Why does everyone support Zhao Benshan? Are duets from the Northeast that hot?

Today, the audience can appreciate Zhao Benshan's sketch art, and it is said that they should thank Jiang Kun. 1987, Jiang Kun accidentally watched Zhao Benshan's performance in Tieling, Liaoning. Later, he strongly recommended Zhao Benshan to be a director of CCTV. At that time, he said that there was a very good actor in Liaoning. He performed a program, and some of the audience fainted from laughter and some had a heart attack. His impromptu performance on the stage and the mobilization of the audience's emotions are excellent and charming. This man's name is Zhao Benshan.

As soon as Zhao Benshan stepped onto the 1990 CCTV Spring Festival Evening, the sketch of northern Liaoning took root in CCTV. If there is no sketch in northern Liaoning in the annual Spring Festival Evening, the audience will feel tasteless. For more than ten years, Zhao Benshan has been deeply loved by hundreds of millions of viewers.

Why are Zhao Can Benshan's sketches loved by the audience? Cui Kai, vice-chairman of Liaoning Federation of Literary and Art Circles, said that the northern Liaoning sketch, represented by Zhao Benshan, is an artistic style rooted in the unique culture of Northeast China, with a strong northeast flavor, and it is this original northeast flavor that conquered the national audience. Zhao Benshan

The climate in Northeast China is cold, and the vast Songliao Plain is very fast in winter. What do people in Cat Dong Er live on for a long time? Get a brazier, sit on the heatable adobe sleeping platform around the mound, sing a local opera "Errenzhuan", tell a story and tell a joke, and make everyone laugh. Traditional and modern, all kinds of emotions and feelings are vented. It can be said that the harsh natural geographical environment in Northeast China forced out the unique culture in North China. The language in North Liaoning is full of vivid factors and has strong vitality. Especially in the local drama "Errenzhuan", the hero is called "Ugly" and the heroine is called "Dan". The clown mediates the atmosphere, makes jokes and makes a series of impromptu remarks.

The profound cultural heritage of Black Land nourishes Zhao Benshan. He is so familiar with the art of laughter, and his natural sense of comedy has formed the unique artistic charm of Zhao Benshan's sketches-everything is taken from life and spoken through Zhao Benshan's mouth is a joke.

It should be said that the lifeline of Zhao Benshan's sketches is language. His authentic northern Liaoning dialect is penetrating because of its unique grammar, pronunciation and vocabulary. His mouth was full of pimples, wisecracks, two-part allegorical sayings and spiritual practice, and the baggage shook so loudly that the audience was deeply intoxicated. In this way, he conquered hundreds of millions of audiences with the unique humor, exaggeration and humor of northern farmers.

The greatest linguistic feature of Zhao Benshan's sketches is rich and vivid spoken English. Zhao Benshan inherited an important artistic heritage from "Errenzhuan", that is "talking". He can not only accurately grasp the rhythm and rhythm of traditional speaking, but also create a brand-new speaking style with modern words and country slang according to the aesthetic taste of modern audiences. The language has a distinct rhythm, is very catchy, charming and contains a charming sense of humor.

Secondly, the language of Zhao Benshan's sketches seems relaxed, but it is actually thought-provoking. "As long as you young people jump up and hug, we old people can only rely on it." In "Blind Date", Xu Laokun's words reach the hearts of the audience, which makes people laugh and have a sour feeling in their hearts. Zhao Benshan, with his profound understanding and feeling of life, life and art, accurately grasped the turning point of various characters and the psychology and emotion of the audience, and every sentence and word can fit the psychology of the audience.

Zhao Benshan's "withering" series is the most dazzling scenery in his works of art. He is tired, weak, procrastinating, funny in his words, cunning in his kindness, occasionally throwing out a pimple and a small burden, and suddenly a sentence that makes people laugh. In the sketch "Blind Date", when Ma Ya asked what it meant, And what is "happiness"? Suffer. Xu Laokun's series of teasing and well-intentioned teasing about Maya is a kind of rebellious expression when he loves to the extreme, which cleverly sets off the old man's infatuation with Maya.

Moreover, Zhao Benshan's language has a sense of comedy. He plays various comedy roles in a series of sketches. Their age, identity, image and personality are all different, but only one thing is the same. That is to say, the protagonist cannot be changed without his ugliness, his appearance, his language and his actions. He played the ugly ones in a serious way. For example, in Blind Date, Zhao Benshan designed body language for Xu Laokun, such as stumbling and occasionally rubbing his toes on the ground. These audiences don't feel ugly, they just feel funny and amused, which makes people feel the kindness and truth of the characters.

"The producer of laughter is worthy of respect. Zhao Benshan and his sketch art touched the laughing nerves of the times and ushered in the era of large-scale laughter of the Chinese nation. " Yu, a famous scholar, appreciates Zhao Benshan's sketch art very much. He said: Laughter also needs a reason. Zhao Benshan's sketches provide people with this reason. After superb art and well-meaning teasing, artists make people laugh, relax and enjoy emotions. From farmers to professors, no one needs a knowing smile.

The sketches in northern Liaoning have been active on the stage for more than ten years. In the past ten years, the audience in China have been intoxicated with the laughter brewed by black soil culture. In the past ten years, sketch artists in northern Liaoning, represented by Zhao Benshan, have been fighting for it, constantly innovating, surpassing and upgrading themselves, and holding out a piece of fine art for the audience.