What crazy dog blood plots are there in film and television dramas?

One of the scenes: the hero who can't be killed has never practiced, and he has several skills. The heroes in the movie are all "copper peas" that can't be boiled and beaten. Every time I see them being shot several times, chopped several times, or thrown several times, they still fall heavily on a hard object, and even the inside of their bodies begins to make a frightening sound of broken bones. Please don't worry, because they will never die! In the next shot, people will see the strong man, or the man who is not so strong, standing up again in the sunset, at night, in full view, with tears in his lover's eyes! At this moment, they were all possessed by the soul of the saint saint seiya. Their blood stopped flowing, their wounds stopped hurting, and their bones automatically joined in an instant. So I started to fight back and clean up my opponent. So, don't panic when you see the protagonist in an action movie being beaten by a dog. They often have secret magic weapons, such as the hero in League of Assassins, who takes a dip in the medicine pool every time he comes back from an injury, and then becomes glamorous and lovely when he comes out. Bridge 2: The spoof MV of "pure men never watch the scene of the explosion" can definitely become one of the "bibles" in the hearts of fans. It makes fun of how the dog blood bridge teases our brains so truly and accurately that all illogical things are covered up by "cool" and "awesome". So look at the tough guy in the film. They never looked back before the explosion. They created a hot atmosphere, and then left the scene with a facial paralysis-like Leng Yan expression. Whether will smith, Denzel Hayes Washington Jr. and Bruce Willis, or Heath Ledger in nurse's uniform and clown makeup, they will always hold their heads high, as if they were "King Kong protectors", and they will neither be washed down by the explosion airflow, nor be shattered by the explosion, nor be hit by the flying debris behind them. In the face of the explosion, they are so brave, so determined and never look back! Bridge 3: vampires want to fall in love with ordinary girls. Since Gary Oldman in 400 Years of Vampires and Zombies touched countless people with infatuation, vampires have to be handsome. They are mysterious and beautiful, with pale skin and noble temperament. They are bewitched by smiles and live forever. Over time, women have a new standard for "Prince Charming", that is, the other person must be a vampire. As a result, whether it is a blockbuster or a hit American TV series, the love between vampires and human girls is earth-shattering. If a werewolf is added to join in the fun, even the problem of "love triangle" will be solved together. Those handsome vampire boys, on the one hand, spoil girls who can be eaten as food, on the other hand, show their fangs, which are dangerous and exciting, absurd and conventional, but popular. Countless girls seem to wash their necks, waiting to be bitten by their "dream lover", and then they can grow old together. So, when you watch movies or soap operas, as long as you find a handsome male vampire, please don't panic, because he must be a lover and a monster at the same time, so you can talk to him, flirt and even "sleep" with confidence. Bridge 4: Sprinkling wine is the best punishment for men by women. The gangster in sopranos took his wife to a fancy restaurant for dinner. On the way, he said solemnly, "honey, I have something to talk to you." Then the wife moved her cup to one side. He asked her what she was doing, and she replied, "It's a good thing you picked it up and threw it to you when you filed for divorce." In countless movies and soap operas, women and men love to quarrel in places where drinks are sold, such as restaurants or cafes. It seems that it is particularly convenient for a woman to pick up a drink at hand and throw it in a man's face, and then she can leave smartly. And in most cases, the woman must wear tight skirts and high heels to make her walking posture look more attractive. It seems that all filmmakers are convinced that losing a man's face in public in the hall is the best punishment, otherwise it seems that the play can't go on. Therefore, every time I see the men in the movie who look stupid and forced, they nervously ask women to go to the restaurant to say something not so good, and basically they find themselves to spill it. Bridge 5: All male stylists are sissies. When a trendy movie tells you how to guide the audience to catch up with popular movies, nine times out of ten, you will see a male stylist or fashion designer dressed up beautifully, twisting his ass, talking loudly and finding fault with everything. It seems that all men who are keen on dressing up are gay. They must be sissy, they must find fault with the heroine's clothes and makeup anytime and anywhere, they must communicate with people with blue fingers up, and their words are sharp and mean like a real bitch. No matter how difficult it is for these female gun stylists, they are all like blind mediators in the film, who can instantly inject vitality into the original dull plot. No wonder several women in the American sitcom "Love is not an accident" want to improve their dress taste by making close friends. It seems that male stylists have no inspiration without being mothers, and all creative talents will flourish in mothers. So even if you are really not a girl, at least pretend to be a girl, otherwise who will believe you are in this business? ! Bridge 6: It's true to die with your eyes open. The "revolutionary experience" of watching soap operas for many years tells us that falling off a cliff, falling into the sea, or closing your eyes and waiting for death are all "nonsense". It won't take long for these people to "resurrect with blood" and jump in front of your eyes again. So, don't believe that people who close their eyes are dead. In fact, to die with your eyes open is the real death! In film and television dramas, apart from "seeing a corpse when dying", the way to confirm death is to observe the state of his eyes. It is best to "stare", which means that he died indignantly and half-opened, which means that he died miserably, but at least we have put a stone down in our hearts, because we can confirm that the character has been officially declared dead. By the way, I bring out a dog's blood detail, that is, there are always good people (usually the protagonist). The seventh bridge: villains always kill their own people. There is no doubt that in the movie, the villain, especially the villain of the big bosses, will kill several men to show cruelty and disregard for human life. If men do not do well, they should be killed; The woman who sleeps with the boss should be killed; Flee from battle, kill; Kill if you say something wrong; Kill if you say it right; Too stupid to kill; Too smart, more to kill! It can be seen that being a subordinate of a villain is really a thankless thing. From the time those gangsters worshipped the prefix, it was equivalent to stepping into the coffin with one leg. Moreover, these bosses never seem to worry that no one will work for him, and they always kill as many as they want. Anyway, there will be more daredevils crying to take refuge in his door, which may be the reason why bosses don't take their lives as their own. Bridge 8: There are always undercover in gangs, which is the magic weapon for police and gangster movies forever. Without undercover, policemen and gangsters would probably be much more boring, especially Hong Kong movies. Undercover is everywhere, and Liu Weiqiang's film Infernal Affairs carries forward the essence of undercover. As a result, the undercover image created by Tony Leung Chiu Wai is regarded as a classic by many fans. Not long ago, Nicholas Tse won an Oscar for his role as an informant, that is, a "undercover" compiled by a non-policeman. It can be seen that "there are many undercover stories", full of sadness and resentment. Some undercover people get tangled up when they meet big bosses. There are also some unlucky people who have to pay attention to self-protection when they meet smart and cunning bosses; In short, undercover's mission is the same, but their fate is different. But in the end, most people will say to their underworld brothers in a choked and messy tone: "Sorry, I am undercover!" Bridge 9: Amnesia is the most flexible bridge used by writers and directors. Whether it is a hero, a spy, a murderer, a lover or a terrorist, you may lose your memory in an instant. If it is a romantic literary film, amnesia is a sensational prop; It is a suspense horror film, and amnesia has become a fog that creates terror; It is an art film, and amnesia can also be used by filmmakers to explore life and analyze human nature. This shows how changeable and interesting amnesia is. No wonder the movies are full of "amnesiacs". Scripts are their best destination. Numerous screenwriters have successfully completed their creative tasks through this, and actors also feel that this has fully tested their acting skills and is a good challenge. Therefore, filmmakers can't live without "amnesia"! Bridge 10: When I intend to be the "last vote", something will happen. In the movie, one or several Jianghu people vowed: "This is the last vote we made, and then I want to go back to my hometown to farm." Then when we came out with our backpacks, we could not help but mourn for him in advance, because we knew that this situation would mean that the man would not live long. Yes, the "last vote" in the movie is as horrible as sending yourself to a dead end, so don't use the line "wash your hands when you're done" to give yourself a funeral. Often there is no return, leaving only regret. Countless experiences and lessons tell us that the "last vote" cannot be done. Whether the robber robbed the bank for the last time, the killer made a deal for the last time, or the police performed the last task before retirement, it was basically a precursor to the death knell. It is hard to imagine or say! Section 11: You usually have to think twice before you suddenly walk into the room alone in bed, because you are likely to be knocked unconscious or see a man and a woman wrapped in rolled sheets, and then one of them jumps up and says to you piteously, "It's not what you see, please listen to me ..." Yes, most of the "adulterers and adulterers" in movies are found in bed at the moment when the phoenix falls. These dogs are unlucky and unrestrained, which is really amazing. Therefore, under normal circumstances, the pure love drama before marriage is mainly about catching two people kissing or hugging, and the family ethics drama after marriage is mainly about catching a rape in bed. However, there are some "special" ones. For example, in the movie "Brother and Sister", Catherine Zeta-Jones, the heroine, found her boyfriend having sex with another chick in the corner of the kitchen in a video shot at a party, so she broke up with her angrily. Bridge 12: The hero and heroine always miss several times in one place before meeting. The subway station is like a bathroom. Finding a partner to get married is constantly wandering there, leading to a beautiful encounter, followed by some contradictions, breaking up again, and finally going to subway stations and other places. Because of the time difference, they missed many encounters, and they met again when they were about to flush people out of their hearts. From then on, they spent a wonderful month together. Whether you are tired of watching it, or repeating in your mind why two people are looking for each other, why not make a phone call and send a text message to make an appointment or something, the game has to go on like this, and the hero and heroine are just giving you the wrong show and trying their best to show the so-called wandering and tortuous love course. After a lot of hardships, I finally ran into it head-on, thinking that I had portrayed the wonderful shape of "destiny takes a hand", and the audience couldn't help yawning secretly. Bridge 13: The bad guys always kill the good guys too slowly, resulting in a narrow escape for the good guys. So far, the most incomprehensible thing is that in almost all action movies, the bad guys kill people without blinking an eye, and like to shoot one shot at a time or shoot without mercy, so as to end the supporting actors and extras neatly. But when it's the hero's turn to be pointed a gun at his head by a bad guy, please just sit there and pinch the time, because the bad guy is bound to nag, laugh at the hero, laugh wildly, or be slow, and the killing method is surprisingly delayed until the hero recovers his strength and finds a flaw to attack, so he turns around and turns around and wins. So when we see a good man being subdued by a bad man with a weapon, if the good man happens to be the protagonist, don't panic, because the bad man will soon become a chatterbox, and he will hesitate or even be unwilling to take the life of the protagonist, which is why James Bond has been alive. Bridge 14: There is always enough time to copy files from the computer. High-tech crimes are shown in movies. The most common method is to steal some shocking top secret documents from the computer. You watch the percentage displayed on the movie screen rise at a tortoise speed, and people outside have stepped out of the elevator, crossed the corridor, taken out their cards or received eye scans. As long as he opens another door, he will be caught. But I don't know why, the "thief" can always complete the task at a critical moment and get away with it. The timing is too accurate for people to accept. Of course, the most distressing thing is that movies often tease us with montages. In the last scene, the man was still nervously copying files to the USB flash drive in front of the computer. In the next scene, his sworn enemy opens the door and comes in, but the room is empty, so he has run away! Bridge 15: Good brothers always love the same woman, that is to say, they should treat each other sincerely and risk their lives together. Their feelings are indestructible, so when they take a fancy to the same woman, cracks arise, all kinds of grievances begin, and the bitter wine of love is finally brewing. Although brothers are like brothers and women are like clothes, too many brothers and sisters in the movie are eyeing the same clothes, which leads to enemies or misunderstandings. In short, in the end, it is to destroy the feelings of brothers. As a result, friendship is facing a test, and women are entangled in everything. As long as it involves the content of "multi-angle love", almost all films have the shadow of Qiong Yao's masterpiece "International Nuclear Accident Level", and brothers and sisters begin to learn from each other, hide from each other or dig each other's bitter classics and so on. Patterns are constantly being refurbished, but there is only one reason: their tastes are too single. Bridge 16: The time bomb must be dismantled a few seconds before it is started. After watching the movie, I realized that the time bomb was covered with colorful lines, which was the most fucked-up job that criminals found for the police. As long as there is a time bomb, you have to sit there and "point at the soldiers" and struggle whether to cut the red line or the blue line. Most "geniuses" finally closed their eyes and hacked one, and the timer stopped; Others carefully calculated and repeatedly studied the psychology of criminals and successfully completed the task. However, no matter what method is used to eliminate the disaster, the numbers on this timer will not deceive people. It was saved in a few seconds or even a second before the explosion, and then the whole audience cheered. No wonder a film like "hurt locker" won an Oscar, because it completely cured this cliche, and every bomb disposal scene was abandoned one or two minutes before the explosion time, or was demolished in plenty of time. Realism tells you what is reasonable, while blockbusters just express a fascinating fantasy. Please distinguish clearly. Bridge 17: He (she) got a terminal illness one day. In reality, most people will feel each other's repressed will, but "terminally ill" means "eternal life" in the movie. So countless sensational movies have to take out one of a good couple and make him (her) terminally ill, as if in this way, pure love drama can go on. Therefore, there is no need to joke that there are many incurable diseases in Japanese dramas and Korean dramas, and movies also rely on this to create so-called "drama conflicts." What do you think of this love story? You have to create some trouble for them, constantly increase obstacles and earn some tears to impress them. It can be seen that the most unique place in "The Terminal Disease" is not the symptoms, but the tragic fate behind it can make the story look extraordinary, and the loyalty between lovers becomes particularly precious. Therefore, as long as love movies still have box office, incurable diseases can only appear in science fiction movies. Otherwise, how can love last forever, and how can filmmakers toss the emotions of the audience?