rhyming)
Flat and light, flat and light.
Flat Tiles Flat Tiles (rhymes)
Very flat, very flat.
Flat (rhyming)
Flat and light, flat and light.
Flat Tiles Flat Tiles (rhymes)
pay attention to
Words ending in -n or -ng are not entering tones. As far as Hubei, Sichuan, Yunnan, Guizhou and northwestern Guangxi are concerned, there are basically no syllables such as ai, ei, ao and ou.
The level tone of Putonghua can be divided into four types: level tone, rising tone, falling tone.
The tones of ancient "Pingsheng" are divided into Yin Pingping and Yang Pingping in Putonghua, that is, the so-called first and second tones.
In ancient times, the tone of "Shang Sheng" was partly disyllabic and partly Shang Sheng in Mandarin. Shangsheng is the third sound of modern Chinese Pinyin.
In ancient times, the tone of "Qusheng" was still the fourth tone in Mandarin.
The ancient "Rusheng" no longer exists in Mandarin. It has become a flat tone, a rising tone, a falling tone.
The four tones of Putonghua are: flat tone (the first tone), flat tone (the second tone), rising tone (the third tone) and falling tone (the fourth tone).
For example:
BRIC
(flat tone) (rising tone) (rising tone) (falling tone)
To put it simply, among the four tones of Putonghua, the first and second tones are flat tones; The third and fourth sounds are ligatures.
Knowing what four tones are, it is easy to understand the flat tone. Flat tone is a term of poetic meter: poets divide four tones into two categories, flat tone is flat tone, and flat tone is three tones. Well, literally, it means uneven. What makes it possible to divide it into two categories? Because the flat sound does not rise or fall, it is long, while the other three sounds do rise or fall (the incoming sound may also slightly rise or fall), and it is short, so it forms two types. If these two tones are interlaced in poetry, they will make the tones diversified instead of monotonous. The so-called "sonorous voice" of the ancients is one of the important factors, although there are many stresses. How are the flat lines in poetry staggered? We can sum it up in two sentences: (1) Flat lines appear alternately in this sentence; ⑵ Flat lines and even lines are opposites in the dialogue. This kind of flat and even rule is particularly obvious in metrical poems. For example, the fifth and sixth sentences of Chairman Mao's poem "The Long March" say: Jinsha River is warm in the clouds and cliffs, while Dadu Bridge is cold on the crossbar. These two poems are flat: flat | flat | flat | flat | flat | flat | flat | flat | flat | flat | flat | flat | flat | flat | flat. As far as this sentence is concerned, every word has a rhythm. Pingping's sentence is followed by Xu Wei, followed by Pingping, and the last one is Xu Wei. When you start a sentence, it is flat, followed by flat, and finally flat. This is alternation. As far as sentences are concerned, "Jinsha" is flat to "Dadu", "Shuipai" is flat to "Qiaodu" and "Yunya" is flat to "Tiesuo". This is opposition. Regarding the rules of poetry, we will discuss them in detail from the following aspects: the rules of poetry, the rules of poetry. Now, let's talk about how to distinguish the level. If your dialect has an accent (for example, you are from Jiangsu, Zhejiang, Shanxi, Hunan and South China), then the problem will be solved easily. In those dialects with entering tones, there are more than four tones, not only yin and yang, but also yin and yang. Like Guangzhou Rusheng, it can be divided into three categories. It's all easy to do: just combine them, for example, combine the level tone and the level tone into a flat tone, and combine the above-yin, above-yang, out-yin, out-yang, in-yin and in-yang into a flat tone. The problem is that you must first find out how many tones there are in your dialect. It is necessary to find a friend who understands the tone to help. It would be better if you had learned the corresponding rules of dialect tone and Mandarin tone in Chinese class, and made clear the tone of your own dialect. If you are from Hubei, Sichuan, Yunnan, Guizhou and northern Guangxi, all the Rusheng words in your dialect belong to Yangping. In this way, we should pay special attention to Yangping characters, some of which belonged to Rusheng characters in ancient times. As for which words belong to entering tone and which words belong to entering tone, you have to look them up in a dictionary or rhyme book. If you are from the north, then the method of distinguishing flat tones is slightly different from that in Hubei and other places. Because most of the ancient entering tone words in Putonghua have become disyllabic, so disyllabic is also a disyllabic; The other part of the voice changed, and the voice was low. Therefore, the words from entry to change and from entry to change do not prevent us from distinguishing levels; Only when the entrance is leveled (Yin Ping and Yang Ping), it is difficult to distinguish leveled. We came across a place where rhyme was stipulated in the Law of Poetry, and the poet used a word that sounded very flat today, which aroused our suspicion. We can look it up in a dictionary or rhyme book.
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