Excerpts from classic quotations from Tang Jili, a Hong Kong actor and director.

Tang Jili (also known as Tang Jili), born on April 7, 1960, is a Hong Kong-born actor and director. Tang Jili completed junior high school courses in Hong Kong, went to Canada to study at the beginning of 1977, and was admitted to Miles McDonald College in Winnipeg. When I was a child, I saw the history of Xinglin and had the idea of becoming a doctor. So after graduating from high school, I chose medicine as my major. However, in Canada, foreign students are not accepted, and they feel that their academic qualifications are not enough, so they apply for civil engineering. Stanley is not interested in this. Then because my brother-in-law is in the directing industry. He was also interested in drama, so he returned to Hong Kong to develop films in 1979.

Tang Jili's classic quotations:

A movie or a TV series may change the audience's view of a country or a nation.

A person's influence is limited, but if we can put religious spirit into the cultural industry, advocate the development and progress of China's cultural industry, cultivate national spirit and patriotism, and promote healthy fashion, our film and television industry will certainly develop healthily.

I don't want to see our China culture invaded by American culture, and I don't want children to see Hollywood movies and Japanese cartoons and be influenced and assimilated by their culture. I hope to use them to cultivate my spirit to cultivate the next generation and make them useful talents. If this spirit can be passed down, our cause will be carried forward.

Our China films must compete in the international market, so as to truly carry forward patriotism and national spirit. We are not strong enough now, but we believe that we will be strong one day. If we filmmakers want to have this ideal, we must redouble our efforts and realize it with reverence and enthusiasm.

What we are facing now is cultural aggression and cultural competition, a process of engagement. Our era is an era in which Chinese and Western cultures blend, compete and contend. What do we need in this era? There must be a large number of international film and television talents, high-tech production bases, local talents and markets to develop healthily.

I have always hoped to sum up the experience of our predecessors, gather all the Chinese who have confidence and hope in China's films and make contributions to the development of China's own film industry.

In film works, the sense of justice is regardless of nationality, race, country and age. What I want to grasp in the play is a sense of justice, a kind of heroism that dominates the whole country and is not afraid of power and evil forces. Such a hero is recognized by ordinary people.

I usually work 16 to 18 hours every day, and I am willing to do so, because after filming a play, I feel very happy when I see those actors become popular, and the audience will laugh, be nervous and be happy when they see the play.

The United States is an immigrant country, and the concept of many film creations is to look forward, so many themes are science fiction films; China has a history of 5,000 years and a huge market. We should be good at finding the theme from it and packaging it with modern methods.

We have all experienced pure love, but it gradually fades away in this utilitarian social environment. In fact, many movies reflect the dark side of life, which is as impressive as tragedy. I don't want my romantic films to reflect the dark and dirty side, so I choose this fairy-tale love.

Many people ask me how to solve the major events in my life. I feel like Anita Mui, and I married myself to music, so I will marry myself to a movie. Love is hard for me to find.

Now the situation is grim, and the influence of Hollywood culture infiltration is too great. China films should defend the traditional culture of China, and cannot be completely occupied by Hollywood films.

In the international film market, we have always been in unequal competition, because the distribution network in Hollywood has been occupied every time. It is unfair competition for us to make small movies to occupy the market that has been occupied by big movies.

Hollywood is a place to study abroad, not a base for our long-term development, but a market in China. Into Hollywood, Bruce Lee has done it.

With the rapid development of the mainland, all the differences have faded, and all the living habits are close. We are like a fusion of seawater and fresh water. At first, we are exclusive, but we will gradually merge. In this decade, we have seen that we are inseparable, not only in history, but also in all aspects of society.

The cultural background, political background, knowledge level, living habits and values of the people in the two places are different. It is this difference that gives Hong Kong people a sense of distance from the mainland.

I never thought I was from Hong Kong, but I always thought I was from China. Since I was a child, I felt that there should be no difference between Taiwan Province Province and overseas Chinese. I'll find it strange. Why do you want to divide it? We are all from China. No matter where we were born, we are all from China, with the blood of China.

Why are there no new martial arts stars after Jackie Chan, Jet Li and Yang Ziqiong? One of the reasons is that we don't attach importance to talent training.

A good work should be able to cross regional and cultural differences, and movies can be understood by audiences in different countries. This is already an art. I don't quite agree with those works that are too narcissistic, because I think movies should meet the tastes and needs of the public.

Good directors have to schedule, and good actors have to schedule because our development is relatively slow.

Excerpts from classic quotations of Hong Kong actor Adam Cheng.

Adam Cheng is a Hong Kong actor and singer. 1967 starred in the movie "Black Star" for the first time. 1970 joined TVB, started to appear in TV series and released personal records. 1976 The Book of the Sword Love and Hate was decorated with triangles by one person, which caused a sensation in Hong Kong and Southeast Asia. 1979 Chu Liuxiang in Taiwan Province province; 199 1 year, "joking and doing good" became popular in Chinese mainland. 1992 interprets the evil of the great era and creates a unique phenomenon in Hong Kong's stock market and economic circles, which is called the autumn official effect. His songs have been selected into the top ten Chinese golden songs in Hong Kong for many times, and won the Golden Needle Award, the highest honor award in Hong Kong music scene in 2006. His representative tracks are Chu Liuxiang, Laughing at the Wind and Cloud, Staring at the Sky, etc. Qiu Guan is still active on the screen and an evergreen tree in the art world.

Adam Cheng's classic quotations:

Every muscle of an actor's body should be relaxed to master acting skills and his feelings should be relaxed.

I am an actor, and I hope to enjoy it by acting, but if I always eat shark's fin and abalone, it will be boring, and people will occasionally want to eat vegetables and carrots!

I am a good actor, but when I was a father, I was a complete failure. Now my education can't compare with before. You're not the only one with the baby. They are also individuals. You can't beat and scold them Try to explain to her. When she fell, I had to help her up.

Absolutely not perfect! It can be said that it is a pursuit, but it will not force you to do your best, and hope to do your best.

I am an ordinary person with many shortcomings and poor cultivation. If you look at me like that, I'll be nervous. I don't want others to look up to me because I'm really afraid of disappointing others because of my many shortcomings. I hope everyone will treat me as a good friend and learn from each other, which may make me relax!

To be a man, you should know and stick to your best position, so that you can have the most comfortable shelter at any time.

I believe everyone will remember that there is a saying in The Analects that all bets are off, so do you benefit modestly? When you do something, others will measure how much weight you have in it. Accept others' criticisms and opinions with an open mind, and then make a review and improvement on yourself, which will always benefit you. Of course, you must have enough self-confidence to do anything, so that things will be smoother.

Three quarters of life is character and part is courtesy. Nothing is more popular than politeness.

No matter how busy you are at work, you should make time to read, try to absorb the rich literary essence in the book, and enhance your personal connotation and literary accomplishment. I can also analyze the truth, distinguish between good and evil, and distinguish between good and bad, all thanks to the gifts of those great hearts. A good book can make you as friendly as possible to people's reactions to things and expand your interest as much as possible.

I like acting, I like to think about the expression of characters' feelings before acting, and I like the satisfaction after acting. Doing what you are interested in is often bitter and sweet.

Excerpts from Jing Wong's Classic Quotations.

Jing Wong, formerly known as Wang Rixiang, is a famous film director in Hong Kong, and is regarded as a genius director in Hong Kong. He was born in Hong Kong and his ancestral home is Shaoxing, Zhejiang. He is a famous director in Hong Kong, and his father is a famous director Wang Tianlin. Jing Wong wrote the first screenplay "Ghost Horse" on 1977. Over the past ten years, he has compiled more than 40 plays. 198 1 year, first directed the film "Thousands of Kings Fight Thousands of Overlords". His films include Chasing Women in Hardcover, Best Bad Friend, Supreme, Gambler and so on. From 65438 to 0997, he joined hands with Wen Juan and others to set up the Best Partner Film Company. In recent years, his representative works include The Gambler and Las Vegas, The King of Thousands 2000, The Future Police, The Inn of the God of Wealth and The Secret Dog.

Jing Wong's classic quotations:

My bottom line is clear, that is, I will not be helpless. To survive in this world, you must have a pair of sharp eyes.

The role of film critics is mainly to encourage filmmakers in good faith. But now most of them are grandstanding and magnifying themselves. In fact, film criticism should also be literary criticism. Literary criticism is not to kill writers, but to lead literature to the right path.

I never thought erotic films could prove the quality of a director. In fact, my films have always praised women. I must let women read it without blushing or resenting. This is the bottom line I have always adhered to.

If everyone is good, the movie world is really good. The movie world won't get better if one family dominates or one or two plays sell money. It must be prosperous as a whole and everyone's box office is good, so that the film industry will reach a grand slam under the circumstance of mutual stimulation.

The film market is not based on the quality of films, but on society and economy. When the social economy develops to a certain stage, the demand for films is huge, and the film market is established in this way. It wasn't 10' s director who made 10' s excellent film, and the film market suddenly expanded.

A director should find some respectable film reviews and absorb other people's opinions, instead of getting angry at some boring criticisms.

I don't deliberately imitate others. Everyone has different cultural background and different conditions. Imitation is not a smart behavior. The director does not change with the times, nor is he a clever director. Why not make a change?

I don't want to shift my focus to the mainland, but everyone wants it, and any director wants it. Who hasn't? That is an idiot. Anyone who knows the market can make some achievements in a mature market.

I think the most important thing is to be different. If everyone has a low chest, you have a low chest, everyone has short sleeves, everyone is funny, you are funny, and you are dead. Be sure to let everyone remember that you are different from others, then you have a chance to become popular.

I can shoot for 32 years, and the bigger I shoot, the more I prove my strength. Those talkative idiots say whatever they like. I'm used to it.

Film is the eighth art, but it is not my art. My art can be music and painting, but it is not film. Movies are for me to eat. How can they be regarded as art? My movies have always been for commercial purposes. Good box office and money are my movies. Art and business are in conflict.

Sexy is not wearing less, but a feeling and an attitude.

I have my own way of watching actors. In addition to being handsome and beautiful, a person must have qualities that others don't have, so that he can become a star.

You must always have some unique talents. You can see more clearly and further than others, and the greater your chances of success. I have found many stars in Hong Kong, and I don't deny that my eyes are unique than others.

We filmmakers are nomadic people, where there is water and grass, we will go; Where there is a large audience, we will go.

Personally, I don't reject art films, but I also like the films of many great artists. But the market has a division of labor, and I am destined to be in the position of making money in business. I won't talk big, but I have my own principles. I really enjoy this working state.

I always felt that there were no bad actors, only bad directors.

Gambling is a state of mind, not an act, but what I shot is a state of mind, not an act.

Write jokes about recent events every day. How can you not be inspired? Every time I succeed, I will sum up why I succeed. The most important thing for a director is to satisfy the audience, not himself.

I can't fool Xiaogang Feng with lip service. I can only use the overall action and atmosphere.

There are two people in and out of my play. Although I can always gamble, I don't usually gamble. I know that once I get stuck, I can't get out again.

Making erotic films is a market need, which does not mean that there is something wrong with personality.

Some people say that I suck at filming, so I will never say that about others. It doesn't matter if you say you can't meet the standard. Why do you use such insulting words? So people who talk like this are bad people.

Many filmmakers don't understand entertainment films, so they have to hide behind art films. They can make ten art films, and they can use the word art to cover up their shame. If they make an entertainment film, he will become a rotten egg at the box office. They have no courage to challenge the market.

Humor in movies and humor in life are two different things. Unfortunately, you can't have your cake and eat it. Often people who are humorous in movies are boring in life. And it is not necessarily humor that causes everyone to laugh, but it may be funny. This is an accurate calculation of laughter. Humor in life is not presupposed, but improvised.

I think what is more important than acting is respect for people. I know what I want before I enter the set. Just tell the actors what you want, and then delete what you don't want like an article, and everyone will be very efficient.

I won't be a director who treats actors like clay dolls. They are not puppets. They can find the most suitable method. All I have to do is give them a platform to play and give them some direction at the critical moment, that's all.

I think actors mainly look at personality and temperament. Why some actors become meteors or never catch fire is not because of his acting skills, but because of his personality. There is no necessary reason for the audience to look at anyone. That's why people are too dragging, and they are all idiots. Without you, everyone can live together, but unfortunately many people don't think so.

My father gave me a model to let me know how much you will be hurt in this business. It's like if you have a road map, you can avoid all the reefs and have a safe route.

The funny people in the movies are all boring people in life. Chaplin, Stephen Chow and he all conform to this theorem.

I can't lie, but no one can lie to me. I don't just look at the fancy in front of the board, I always look at the back of the board. There is only the truth in my life, so people like me will not be very happy. People who cheat themselves will have a chance to be happy.

Excerpts from the classic quotations of Hong Kong opera actors and film and television actors in Horse in the Afternoon.

Wu Ma, whose real name is Feng Hongyuan,1was born in Tianjin on May 28th, 942. He is a Hong Kong drama actor, film actor, director and screenwriter. Famous character actor. The first graduate of Southland Experimental Troupe of Shaw Film Company. From 65438 to 0959, he moved to Hong Kong with his family. 1963, became a film actor after joining Shaw Company and joined Hongjiaban. During this period, I studied in Zhang Che as an assistant director. From 65438 to 0965, Mulan, directed by Zhang Che and Chiu Feng Yuan, became famous. 1970 directed the film Sword of Wrath independently. 1980 Participated in the comedy film "Salted Fish Comes Again" directed by Mai Jia. 1987 was known to the audience for her role of Yan Chixia in Ghost Story, and won the Best Supporting Actor Award in the 24th Taiwan Film Golden Horse Award. 1994, Wu Ma starred in the movie "Six Fingers Qin Magic". 200 1 starring in the TV series "For this Pure Land". In 2004, he starred in the costume movie "Bitch and Teenage Girl" and played Song Yasi and Song Jiang. In 20xx, he played Ji Zha in the costume drama The Art of War. In 20xx, he won 15 Best Actor Award of Shanghai International Film Festival Film Channel Media Award for his film "Painting the Sage".

Classic sayings of afternoon horse:

We pedestrians are all late bloomers. It is impossible for a calm and realistic person to do this job for a long time.

Acting is like this. Everyone plays the leading role. Doesn't mean you're the protagonist from beginning to end. As long as you are an important person in a plot, you are the protagonist.

Of course, I hope to do well in acting, and don't care too much about the so-called selection, because as long as there is an election, there will be no 100% fairness.

Money is a thing apart from me, and I never worry that others will cheat me. Men should not be afraid to spend money, but they will not make money. Don't care about these. Men should be able to play again.

I am not tired of acting. When there is no chance, you have to create it yourself.

If you don't make money for profit, it's better not to make money for profit.

At my age, there is no need to make a big fuss. Young people can publicize, but for people like me who are impossible, right, and have no capital, marriage and divorce depend on capital, and wine also depends on capital. The better the scene, the greater the chance of divorce. If you keep a low profile, your chances of leaving are slim.

The mentality of our profession is very naive, and we are always in a state of semi-fantasy. In fact, our minds are not so sound. Now we are more mature and steady, and we can grow up slowly.

I didn't have this concept before I got married, and I didn't have such a strong sense of responsibility for my family. Now let me measure it. I'm sorry if this will affect my family, but this job will be cancelled.

I prefer to make friends. Starting from today, the environment makes me prefer to be lively. Like many people, I went to be an actor, an assistant director and then a director. I'm really used to being with many people, and I also like to eat and chat with a group of people after work.

Love should be a long flowing water that can last a lifetime. For this, it is also a parrot. It is important to always listen to the true echo in your heart, because love is always beautiful.

I know the paparazzi in Hong Kong too well. Maybe they will check my wife's previous work, even her parents' work. They will question why a girl is willing to marry an old man. Why should I let them create unnecessary trouble out of thin air?

On the big screen, everyone is the protagonist.